Aso O. Tavitian Foundation donates more than 330 works of art to the Clark Art Institute
Aso O. Tavitian. Photo credit Clark Art Institute, photo by Blake Gardner
Williamstown, Massachusetts — The Clark Art Institute has received one of the largest gifts in its history from the foundation of the late philanthropist Aso O. Tavitian. The gift includes 331 works of art from Mr. Tavitian’s personal collection and more than $45 million to endow a curatorial position to oversee the collection, provide necessary support for the collection’s long-term care, and fund construction of a new Aso O. Tavitian Wing at the Clark.
“It is an incredible honor to receive this transformational gift,” said Olivier Meslay, Hardymon Director of the Clark Art Institute. “During his lifetime, Aso Tavitian was a wonderful friend to the Clark and a generous supporter who provided us with exceptional leadership and dedication. We are deeply moved by his decision to place the heart of his collection in our trust and immensely grateful to the Trustees of his Foundation for their generosity in ensuring that we can fulfill his desire to share these treasures with the world through the addition of the new Aso O. Tavitian Wing that will house these remarkable works of art.”
Mr. Tavitian, who had homes in New York City and Stockbridge, Massachusetts, died in 2020. He served on the Clark’s Board of Trustees from 2006 to 2012 and remained engaged with the Clark throughout his lifetime. In 2011, Mr. Tavitian loaned thirty paintings and one sculpture from his collection to the Clark for the exhibition Eye to Eye: European Portraits, 1450–1850. Prior to his death, Mr. Tavitian made the decision to gift a significant portion of his collection to the Clark and had numerous conversations with the Institute’s leadership about his intentions.
The 331 works of art in the gift include 132 paintings, 130 sculptures, thirty-nine drawings, and thirty decorative arts objects, creating an important addition to the Clark’s holdings. The entirety of the Tavitian gift will be on view when the new Aso O. Tavitian Wing opens. Following an introductory presentation at the time of the new wing’s opening, the works on paper included in the gift will be made available for study purposes and be presented in periodic displays. The majority of paintings, sculpture, and decorative arts objects will be shown on a continual basis, both in the new Tavitian Wing and in the Clark’s permanent collection galleries.
The Tavitian gift is particularly rich in portraiture, including important works by Parmigianino, Peter Paul Rubens, Elizabeth Vigée Lebrun, Jean-Honoré Fragonard, and Jacques- Louis David, among others. Also included in the collection are landscapes by Hubert Robert, Claude-Joseph Vernet, and others, as well as religious paintings by artists including Jan van Eyck and Agnolo Bronzino. Sculpture is a great strength of the Tavitian Collection, with works in bronze, plaster, terracotta, marble, and other materials dating from the Renaissance through the late nineteenth-century by artists including Gian Lorenzo Bernini, Andrea della Robbia, Gil de Siloé, Clodion (Claude Michel), and Jean-Baptiste Carpeaux.
“Aso Tavitian’s collection of Early Modern paintings, sculpture, decorative arts, and drawings is truly one of the finest in the world,” said Esther Bell, Deputy Director and Robert and Martha Berman Lipp Chief Curator of the Clark. “In making this tremendous gift to the Clark, Aso ensured that the public will have access to these beautiful objects for future generations. We are eagerly anticipating the opportunity to share these works with our visitors.”
The Clark’s existing collection of paintings and sculpture ranges from the Renaissance to the end of the nineteenth century, with strengths in the second half of this period, and greater strength in paintings than in sculpture. The Tavitian gift covers the same period, but with strengths in the earlier periods, and with greater balance between paintings and sculpture. As such, this collection forms a perfect complement and addition to the Clark’s current holdings.
“Aso Tavitian was committed to creating a home for a significant part of his collection at the Clark, where the works that brought him such deep pleasure could be shared with the public,” said Candace Beinecke, President of the Aso O. Tavitian Foundation. “The trustees of the Tavitian Foundation are thrilled to see Aso’s wishes come to life in new galleries that will provide a glorious setting for his magnificent collection and a fitting tribute to this remarkable man’s legacy.”
In addition to the works of art and funding for a new addition, the gift creates an endowment for a new curatorial position, the Aso O. Tavitian Curator of Early Modern European Painting and Sculpture, as well as additional staffing to ensure continuous oversight of the works included in the collection. The gift also supports the publication of a catalogue documenting the collection, as well as the ongoing care and maintenance of the Tavitian Collection and the new facility.
THE ASO O. TAVITIAN WING
The Clark and the Trustees of the Tavitian Foundation jointly selected Selldorf Architects to design the new Aso O. Tavitian Wing that will be constructed on the Clark’s campus. The new facility will be positioned between the existing Museum Building and the Manton Research Center, creating a completely reconceived and more meaningful link between the two buildings and replacing the “bridge” that was originally created during the 1973 addition designed by Pietro Belluschi and The Architects Collaborative, Cambridge, Massachusetts.
Annabelle Selldorf leads the design team on the project, marking her third major engagement with the Clark. Selldorf previously oversaw the 2014 renovation of the Museum Building and the 2016 renovation of the Manton Research Center’s public spaces and galleries.
Completion of the new building is anticipated for some time between 2027 and 2028.
HIGHLIGHTS OF THE TAVITIAN COLLECTION AT THE CLARK
Beginning in 2004 and continuing until his death, Mr. Tavitian assembled one of the most important private groupings of Early Modern art amassed in this generation. Mr. Tavitian’s collection reflected his personal taste, his extraordinary eye, and his belief that seeing these works displayed together further illuminated each object.
