Exhibitions take centre stage in the galleries of Mayfair and St. James's from 1 to 8 July
LONDON.- London Art Week, the world’s most important gallery-based celebration of pre-contemporary art, will take place in Mayfair and St. James’s from 1 to 8 July 2016. Bringing together almost 50 leading specialist dealers and three auction houses, this year will present more dedicated exhibitions than ever before, and will also include nine new participants and an exclusive partnership with Art History UK, a cultural tours company specialised in the history of the capital’s art and architecture.
Presenting a wide array of art from antiquity to the 20th century, including a number of rediscoveries and works rarely, if ever, seen in public, highlights this year include exhibitions dedicated to a wide range of specialist subjects including ancient arms and armour, 16th century stained glass, Dutch flower paintings, ancient Greek coins, artist’s sketches and sketchbook pages, neoclassicism through the centuries, medieval and Renaissance sculpture, British Impressionism, and European portraiture.
London Art Week 2016 will present the opportunity to explore a wealth of works by celebrated figures from art history including, among many others, Jacopo Amigoni, Alberto Burri, John Constable, Antonio Canova, Eugène Delacroix, Sir Thomas Lawrence, Sir Alfred Munnings, Sir Winston Churchill, Marcel Duchamp, Paul Gauguin, Jean-Etienne Liotard, Guercino, Amedeo Modigliani, Jusepe de Ribera, Sir Peter Paul Rubens, Giovanni Battista Tiepolo, Tintoretto and Paolo Uccello.
Dedicated exhibitions include: • Vanitas / Memento Mori and The Crucifixion by Paolo Uccello at Agnew’s • Art & Adornment: Treasures of Combat at Ariadne Galleries • Early European Sculpture at Arcadia Cerri Fine Art • Inter-War Paris: Works on Paper at Aktis Gallery • Portraiture and Perception at Deborah Gage Ltd • European Master Drawings (1545-2015) at Didier Aaron Ltd. • Deities & Daily Life at Charles Ede • Arms and Armour from the court of the Electors of Saxony at Peter Finer • Gilded Light; 16th-century stained glass roundels from the collection of Sir Thomas Neave and other private collections at Sam Fogg • Flint Marble Bronze from the Mediterranean and Beyond at Oliver Forge & Brendan Lynch Ltd. • Portraiture and Perception at Deborah Gage (Works of Art) Ltd. • Dutch Flower Pieces 1607-1814 and Aspects of British Impressionism at Richard Green Fine Paintings • 17th Century Still Life and Song Yu at Johnny Van Haeften Ltd. • Horses, Rulers, and Victory in the Art of Ancient Greek Coinage at Kallos Gallery • Of Gods and Men at Daniel Katz Gallery • Antonio Joli (1700 - 1777): Views of Italy at Lampronti Gallery • Classicism Reimagined: Master Paintings and Sculpture 1700-1900 at Lullo•Pampoulides • Material X at M&L Fine Art • Traveller-artists in the Far East: Views in India, China and Indonesia at Martyn Gregory • Panel Power: Royalty and Status in Tudor England at Philip Mould • Bronze Animal Sculptures by Rembrandt Bugatti at The Sladmore Gallery • Drawing Inspiration: Sketches and Sketchbook Pages from the 19th and 20th Century at Stephen Ongpin Fine Art • Antique Inspiration at Tomasso Brothers Fine Art • From Wax to Bronze - Themes and Materials in Sculpture at Trinity Fine Art Ltd. • Object in Focus: An Archaic Greek Bronze Griffin Protome at Rupert Wace Ancient Art • Cornelius Johnson: Painter to King and Country at The Weiss Gallery.
Paolo di Dono, called Paolo Uccello, The Crucifixion. Tempera and gold on panel, 23 5/8 x 13 3/8 in. (60 x 34 cm.). Agnew’s © Agnew’s
Greek, 5th-4th BC. Samno-Attic Winged Helmet. Bronze, 10 7/8 in. (27.7 cm.). Ariadne Galleries © Ariadne Galleries
Etruscan, circa 500-450 BC. Suite of Armour. Bronze. Ariadne Galleries © Ariadne Galleries
Middle Bronze Age, circa 1450-1250 BC. Axe Head. Bronze, 11 7/16 in. (29 cm.). Ariadne Galleries © Ariadne Galleries
Head of a man frowning, Champagne, Reims, Second third 13th century. Fossiliferous limestone, 5 1/8 x 5 1/8 x 5 1/8 in. (13 x 13 x 13 cm.). Arcadia Cerri Fine Art © Arcadia Cerri Fine Art.
