An underglaze-blue and yellow enameled dish, Kangxi mark and period (1662-1722); Diameter 9 7/8 in., 25.1 cm. Photo Sotheby's.

Provenance: Sir Joseph Hotung Family Trust.
Christies New York, 22nd March 2007, lot 330.

Note: The present dish is replete with imperial significance. Blue symbolizes immortality and evokes the sky and water. Yellow, corresponds with Earth, traditionally believed to be at the center of the known universe; a position of such importance that the color was soon associated with the emperor. The powerful combination of the two colors has universal implications; the centrally placed dragon lifts the message to another level. An ancient and auspicious symbol, the dragon inhabits the sky and the water, and is connected with fertility and rain; two facets of early life without control of which man could not survive. Therianthropic transfer of power belongs only to the most supreme of mortals. With absolute authority over the celestial and terrestrial realms bestowed upon the emperor by the Mandate of Heaven, it seems logical to align the identities of the mythical creature and the earthly ruler. The emperor ruled from the 'Dragon'Throne. When he died he ascended to the heavenly 'Dragon' Throne. The dragon is so embedded in Chinese cultural conscience it is virtually a synonymous emblem of the nation. To differentiate the dragons the number of claws was ranked, five-clawed dragons were imperial, four-clawed dragons for the nobility and three-clawed dragons for ordinary use. For further discussion on the history and representation of dragons see Carol Michaelson, Gilded Dragons, British Museum, London, 1999, nos. 52-54, pp. 91-93 and Hugo Munsterberg, Symbolism in Ancient Chinese Art, New York, 1986, pp. 39-63.

Sotheby's. Embracing Classic Chinese Culture: Kangxi Porcelain from the Jie Rui Tang Collection, New York, 14 march 2014