The Reflected Self. © Simon Bevan

‘In hand, near unto the eye’ (Nicholas Hilliard on viewing portrait miniatures, c. 1599)

The art of portrait miniature painting flourished in Britain for over 300 years. Co-curated with miniatures specialist Emma Rutherford, The Reflected Self tells the story of these jewel-like artworks, from those held in the hand of Queen Elizabeth I to their eclipse by the invention of photography, and examines their functions in society.

These exquisitely painted, portable portraits performed several functions: as emblems of love and loyalty, as diplomatic gifts exchanged between foreign courts or as markers of royal favour.

The exhibition draws primarily on Compton Verney’s own outstanding collection of portrait miniatures, with important loans from the Dumas Egerton Trust Collection and private lenders. It includes works by all of the leading miniaturists to have worked in Britain since the mid-16th century including Nicholas Hilliard, Isaac Oliver, Samuel Cooper, Richard Cosway and John Smart.a

As well as exploring the history of miniatures, the exhibition highlights their enduring appeal for artists and designers working today. In each room, specially commissioned films bring to life the highly personal nature of these artworks, whilst works by contemporary artists demonstrate their ongoing relevance and ability to captivate.

Isaac Oliver(1556-1617), A Gentleman, previously called Robert Deveraux, 2nd Earl of Essex. © Compton Verney, photo Jamie Woodley

Isaac Oliver (1556-1617), A Noblewoman called Mrs. Holland. © Compton Verney, photo Jamie Woodley

Samuel Cooper (1608-1672), Oliver Cromwell, 1657. © Compton Verney

George Engleheart (1750-1829), A Boy, A Gentleman on the reverse,© Compton Verney, photo Jamie Woodley

Richard Cosway (1742-1821), A Lady, © Compton Verney, photo Jamie Woodley

The Reflected Self. © Simon Bevan