Circle of Michel Erhart (FL. 1469-1522) (Active 1469 – C. 1522), Saint Sebastian, Germany, Ulm. Limewood, 38 3/16 x 8 11/16 x 7 1/2 in. (97 x 22 x 19 cm.). Arcadia Cerri Fine Art © Arcadia Cerri Fine Art.
Virgin and Child, Burgundy, Dijon, c. 1400-1420. Limestone, 27 9/16 x 10 1/4 x 7 1/2 in. (70 x 26 x 19 cm.). Arcadia Cerri Fine Art © Arcadia Cerri Fine Art.
John Wesley (1928-), Queen Victoria at Rest, acrylic on canvas, 23 1/8 x 65 in. (58.7 x 167.6 cm.), dated 1977/89 on reverse. Deborah Gage Ltd © Deborah Gage Ltd
Duncan Grant (1885 – 1978), Portrait of Leonard Woolf, oil on board, 27 9/16 x 23 7/16 in. (70 x 59.5 cm.). Deborah Gage Ltd © Deborah Gage Ltd
Henri Millot ( – 1756), Portrait of a Lady and her Daughter, oil on canvas, 63 x 43 5/16 in. (160 x 110 cm.). Deborah Gage Ltd © Deborah Gage Ltd
François-Joseph Navez (Charleroi 1787 – 1869 Brussels), Three figures embracing. Black and white chalk, stumping, 30 1/8 x 20 7/8 in. (76.5 x 53 cm. Didier Aaron Ltd © Didier Aaron Ltd
Nicolai Abraham Abildgaard (Copenhagen 1743 – Denmark – 1809 Frederiksdal). One of a pair: The sun god Apollo entering the constellation of Capricorn, emblematic of the winter solstice. Pen and ink and wash over graphite, 9 1/16 x 6 1/2 in. (23 x 16.5 cm.). Didier Aaron Ltd © Didier Aaron Ltd
Giorgio Vasari (Arezzo 1511 – 1574 Florence), Allegory of Eternity. Pen and brown ink, brown wash, over black chalk, heightened with white, on blue paper, 112 3/16 x 87 13/16 in. (285 x 223 cm.). Didier Aaron Ltd © Didier Aaron Ltd
Roman , 1st-2nd century AD, Roman marble Aphrodite. Marble, 31 5/16 in. (94.5 cm.). Charles Ede © Charles Ede
Third Intermediate - Late Dynastic Period, C. 1069-332 BC, Egyptian sarcophagus mask. Painted wood, 8 in. (20.3 cm.). Charles Ede © Charles Ede
The Antimenes Painter - C. 530 BC. Greek Attic pottery black-figure belly amphora with Herakles, Antimenes Painter, Athens. Pottery, 20 1/4 in. (51.5 cm.). Charles Ede © Charles Ede
An historic group of Saxon equipment carried by the musketeers of the Trabantenleibgarde of Christian I (R.1586-91), Prince Elector of Saxony, circa 1590. Peter Finer © Peter Finer
An etched and gilt comb morion of the Trabantenleibgarde of the Prince Electors of Saxony, Nuremberg Beschau mark, circa 1580, 14 15/16 x 9 5/8 x 13 in. (38 x 24.5 x 35.5 cm.). Peter Finer © Peter Finer
A Saxon silver-mounted left-hand dagger, circa 1580-90. Peter Finer © Peter Finer
A German silver-mounted Saxon sword (estoc), Dresden, circa 1580–90. Peter Finer © Peter Finer
Circle of Lambert van Noort, (Amersfoort c. 1520 – Antwerp– 1571 Antwerp), Nebuchadnezzar dreams of a tree that must be felled, stained glass, 10 1/4 x 10 1/4 x 0 3/16 in. (26 x 26 x 0.5 cm). Sam Fogg © Sam Fogg
Roman, 1st-2nd century AD, A Marble Relief. Sculpture, 12 5/8 in. (32 cm.). Oliver Forge & Brendan Lynch Ltd © Oliver Forge & Brendan Lynch Ltd
Henri Fantin-Latour (1836 – 1904), Bouquet de pétunias doubles. Oil on canvas, 18 x 16 1/2 in. (45.7 x 41.9 cm.). Signed and dated upper right: Fantin.88. Richard Green Fine Paintings © Richard Green Fine Paintings.
