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8 mai 2009

16th annual International Fine Art Fair from 1st-5th May @ the Park Avenue Armory, NY

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Portrait of Lady Mary Fane (1639-1681), seated three-quarter-length, in a brown dress and blue robe, a red curtain behind her, a landscape beyond By Sir Peter Lely, (Soest 1618 -1680 London). EXHIBITOR: Adam Williams Fine Art, New York

NEW YORK.- The 16th annual International Fine Art Fair from 1st-5th May at the Park Avenue Armory, Park Avenue at 67th Street, New York City proved that while the world’s economy is in fragile shape, the art market remains remarkably resilient.

Attendance was significantly up and on a par with the fair’s best in 2003. Increased attendance yielded twice the business and interest for the dealers on the floor, despite fewer exhibitors. Stellar new contacts were made and the world’s top collectors visited the armory over its 5-day run.

The select line-up of dealers reflected the organizers’ determination to maintain quality. Larger stands and a superb presentation of art works from Old Masters to contemporary art meant that exhibitors were confident but realistic. As a number commented “there are always opportunities, whatever the climate but we have to be more patient at the moment.” Collectors who only a few months ago were reticent are now returning to the market.

There were sales at the Preview Opening for the Frick Collection on 30th April and they continued. Among these was a large oil by the 17th century Italian master Luca Giordano at New York dealer Adam Williams Fine Art (asking price $350,000), with plenty of interest in other highlights, a Sir Peter Lely portrait of Lady Mary Fane and an early 16th century portrait of a bearded young man by Lucas Cranach the Elder.

Other notable Old Masters attracting significant interest included a 17th century Flemish masterpiece by Peter Brueghel the Younger at London dealer Richard Green (around $4.5 million).At Moretti of Florence, London and New York, there was “very serious” interest in an exquisitely beautiful early 17th century South German carved wood figure of Christ in the Garden (approx. $750.000) and in a small jewel-like gold ground panel, The Mystic Marriage of St Catherine of Alexandria (around $950,000) and a Taddeo Gaddi panel of St Anthony Abbot (around $1.6m).

New York’s Hill Stone Inc sold eight Old Master drawings, notably Ludovico Cigolli’s drawing of a young man, circa 1612, to a prominent US buyer for a substantial five figure sum and David & Constance Yates sold eight pieces from their selection of European works of art.

New exhibitor Jonathan Boos, a private dealer from Michigan, made his first ever fair appearance and had a sensational show, making many new contacts. Sales included a Henry Moore bronze group of two women and child (1945) at $375,000, an Albert Bloch oil Duel (1912) at $575,000 and Georgia O’Keeffe’s Barn (1926) at $550,000.

New York and Connecticut dealer Tom Colville Fine Art sold a Hudson River landscape by Frank Anderson for a six figure sum and Questroyal Fine Art (New York) made a number of solid five figure American paintings sales including a Herman Herzog oil A Country Home at $87,000. Likewise, Richard Schillay sold paintings by Guy Carleton Wiggins, Ben Austrian and Richard Hayley Lever.

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Frans Snyders, The gamedealer, Oil on canvas. Painted circa 1610-1614, (1579 – Antwerp – 1657). EXHIBITOR: Richard Green

Provenance: Acquired in Europe either by Sir William FitzHerbert, 1st Bt. (1748-1791) of Tissington Hall, near Ashbourne, Derbyshire, or by his younger brother Alleyne FitzHerbert, 1st Baron St Helens (1753-1839); By descent to Sir William FitzHerbert, 4th Bt. (1808-1896), Tissington Hall, Derbyshire, by 1859; by descent to Sir Richard FitzHerbert, 9th Bt. (b.1963), Tissington Hall

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Rembrandt Bugatti, Puma, 1911. Bronze, France, 19 inches long. EXHIBITOR: Sladmore Gallery

A rare, fine quality, early twentieth century impressionistic bronze model of a ‘Walking Puma’ by Rembrandt Bugatti (Italian, 1884-1916). This bronze was cast using the lost wax process by the Hebrard Foundry, Paris. Prior to casting it was signed and stamped in the wax 'R. Bugatti, A.A. Hebrard Cire Perdue'. This cast has a rich dark brown to black patina with lighter reddy brown undertones.

