Crane, China for export, ca. 1750
Crane, China for export, ca. 1750, porcelain. Peadody Essex Museum © 2001-2014 The Peabody Essex Museum.
Coffeepot with Mounts, China for export (?), late 17th century
Coffeepot with Mounts, China for export (?), late 17th century, porcelain, bronze, gold. Peadody Essex Museum © 2001-2014 The Peabody Essex Museum.
Plate with European Figures, China for export, ca.1745
Plate with European Figures, China for export, ca.1745, porcelain. Peadody Essex Museum © 2001-2014 The Peabody Essex Museum.
Container in the Form of a Toad, China for export, 17th century
Container in the Form of a Toad, China for export, 17th century, porcelain. Peadody Essex Museum © 2001-2014 The Peabody Essex Museum.
Pilgrim Flask, China for export, ca. 1580-1635
Pilgrim Flask, China for export, ca. 1580-1635, porcelain. Peadody Essex Museum © 2001-2014 The Peabody Essex Museum.
Chinese export art reflects the complex and fascinating interaction between artistic and cultural traditions of East and West.
Unique handmade jewellery by Esther Brinkmann on view at Chemould Prescott Road
Esther Brinkmann, Cocoon, 2014. Neckpiece, 2014, Stone, Copper. Box: Teakwood, Silk. Photo (C) Chemould Prescott Road
MUMBAI.- Esther Brinkmann (b) 1953, the Swiss born celebrated jewellery designer will showcase her new works in the exhibition Renewable Pleasures: The India Chapter, at Chemould Prescott Road, Mumbai, India, this July 28, 2014. The exhibition presenting unique handmade neckpieces, rings and brooches complimented in precious material, will run until August 23, 2014.
Professionally trained in Geneva, Esther’s latest solo exhibitions include, East West - DONG XI, Feigallery, Guangzhou, 2010 Clouds and other dreams of Jewels, GOELIA 225 Space, Guangzhou, 2009, Not for your body only, Feigallery, Guangzhou, 2008. Her works have been presented in Entfesselt – Schmuck ohne Grenzen, Museum Bellerive, Zurich, CH, 2012, Décor, Design et Industrie, les arts appliqués à Genève, Musée d’Art et d’Histoire, Genève, CH, 2010/11, from hand to hand, mudac, Museum of contemporary design and art, Lausanne, CH, 2008.
From 2005 to 2010 she lived in China and from 2010 to 2014 she has lived in India. These long “residencies” have occurred being the wife of a Swiss Diplomat. Both countries, China and India with strong cultural identities have in their own way fed new ideas into Brinkmann’s timeless yet contemporary forms.
In India, Brinkmann worked with a master craftsman who is an expert in traditional inlay work found in traditional Indian Jewellery. Kamal meenakar and Brinkmann exchanged ideas of colour, which she incorporated into her existing forms.
Renewable Pleasures: The India Chapter marks the end of her four years expedition in India at Chemould Prescott Road. Her upcoming participation will be at Multiple Exposures, Museum of Art and design, New York later this year.
Esther Brinkmann, Chain with 2 Elements Nr. 3. Necklace, 2014. Copper, Jade Rings. Box: Bamboo, Silk. Photo (C) Chemould Prescott Road
Esther Brinkmann, Untitled. Pendant, 2014. Enamel on Oxidized SIlver, Peridot, Embroidery with malachite Pearls and River Pearls, Oxidized Silverchain. Box: Bamboo, Silk. Photo (C) Chemould Prescott Road
Esther Brinkmann, Untitled. Pendant, 2013. Enamel on Gold, Raw Rubies, Handmade Silkstring (Japan). Box: Bamboo , Silk. Photo (C) Chemould Prescott Road
Esther Brinkmann, Untitled. Pendant, 2013.Enamel on Gold, Topaz, String. Box: Bamboo, Silk. Photo (C) Chemould Prescott Road
Esther Brinkmann, Shield 2. Neckpiece, 2014. Slate, Oxidized Copper. Box: Bamboo, Silk. Photo (C) Chemould Prescott Road
Esther Brinkmann, Shield 3. Neckpiece, 2014. Stone, Oxidized Copper. Box: Bamboo, Silk. Photo (C) Chemould Prescott Road
Esther Brinkmann, Untitled. Neckpiece, 2014, Rhodonite, Oxidized Silver. Box: Teakwood, Silver. Photo (C) Chemould Prescott Road
Esther Brinkmann, Broken Line 2. Necklace, 2014. Oxidized Iron Tubes, Oxidized Silver Tubes, Iron Nuggets, 750 Gold. Box: Wooden, Felt. Photo (C) Chemould Prescott Road
Esther Brinkmann, Broken Line 3 (edition of 2, 2/2). Necklace. Oxidized Iron Tubes, Oxidized Silver Tubes, 750 Gold Tubes. Box: Teakwood, Silk. Photo (C) Chemould Prescott Road
Esther Brinkmann, Red Face and Double. Red Thread, Resin, Gold Cast & Chiselled Gold. Box: Bamboo, Felt.