Walter Sicker (1860 – 1942), Baccarat. Oil on canvas, 21 3/4 x 18 in. (55.2 x 45.7 cm.). Signed, dated and inscribed lower left: A Mademoiselle Livache/Souvenir de Walter et Chrstine Sicker. Richard Green Fine Paintings © Richard Green Fine Paintings.
Elizabeth Forbes (1859 – 1912), A Game of Old Maid. Oil on canvas, 40 1/2 x 25 1/2 in. (102.9 x 64.8 cm.). Signed with monogram lower left: EAF. Richard Green Fine Paintings © Richard Green Fine Paintings.
Jan-Frans van Dael (Antwerp 1764 – 1840 Paris), Still life of roses, peonies, tulips, auriculas, an iris and other flowers in an alabaster vase with fruit on a stone ledge. Oil on canvas, 41 3/4 x 32 3/8 in. (106 x 82.2 cm.). Signed and dated lower right: I.VANDAEL. / . 1814. Richard Green Fine Paintings © Richard Green Fine Paintings.
Jan Breughel the Elder (1568 – 1625), A still life with irises, roses, tulips, narcissus, forget-me-nots, a snowdrop and other flowers in a stoneware vase on a table, with a beetle and butterflies. Oil on panel, 22 x 16 1/2 in. (55.9 x 41.9 cm.). Richard Green Fine Paintings © Richard Green Fine Paintings.
Jacob van Walscapelle (Dordrecht 1644 – 1727 Amsterdam), A peony, an iris, a poppy, anemones, morning glory and other flowers, in a glass vase, with a caterpillar, a beetle and other insects, on a stone ledge. Oil on panel, 9 3/4 x 8 in. (24.8 x 20.3 cm.). Signed lower left: Jacob: Walscappell / Fecit. Richard Green Fine Paintings © Richard Green Fine Paintings.
Sir Winston Churchill (Blenheim Palace 1874 – 1965 London), A distant view of a town in the South of France. Oil on canvas, 22 x 27 in. (55.9 x 68.6 cm.). Signed with initials lower left: WSC. Richard Green Fine Paintings © Richard Green Fine Paintings.
Balthasar van der Ast (1593 – 1657), A Still Life of Tulips and other Flowers in a Ceramic Vase. Oil on panel, 16 1/16 x 10 7/8 in. (40.8 x 27.6 cm.). Signed and dated, lower right: . B . VandeR . ast. 1625. Johnny Van Haeften Ltd © Johnny Van Haeften Ltd.
Song Yu (Beijing, China 1973 – ), Still Life of Plant with Pink Flowers on Chair. Oil on Canvas, 39 3/8 x 31 1/2 in. (100 x 80 cm.). Signed and dated, lower right. Johnny Van Haeften Ltd © Johnny Van Haeften Ltd.
Gold Drachm of Syracuse (Sicily), c.317-310 BC. Minted under Agathocles (317-289 BC). Kallos Gallery © Kallos Gallery
Gold Drachm of Syracuse (Sicily), c.317-310 BC. Minted under Agathocles (317-289 BC). Kallos Gallery © Kallos Gallery
Attic Red-Figure Stamnos, Attributed to the Peleus Painter, Classical Period, circa 440 BC. Kallos Gallery © Kallos Gallery.
Geometric bronze votive figurine of a horse. Geometric Period, 8th Century BC, 3 11/16 x 3 1/16 in. (9.4 x 7.7 cm.). Kallos Gallery © Kallos Gallery.
Christophe Veyrier (Trets 1637 – 1689 Toulon), Silenus with the infant Bacchus (‘Faune’). Daniel Katz Gallery © Daniel Katz Gallery.
Carlo Albacini (1739 – Rome – After 1807), Colossal Bust of Lucius Verus. Daniel Katz Gallery © Daniel Katz Gallery.
