naturalistically modeled, the upper surface of the fish detailed with gilt over-lapping scales, the head inlaid with gold leaf between the fins and turquoise at the eye, with a large agate ring looped over the upturned fin, the underside with a large circular knob, extensively corroded, wood stand, Japanese wood box (4) - Length 14 1/4  in., 36.2 cm

ExhibitionKaikan Tokubetsu Shuppin Seihin Senshu [Special Opening Exhibition - Anthology of Selected Masterpieces], Kyushu National Museum, Fukuoka, 2005, cat. no. 4.

BibliographyHayashi Minao and Higuchi Takayasu, Fugendō Sakamoto Gorō Chūgoku seidōki seishō / Ancient Chinese Bronzes in the Sakamoto Collection, Tokyo, 2002, col. pl. 17.

NotesIron inlaid with precious materials was used for belt hooks and other luxury objects during the Warring States period. Several examples, all characterized by the heavy corrosion of the iron surface, are known, including two featured in the exhibition Chinese Art of the Warring States Period. Change and Continuity, 480-222 B.C., Freer Gallery of Art, Washington, D.C., 1982, cat. nos 51-52. Whilst the form of the present fitting follows that of belt hooks, its large size suggests a more practical function. Two bronze hooks with hinged oval handles were discovered together with bronze tripod vessels, ding, in the tomb of Marquis Yi of Zeng in Hebei Province, and it is believed that hooks of this type were inserted through the open handles of bronze vessels to lift the tripods while they were still hot, see ibid., p. 62.  Hooks with ring handles were also used as chariot or harness fittings, see a pair of bronze fittings sold at Sotheby's London, 12th December 1978, lot. 220.

Sotheby's. Chinese Art Through the Eye of Sakamoto Gor: Early Chinese Art, New York, 13 Sep 2016, 10:00 AM