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Jacopo Robusti called Tintoretto (1518 - Venice 1594). Model for the Portrait of the Doge Gerolamo Priuli. Oil on canvas, cm 63 x 48. EXHIBITOR: Voena

a

Juan Baptista Maino (Pastrana 1581 - 1641 Madrid), Salomè with the head of the Baptist, oil on canvas, cm 113 x 96). EXHIBITOR: Voena

Bibliogaphy: R. Longhi, Caravaggio en de Nederlanden, in “Paragone”, 33, 1952, p. 53, fig. 24; B. Nicolson, The International Caravaggesque Movement, Oxxford 1979, p. 48; G. Papi, Cecco del Caravaggio, Firenze 1992, pp. 15 – 16, 48, fig. 10; G. Papi, Proposte per Juan Baptista Maino, in “Studi di Storia dell’arte”, 3, 1992, pp. 181 – 202; G. Papi, Cecco del Caravaggio, Soncino 2001, pp. 25, 47, 48, 86 – 87, tav. XXX –XXXI.

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Bartolomeo Passerotti, (1529 - Bologna - 1592), Portrait of a Scribe, oil on unlined canvas, 46 x 32 ¾ inches (116 x 83 cm). EXHIBITOR: Voena

Literature: E. Bodmer, “Un ritrattista bolognese del Cinquecento. Bartolomeo Passerotti”, il Comune di Bologna, XXI, 1934, p. 22, fig. 15; C. Höper, Bartolomeo Passerotti, Worms 1997, p. 236; D. Benati, “Bologna and Ferrara. Two Centuries of Emilian Painting”, Compagnia di Belle Arti, exhibition catalogue, New York, 1999, pp. 18 – 21.

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Aristide Maillol, Bather without Arms, 1905, Bronze, 11 inches high. EXHIBITOR: Sladmore Gallery

A fine quality, early twentieth century bronze model of a 'Bather without Arms' by Aristide Maillol (French, 1861 - 1944). This bronze, signed by the artist with his monogram 'M' within a circle, was cast circa 1910 and has a dark brown patina with lighter golden brown highlights.

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Jean Béraud, M. et Mme Galin devant le Jockey Club, Circa 1877.  Oil on canvas, 14 x 10 ¾ inches (35.7 x 27.2 cm). Signed. EXHIBITOR: MacConnal-Mason Gallery

Provenance: M. et Mme Galin, France; then by descent

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Salomon Corrodi (1810 Fehraltorf (Suisse) - Come 1892), View of the Roman Forum. Signed and dated: S Corrodi.fec. / Roma. 1845; pen, ink and watercolor, 365 x 540 mm. EXHIBITOR: Didier Aaron, Inc.

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Auguste Rodin (French, 1840-1917), The Monumental Torso of The Walking Man, 1906. Height: 41 inches (104 cm). EXHIBITOR: Sladmore Gallery

A fine quality bronze model cast by the lost wax process at the E. Godard Foundry, Paris

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James Abbott McNeill Whistler (American 1834-1903), (American 1834-1903), Mother and Child, Pastel on brown wove paper, laid down on card,. Sight Size: 9 ½ x 7 inches (24 x 18 cm). EXHIBITOR: Thomas Colville Fine Art

Provenance: Private Collection, Boston; Mrs Charles Engelhard, New Jersey; Private Collection, Washington, DC Exhibited: Boston, Copley Society of Boston, The Works of Whistler, The Memorial Exhibition, 1904

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Jean-Baptiste-Camille Corot (French, 1796-1875), Venus Disarming Cupid, Circa 1857. Signed lower left. Charcoal on paper, 15 1/8 x 10 inches (38.3 x 25.3 cm). EXHIBITOR: Jill Newhouse

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