John Gibson (Conway 1790 – Rome – 1866 Rome), Cupid pursuing Psyche. Daniel Katz Gallery © Daniel Katz Gallery.
Italian, Florence, Early 17th century, Apollo Belvedere. Daniel Katz Gallery © Daniel Katz Gallery.
Antonio Joli (c. 1700 – 1777), Venice, a view of the Bacino di San Marco with the Church of St. Giorgio Maggiore and the Giudecca. Oil on canvas, 22 1/16 x 38 3/16 in. (56 x 97 cm.). Lampronti Gallery © Lampronti Gallery
Antonio Joli (c. 1700 – 1777), A view of the Gulf of Pozzuoli with the Island of Nisida, oil on canvas, 30 x 51 13/16 in. (75 x 129.5 cm.). Lampronti Gallery © Lampronti Gallery.
Antonio Joli (c. 1700 – 1777), Rome, a game of ‘Palla a Bracciale’ in the gardens of Palazzo Barberini. Oil on canvas, 25 1/8 x 35 3/4 in. (63.8 x 90.8 cm.). Lampronti Gallery © Lampronti Gallery.
Antonio Joli (c. 1700 – 1777), Naples, a view of the city from Santa Lucia, oil on canvas, 30 x 51 13/16 in. (75 x 129.5 cm.). Lampronti Gallery © Lampronti Gallery.
Antonio Joli (c. 1700 – 1777), Rome, a view of the Tiber with Castel Sant’Angelo and Saint Peter’s Basilica. Oil on canvas, 42 15/16 x 57 7/8 in. (109 x 147 cm.). Lampronti Gallery © Lampronti Gallery.
Carlo Albacini (1739 – Rome – After 1807), Lucius Verus, after the Antique. Marble, 35 7/16 in. (90 cm.). Lullo•Pampoulides © Lullo•Pampoulides
Salvatore Scarpitta (New York 1919 – 2007 New York), Scribe, bandage and mixed media, 24 x 29 1/2 in. (61 x 75 cm.). Signed, dated, titled and dedicated on the reverse: “S.Scarpitta 1962 Scribe to Diana”. M&L Fine Art © M&L Fine Art.
George Chinnery (1774 – 1852), Chinese figure by a waterfall in the hills. Watercolour, 7 1/2 x 4 3/8 in. (19 x 11 cm.). Martyn Gregory © Martyn Gregory
William Alexander (1767 – 1816), Chinese figures on a river bank. Pencil and watercolour, 7 x 9 1/4 in. (17.8 x 23.5 cm.). Martyn Gregory © Martyn Gregory
Franco-Netherlandish school, c.1525-30, Portrait of King Henry VIII (1491–1547). Oil on panel (Baltic oak), 28 3/4 x 21 in. (73 x 55.9 cm.). Philip Mould © Philip Mould
English school, C.1600, Portrait of Queen Elizabeth I (1533-1603). Oil on panel (Baltic oak), 22 3/4 x 17 1/4 in. (57.8 x 43.8 cm.). Philip Mould © Philip Mould
English school, Late 16th Century, Portrait of Ambrose Dudley, Earl of Warwick (c.1530-90), 33 1/2 x 20 1/16 in. (85 x 51 cm.). Philip Mould © Philip Mould
Workshop of Guillim Scrots (FL.1537-1553), Portrait of King Edward VI (1537-1553), c.1551. Oil on panel, 62 1/2 x 35 1/4 in. (158.8 x 89.5 cm.). Philip Mould © Philip Mould
English school, c.1618, Portrait of King James VI and I (1566-1625). Oil on panel, 29 5/8 x 19 1/2 in. (75.3 x 49.5 cm.). Philip Mould © Philip Mould
Rembrandt Bugatti (Italy 1884 – France – 1916 France), 'Mon Chien', 1905, 10 1/4 x 18 7/8 x 6 11/16 in. (26 x 48 x 17 cm.). The Sladmore Gallery © The Sladmore Gallery.
Rembrandt Bugatti (Italy 1884 – France – 1916 France), Hippopotamus Grazing, 1909-1910, 12 3/16 x 27 3/16 in. (31 x 69 cm.). The Sladmore Gallery © The Sladmore Gallery.