Esther Brinkmann, Red Face and Double. Red Thread, Resin, Silver Cast, Oxidized & Chiselled Silver. Box: Bamboo, Felt. Photo (C) Chemould Prescott Road
Esther Brinkmann, Solitaires (Multiple), 2011.Enamel on Gold, Polki Diamond, Enamel on Silver, Oxidized Polki Diamond. Box: Teakwood. Photo (C) Chemould Prescott Road
Esther Brinkmann, Double Ring, 2010. Iron, Gold 750, Inner Ring Copper. Box: Iron. Photo (C) Chemould Prescott Road
Esther Brinkmann, Double ring, 2002, forged Gold 750, Freshwater Pearl. Box: Ebonywood. Photo (C) Chemould Prescott Road
Esther Brinkmann, Bell Fingervessel, 1999, Silver, Textile. Photo (C) Chemould Prescott Road
Esther Brinkmann, Bell Fingervessel, 2002. Gold, Textile. Photo (C) Chemould Prescott Road
Esther Brinkmann, Double Ring Fingervessel, 2002 2012. Cast Gold 750, Iron and Gold Dots. Box: Palmwood. Photo (C) Chemould Prescott Road
Esther Brinkmann, Double Ring, 2002. Cast and Forged Gold, Bone Gold 750. Box: Wooden. Photo (C) Chemould Prescott Road
Esther Brinkmann, Sphere Fingervessel, 2002. Iron. Box: Black MDF, iron. Photo (C) Chemould Prescott Road
Esther Brinkmann, Sphere Fingervessel. Hammered and Constructed Iron. Box: Wood Mdf, Iron. Photo (C) Chemould Prescott Road
Esther Brinkmann, Fragments of Birds Fingervessel. Double Ring, 2014. Enamel on Silver, Oxidized Copper. Photo (C) Chemould Prescott Road
Esther Brinkmann, Fingervessel. Double Ring, 2014. Enamel on Gold. Box: MDF, Rosewood. Photo (C) Chemould Prescott Road
Esther Brinkmann, Ring, 2002. Cast and Forged Gold 750. Photo (C) Chemould Prescott Road
Very Cute Hedgehog par Tim Booth
Photo Very Cute Hedgehog par Tim Booth on 500px
Photo Very Cute Hedgehog II par Tim Booth on 500px
Coupe à couverte blanche type "ding", 12e siècle, Dynastie Song du Nord du Nord-Dynastie Jin
Coupe à couverte blanche type "ding", 12e siècle, Dynastie Song du Nord du Nord (960-1127) - Dynastie Jin (1115-1234), grès porcelaineux, fours de Dingzhou, province de Hebei. Hauteur : 0.075 m. Largeur : 0.21 m. Legs Curtis. Dépôt du musée Guimet, 1951. MNC22757;MA804. Sèvres, Cité de la céramique. Photo (C) RMN-Grand Palais (Sèvres, Cité de la céramique) / Martine Beck-Coppola
Verseuse à double bec verseur en tête de phénix et à décor de pivoines, fours de Yaozhou, début du 11e siècle, Dynastie Song du
Verseuse à double bec verseur en tête de phénix et à décor de pivoines, fours de Yaozhou, début du 11e siècle, Dynastie Song du Nord du Nord (960-1127), grès porcelaineux à couverte céladon incisé. Hauteur : 0.205 m. Diamètre : 0.18 m. Ancienne collection Ernest Grandidier. G5119. Paris, musée Guimet - musée national des Arts asiatiques. Photo (C) RMN-Grand Palais (musée Guimet, Paris) / Richard Lambert.
Provient de Yaozhou. Chef-d'oeuvre des céladons du Nord. Ce type de pièce est également appelé "dong", du nom du four d'où il était supposé provenir.
Lave-pinceaux en forme de fleur de mauve "kui hua shi bixi", Dynastie Song du Nord du Nord (960-1127)
Lave-pinceaux en forme de fleur de mauve "kui hua shi bixi", Dynastie Song du Nord du Nord (960-1127), grès à couverte céladon craquelé. Hauteur : 0.05 m. Diamètre : 0.17 m. Paris, musée Guimet - musée national des Arts asiatiques. Photo (C) Musée Guimet, Paris, Dist. RMN-Grand Palais / Benjamin Soligny / Raphaël Chipault
Objet de lettré, influencé par l'art de l'orfèvrerie, ce pot à pinceau s'inspire des coupes en argent, à poucier et anse annulaire. C'est un des premiers exemple de ce type d'accessoire de lettré.
