21 août 2012
Fine Japanese and Korean Works of Art Sale to be held in September at Bonhams in New York
A two-panel ivory table screen by Asahi Gyokuzan (1843-1923), 23 1/2 x 11 1/8in (59.8 x 28.5cm) dimensions of each panel. US$8,000-12,000. Photo Bonhams
NEW YORK, NY.- On September 12, Bonhams will host its third participating auction in New York's Asia Week-Fine Japanese Works of Art.
On offer is an impressive selection of 85 prints, 34 of them by Yoshida Hiroshi from the Collection of Yoshida Chizuko. There are also approximately 51 lots of classical prints including works by Utamaro, Hokusai and Hiroshige-many from the collections of Herbert Evans and Miriam Simpson. An impressive highlight to the group is Kitagawa Utamaro's (ca. 1753-1806) The Hour of the Monkey (Saru no koku), oban tate-e from the series Twelve Hours in the Yoshiwara (Seirō jūni toki tsuzuki), ca. 1794-5 (pre-sale estimate $20,000-30,000).
Bonhams will feature a Korean section for the first time in New York which will center on a private collection of classical and modern Korean paintings and works of art. With 25 lots totaling $125,000-150,000, a highlight to the collection is a four-panel screen of landscapes by Kim Ki-chang (1913-2001), dated 1964, (pre-sale estimate $40,000-60,000) Photo Bonhams.
On offer is an impressive selection of 85 prints, 34 of them by Yoshida Hiroshi from the Collection of Yoshida Chizuko. There are also approximately 51 lots of classical prints including works by Utamaro, Hokusai and Hiroshige-many from the collections of Herbert Evans and Miriam Simpson. An impressive highlight to the group is Kitagawa Utamaro's (ca. 1753-1806) The Hour of the Monkey (Saru no koku), oban tate-e from the series Twelve Hours in the Yoshiwara (Seirō jūni toki tsuzuki), ca. 1794-5 (pre-sale estimate $20,000-30,000).
Bonhams will feature a Korean section for the first time in New York which will center on a private collection of classical and modern Korean paintings and works of art. With 25 lots totaling $125,000-150,000, a highlight to the collection is a four-panel screen of landscapes by Kim Ki-chang (1913-2001), dated 1964, (pre-sale estimate $40,000-60,000) Photo Bonhams.
Kim Ki-Chang was born in Seoul and began his training as an artist at the age of sixteen under the master Kim Eun-Ho (1892-1979). Kim Eun-Ho taught the young painter to master not only the Chinese tradition of scholar's ink painting, but also the stylized realism developed by the Nihonga painters of Japan. It was the Japanese realist style that won Kim Ki-Chang recognition with his scenes of Korean urban and rural life during Japanese colonial rule.
After the end of Japanese occupation and the resolution of the Korean conflict, Kim Ki-Chang chose to simplify his style, returning to the vibrant brush work and broad color found in traditional Chinese painting and the Korean folk tradition; but he also experimented with pure abstraction that attracted the younger generation such as Kim Chong-Hak and Kim Tschang-Yeul whose works also appear in the Reimann collection.
The works of Kim Ki-Chang and his wife Park Rae-Hyon, herself a well-known painter, have been included in numerous exhibitions in Korea as well as in the United States. Their paintings have also been studied in such publications asHan'guk kundai hoehwa sonjip [The Collection of Modern Korean Paintings] volume 9: Kim Ki-Chang/Park Rae-Hyon(1990, Kumsung Publishing Company, Korea). A five-volume catalogue raisonné of the work of Kim Ki-Chang was published in 1994.
After the end of Japanese occupation and the resolution of the Korean conflict, Kim Ki-Chang chose to simplify his style, returning to the vibrant brush work and broad color found in traditional Chinese painting and the Korean folk tradition; but he also experimented with pure abstraction that attracted the younger generation such as Kim Chong-Hak and Kim Tschang-Yeul whose works also appear in the Reimann collection.
The works of Kim Ki-Chang and his wife Park Rae-Hyon, herself a well-known painter, have been included in numerous exhibitions in Korea as well as in the United States. Their paintings have also been studied in such publications asHan'guk kundai hoehwa sonjip [The Collection of Modern Korean Paintings] volume 9: Kim Ki-Chang/Park Rae-Hyon(1990, Kumsung Publishing Company, Korea). A five-volume catalogue raisonné of the work of Kim Ki-Chang was published in 1994.
Kim Ki-chang (1913-2001), Four Landscapes (details), dated 1964. Photo Bonhams
and a very modern work by Kim Tschang-Yeul (b. 1929) depicting seven water drops with shadows and reflections in the center of the unprimed stretched canvas (pre-sale est. $18,000-25,000).
Kim Tschang-Yeul (b. 1929), Waterdrops Series ENS218. Oil on canvas; depicting seven water drops with shadows and reflections in the center of the unprimed stretched canvas, the canvas covering the upright right stretcher signed in ENS 218 - 1979 T. Kim; 19 5/8 x 19 3/4in (50 x 50.5cm). Photo Bonhams
The fine painting section of the auction includes several modern works. Highlights include
Ito Shinsui (1898-1972) Niwa no aki (Autumn garden). Hanging scroll, ink and color on silk; a half portrait of a Japanese maiden gazing at flowering bush clover, signedShinsui, sealed 'Shikuntei'. With a tomobako inscribed with the title Niwa no aki (Autumn garden), self-inscribed signature and seal; 15 5/8 x 15 5/8in (40 x 40cm). Estimate $15,000-20,000. Photo Bonhams
Ito Shoha (1877-1968), Wakabigan (Beautiful young face), circa 1950. Hanging scroll, ink and color on silk; a half-portrait of a maiden standing near a Japanese maple, signed Shoha, with one seal. With tomobako with the title Waka bigan (Beautiful young face), and self-inscribed Shoha-dai, sealed Shoha; 17 3/4 x 20 1/8in (45 x 51cm). Est. $8,000-12,000. Photo Bonhams
The screens are highlighted by a 2-panel Hasegawa-school work from the early 17th century, depicting rocks and waves, similar in composition and execution to the famous set of sliding panels by Hasegawa Tohaku, now in the collection of Zenrin-ji temple. It was purchased at Yamanaka, Kyoto in 1966 and scholars today believe it was done by a very close follower of the master (pre-sale estimate $25,000-35,000).
Closing the sale are art works comprised of bronzes, Meiji period ceramics, netsuke and lacquer, ivory okimono and cloisonne enamel. Highlights include a complete cloisonne enamel smoking set by the Ando studio, circa 1900 (pre-sale estimate $2,500-3,500), a small cloisonné enamel vase by Namikawa Yasuyuki with birds in bamboo (pre-sale est. $5,000-7,000) and a remarkable two-panel ivory table screen with deities by Asahi Gyokuzan (pre-sale estimate $8,000-12,000).
Closing the sale are art works comprised of bronzes, Meiji period ceramics, netsuke and lacquer, ivory okimono and cloisonne enamel. Highlights include a complete cloisonne enamel smoking set by the Ando studio, circa 1900 (pre-sale estimate $2,500-3,500), a small cloisonné enamel vase by Namikawa Yasuyuki with birds in bamboo (pre-sale est. $5,000-7,000) and a remarkable two-panel ivory table screen with deities by Asahi Gyokuzan (pre-sale estimate $8,000-12,000).
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