27 décembre 2015

Ruth Harriet Louise, Greta Garbo

  Ruth Harriet Louise (1903−1940), Greta Garbo, 1920 Ruth Harriet Louise (1903−1940), Greta Garbo, 1927 Ruth Harriet Louise (1903−1940), Greta Garbo, circa 1930 Ruth Harriet Louise (1903−1940), Greta Garbo, circa 1930 Ruth Harriet Louise (1903−1940), Greta Garbo Silhouette, circa 1930
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27 décembre 2015

MANDARIN & MENAGERIE: The James E. Sowell Collection, Part III, Japanese porcelain

Over a period of twenty years James Sowell slowly assembled the best collection of Chinese porcelain birds, animals and figures in the country. Not only comprehensive, the Sowell Collection features jewels of top quality in each category it encompasses, from important, large pairs of majestic birds, courtiers and exotic animals to charming and colorful figures of laughing boys and courting couples. The collection resided happily in the Sowells’ Dallas home surrounded by classic English furniture of the Georgian period. In 2008... [Lire la suite]
27 décembre 2015

Davide Ghirlandaio and Sebastiano di Bartolo Mainardi, Portrait of a Young Man in Three Quarter Length, 1490

Davide Ghirlandaio (1452-1525, Florence) and Sebastiano di Bartolo Mainardi (1460-1513, Florence), Portrait of a Young Man in Three Quarter Length, 1490. Tempera on poplar, 44,60 x 34,40 cm. Ident.Nr. 86. Gemäldegalerie, Berlin © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz. Photo: Jörg P. Anders.
27 décembre 2015

Profile portrait of a young woman, 1490

Profile portrait of a young woman, 1490. Oil on poplar, ,60 x 34,40 cm. Ident.Nr. 83. Gemäldegalerie, Berlin © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz. Photo: Volker-H.
27 décembre 2015

Giovanni Bellini (1430/1435-1516, Venice), Madonna and child standing on a parapet, 1460

Giovanni Bellini (1430/1435-1516, Venice), Madonna and child standing on a parapet, 1460. Oil on poplar, 66,30 x 48,60 cm. Ident.Nr. 1177. Gemäldegalerie, Berlin © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz. Photo: Jörg P. Anders.
27 décembre 2015

Anton Graff (1736-1813), The physician and philosopher Johann Georg Ritter von Zimmermann (1728-1795), 1772-1773

Anton Graff (1736-1813), The physician and philosopher Johann Georg Ritter von Zimmermann (1728-1795), 1772-1773. Oil on canvas, 54,00 x 46,00 cm. Ident.Nr. 1034E. Gemäldegalerie, Berlin © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz. Photo: Volker-H.  The sitter, whose identity through a reproductive engraving of Heinrich Pfenninger (1749 - 1815) is occupied, native of Brugg in the canton of Aargau, where he held the post of town physician since 1752nd He maintained... [Lire la suite]

27 décembre 2015

Hendrick ter Brugghen (1588-1629, Utrecht), Esau sold his birthright

Hendrick ter Brugghen (1588-1629, Utrecht), Esau sold his birthright. Oil on canvas, 94.8 x 116.3 cm. Ident.Nr. 1982. Gemäldegalerie, Berlin © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz. Photo: Jörg P. Anders. 
27 décembre 2015

Onthophagus

Onthophagus (Palaeonthophagus) shirakii Onthophagus potanini Onthophagus trituber Onthophagus (Strandius) oshimanus Onthophagus (Paraphanaeomorphus) argyropygus Onthophagus petenensis Onthophagus taurus Onthophagus leucomelas Onthophagus ponticus Onthophagus tersus Onthophagus rubriferris
27 décembre 2015

The Annunciation to Mary, about 1520, Netherlands

The Annunciation to Mary, about 1520, Netherlands. Oil on oak, 79.1 x 65.2 cm. Ident.Nr. 645A. Gemäldegalerie, Berlin © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz. Photo: Jörg P. Anders. 
27 décembre 2015

Nicolas de Largillière (1656 - 1746), The sculptor René Frémin (1672-1744), ca. 1713

Nicolas de Largillière (1656 - 1746), The sculptor René Frémin (1672-1744), ca. 1713. Oil on canvas. 135.5 x 109.2 cm. Ident.Nr. 80.1. Gemäldegalerie, Berlin © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz. Photo: Jörg P. Anders.  Here the baroque topos ingenious artistry is celebrated. The sculptor moves confidently between unformed matter in the foreground and consummate in the form of 'Torso of Belvedere "in the background. The former strict canon demanded... [Lire la suite]