31 mars 2010

Paire de boutons de manchettes en ivoire sculpté figurant des têtes de bouddhas. photo courtesy Artcurial Dans leur écrin - Estimation : 500 / 700 € Artcurial - Briest-Poulain-F.Tajan - Paris. Vente du Mercredi 31 mars 2010. Hôtel Dassault - 7 Rond Point des Champs-Elysées - 75008 - Paris. Pour toute information complémentaire, veuillez contacter Julie Valade au +33 1 42 99 16 41

Albrecht Dürer, Knight, Death and the Devil (B. 98; M., Holl. 74; S.M.S. 69), engraving, 1513. Photo: Christie's Images Ltd., 2010 without watermark, a fine and early Meder a/b impression, printing with great contrast and clarity, trimmed to the platemark, with thread margins in places, occasionally very narrowly remargined and with tiny touches of pen and ink at the extreme sheet edge, remains of old paper tape along the sheet edges verso, a tiny thin spot below, otherwise in excellent condition - P., S. 247 x 190 mm. Est.... [Lire la suite]

Modelo: Gabriela del Mar Puesta en Escena: Laura Salazar Paula David Daniela Florez Asistencia iluminación: Mauricio Urrea Making: Julian Guarin

Mark Rothko, "The Green Stripe", 1955. Oil on canvas, 170.2 x 141.7 cm, The Ménil Collection, Houston . ©1998 Kate Rothko Prizel & Christopher Rothko ARS, NY and DACS, London, 2010 DUBLIN.- An exhibition featuring works by many of America’s and Europe’s most celebrated 20th-century artists opens to the public at the Irish Museum of Modern Art on Wednesday 31 March 2010. "Vertical Thoughts: Morton Feldman and the Visual Arts" focuses on the work of the influential American composer Morton Feldman and the... [Lire la suite]

Simone Cantarini (1612-1648), Jupiter, Neptune and Pluto Paying Homage to the Borghese Coat of Arms, Red chalk, 295 x 430 mm. Sold to a US collector (asking price € 85,000) Katrin Bellinger was delighted with the number of important works on paper sold at Le Salon du dessin in Paris, from 23 to 29 March 2010.  A red chalk drawing of Jupiter, Neptune and Pluto Paying Homage to the Borghese Coat of Arms, masterfully executed with the fluidity and facility so typical of Simone Cantarini (1612-1648), who trained in Guido... [Lire la suite]