Following Mr. Tavitian’s death, his foundation gifted two paintings from his collection to The Metropolitan Museum of Art (Francesco Salviati’s Bindo Altoviti, c.1545) and The Frick Collection (Giovanni Battista Moroni’s Portrait of a Woman, c.1575). These paintings featured prominently in exhibitions that were presented at these institutions in recent years. The gift to the Clark honors Mr. Tavitian’s wishes to keep a significant portion of his art collection intact so that the artworks could be displayed together.
The collection includes major works by many noted artists. Among the many important works included in the Tavitian gift are:
Jan van Eyck (Netherlandish, c. 1390–1441) and workshop, Madonna of the Fountain, c. 1440, oil on panel. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
This rare panel is one of several period versions of one of Van Eyck’s last paintings, dated to 1439 and in the Koninklijk Museum voor Schone Kunsten in Antwerp.
Gil de Siloé (Spanish, active 1486–died 1501), Saint Cecilia, c.1500, marble. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Parmigianino (Francesco Girolamo Mazzola, Italian, 1503–1540), Portrait of a Man, c.1530, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Jacopo da Pontormo (Italian, 1494–1557), Portrait of a Boy, c.1535–40 or later, oil on fired tile. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Agnolo Bronzino (Italian, 1503–1572), Christ Carrying the Cross, c.1555–60, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Artist Unknown (probably Netherlandish, 16th century), Bather, c.1580, bronze. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Giovanni Francesco Susini (Italian, 1585–1653), The Abduction of a Sabine Woman, c.1590–1600, bronze. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Peter Paul Rubens (Flemish, 1577–1640), Portrait of a Young Man, c.1613–15, oil on panel. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Ambrosius Bosschaert the Elder (Dutch, 1573–1621), Little Bouquet in a Roemer, c.1619, oil on copper. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Jusepe de Ribera (Spanish, 1591–1652), Head of a Bearded Man, c.1620–25, red chalk on paper. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Jusepe de Ribera (Spanish, 1591–1652), Philosopher with a Globe (Anaxagoras?), 1630, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
François Du Quesnoy (Flemish, 1597–1643), Bust of Nicolas Poussin (1594–1655), c.1630, terracotta. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Gian Lorenzo Bernini (Italian, 1598–1680), Countess Matilda of Canossa, c.1630–39, bronze. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Gian Lorenzo Bernini (Italian, 1598–1680), Portrait of the Artist’s Brother, Domenico Bernini (?), c.1630–35, oil on paper mounted on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Anthony van Dyck (Flemish, 1599–1641), Portrait of Margaret Lemon, c.1638, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Ferdinando Tacca (Italian, 1619–1686), Pair of Rearing Horses, c. 1650, bronze. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Meindert Hobbema (Dutch, 1638–1709), A Wooded Landscape with Travelers on a Road by Cottage, 1660s, oil on panel. Clark Art Institute Williamstown, Massachusetts, Gift of Aso O. Tavitian.
Wallerant Vaillant (Dutch, 1623–1677), Self Portrait in a Turban, 1650–1675, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Jean-Antoine Watteau (French, 1684–1721), The Proud Man (l’Orgueilleux), c.1715, oil on panel. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation
Hubert Robert (French, 1733–1808), Colonnade and Gardens at the Villa Medici, c.1759, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Jean Baptiste Greuze (French, 1725–1805), Young Boy, c.1760, red chalk on paper. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Jean-Honoré Fragonard (French, 1732–1806), The Letter , c.1773–76, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Jean Antoine Houdon (French, 1741–1828), Little Lise, 1775, marble. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Claude Joseph Vernet (French 1714–1789), Thine Falls, near Schaffhausen, Switzerland, 1779, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Antoine-François Gérard (French 1760–1843), Game of Hoops, c.1780–89, wax. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Antoine-François Gérard (French 1760–1843), Game of Leap Frog, c.1780–89, wax. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Elisabeth Louise Vigée-Lebrun (French, 1755–1842), Self Portrait in Studio Costume, c.1800, oil on panel. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Aimée Thibault (French 1780–1868), Portrait miniature set in letter box, c.1810, oil on paper, pearwood. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Antoine-Jean Gros (French 1771–1835), Portrait of Count Honoré de La Riboisière, 1815, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Maker Unknown (British), Dital Harp (Harp Lute), c.1815, painted and gilded wood. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Louis-Léopold Boilly (French, 1761–1845), Portrait of a Man in a Yellow Vest, early 19th century, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Jacques Louis David (French, 1748–1825), Portrait of Dominique-Vincent Ramel de Nogaret, 1820, oil on canvas. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation.
Jean-Pierre Dantan (French, 1800–1869), Niccolò Paganini, 1832, plaster. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Camille Pissarro (French, 1830–1903), Two Figures Playing Guitars, San José (recto); Various Studies (verso), 1854, black lead and watercolor on paper. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Jean-Baptiste Carpeaux (French 1827–1875), La Candeur, 1873, marble. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024
Gustave Adolphe Désiré Crauk (French 1827–1905), Bust of a Japanese Woman, c.1890, plaster. Clark Art Institute, Williamstown, Massachusetts, Gift of Aso O. Tavitian Foundation. Photograph © Bruce M. White, 2024