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13 octobre 2013

A rhinoceros horn 'Scenes of the Red Cliff' libation cup, Qing dynasty, 18th century

T1627HK0477_74RY3_A

T1628HK0477_74RY3_B

A rhinoceros horn 'Scenes of the Red Cliff' libation cup, Qing dynasty, 18th century. Photo: Sotheby's.

the horn of deep brown colour and lustruous patina, carved with a continuous landscape depicting the Song dynasty poet Su Dongpo’s second visit to the Red Cliff when Su left his boat and companions and climbed up the steep cliff, on one side Su is seated on a ledge jutting out from the high cliffs watching a single crane flying in the distance, while his two friends stand at the base of the cliff with the boat, two lofty pines growing in openwork at one end to form the handle, titled in relief with the three characters inscription Chibi tu ('Scenes of the Red Cliff') below the rim in front of the cup. 18.2 cm., 7 1/8  in. Estimation 300,000 - 400,000 HKD - Lot. Vendu 3,880,000 HKD

Provenance: Acquired in Hong Kong, 1965.
Collections of Edward T. Chow and Franklin Chow.

Exposition: One Man’s Taste. Treasures from the Lakeside Pavilion, Galleries of the Baur Collection, Geneva, 1988, cat. no. R4.
Craving for Carvings: Rhinoceros Horn from the Chow Collection, Asian Civilizations Museum, Singapore, 2003, cat. no. FC4.

Litterature: Jan Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, pl. 290.
Thomas Fok, Connoisseurship of Rhinoceros Horn Carving in China, Hong Kong, 1999, pl. 133.

This cup depicts the Song poet, Su Dongpo’s, second visit to the famous Red Cliff or Chibi. On this occasion, Su left his boat and companions and climbed up the steep cliff by himself. On the cup he is shown seated on a ledge jutting out from the high cliffs. His two friends, the monk Fo Yin and the scholar Huang Lujie, are left standing at the base of the cliff with the boat drifting in the river. According to the poem by Su titled Later Ode to the Red Cliffs, his second visit to this memorable location took place one night in 1032. A single crane may be seen carved under the lip of the cup, depicted flying in from the East and heading towards the West. The crane appeared as a Daoist immortal in Su’s dream later that night, asking him whether he enjoyed his outing. Su then realized that the crane and the immortal were one. 

The carving style and technique employed on this vessel suggests an 18th century attribution, as does Edward T. Chow’s own notes on the piece. For rhinoceros horn carvings showing scenes from the Ode to the Red Cliff see a cup in the Chester Beatty Library, Dublin, included in Jan Chapman, Jan Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, p. 213, pl. 291; one published in Thomas Fok,Connoisseurship of Rhinoceros Horn Carving in China, Hong Kong, 1999, pl. 132, formerly in the collection of Thomas Fok and last sold at Christie’s Hong Kong, 27th May 2008, lot 1710; and a further example, in the Harvard University Art Museum, Cambridge, Mass., included ibid., pl. 164.

Sotheby's. Fine Chinese Ceramics and Works of Art. Hong Kong | 08 Oct 2013 -www.sothebys.com

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