Rembrandt Bugatti (Italy 1884 – France – 1916 France), Walking Flamingo, c. 1912, 13 3/4 x 7 7/8 x 4 5/16 in. (35 x 20 x 11 cm.). The Sladmore Gallery © The Sladmore Gallery.
Rembrandt Bugatti (Italy 1884 – France – 1916 France), Royal Tiger, 1914. Bronze, 15 3/4 x 28 3/4 x 7 11/16 in. (40 x 73 x 19.5 cm.). R Bugatti. The Sladmore Gallery © The Sladmore Gallery.
Rembrandt Bugatti (Italy 1884 – France – 1916 France), Stalking Panther, 1913-1914. Bronze, 11 13/16 x 24 x 6 5/16 in. (30 x 61 x 16 cm.). R Bugatti. The Sladmore Gallery © The Sladmore Gallery.
Amedeo Modigliani (1884 – 1920), Standing Nude in Profile (Nu debout de profil). Charcoal on paper, 168 1/8 x 103 9/16 in. (427 x 263 cm.). Stephen Ongpin Fine Art © Stephen Ongpin Fine Art.
Henri Le Sidaner (1862 – 1939), The Artist’s House at Gerberoy (Les Volets clos, Gerberoy). Stephen Ongpin Fine Art © Stephen Ongpin Fine Art.
Edouard Vuillard (1868 – 1940), Annette at Vaucresson. Stephen Ongpin Fine Art © Stephen Ongpin Fine Art.
Paul Cézanne (Aix-en-Provence 1839 – 1906 Aix-en-Provence), Sous-bois. Stephen Ongpin Fine Art © Stephen Ongpin Fine Art.
Paul Gauguin (1848 – 1903), The Head of a Breton Woman. Stephen Ongpin Fine Art © Stephen Ongpin Fine Art.
Italian School, 19th century, Apollo and the Graces. White Marble, 18 1/2 x 31 1/4 x 6 in. (47 x 79.5 x 15 cm.). Tomasso Brothers Fine Art © Tomasso Brothers Fine Art.
Pietro Cipriani (C. 1680 – 1745), Dancing Faun. Bronze, 14 in. (35.5 cm.). Tomasso Brothers Fine Art © Tomasso Brothers Fine Art.
Francesco Righetti (1749 – 1819), A portrait bust of a young girl. Bronze, with green all'antica patina, 15 3/4 x 8 in. (40 x 20.5 cm.), ‘FRAN.US RIGHE/TTI.ROME./FECIT.1773./IN. CAPITOLI’. Tomasso Brothers Fine Art © Tomasso Brothers Fine Art.
Roman, 18th century, Portrait Bust of Alexander the Great. White Marble, 23 1/4 in. (59 cm.). Tomasso Brothers Fine Art © Tomasso Brothers Fine Art.
Master of the Unruly Children (Active in Florence and Tuscany, first half of 16th century), Bacchus. Terracotta, 9 5/8 x 11 1/4 x 8 1/4 in. (24.5 x 28.5 x 21 cm.). Trinity Fine Art Ltd © Trinity Fine Art Ltd.
Mid 7th century BC, Archaic Greek bronze griffin protome. Bronze, 8 3/16 in. (20.8 cm.). Rupert Wace Ancient Art © Rupert Wace Ancient Art.
Cornelius Johnson (1593 – 1661), An Unknown Lady. Oil on panel, 31 x 24 3/8 in. (77.5 x 61 cm.). Signed with initials and dated lower right: ‘C.J. fecit/ 1624’. The Weiss Gallery © The Weiss Gallery.
Cornelius Johnson (1593 – 1661), Sir William Campion of Combwell (1585 – 1640). Oil on panel, 30 x 24 3/4 in. (76.2 x 62.8 cm.). Indistinctly signed, centre right: ‘C.J….’. The Weiss Gallery © The Weiss Gallery.
Cornelius Johnson (1593 – 1661), Robert Tatton (c.1566 - 1623/4). Oil on canvas, 50 x 40 in. (125 x 100 cm.). Signed and inscribed lower right: ‘C.J/fecit. Anno Doi 1624’ and with inscription upper left: ‘Ætat. The Weiss Gallery © The Weiss Gallery.