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26 juin 2017

Magdalene Odundo, Untitled, 1990

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Lot 37. Magdalene Odundo, Untitled, 1990, signed on underside of foot: "Odundo 1990". Height: 13 7/8 inches (35.2 cm). Estimate 20,000 — 30,000 USD. Lot sold 34,375 USD. Photo: Sotheby's.

ProvenancePrivate English Collection, acquired directly from the artist
By descent to the present owner

NoteMuch of Kenyan-born (1950, Nairobi) Magdalene Odundo's inspiration is drawn from the ceramic tradition of her roots on the Ugandan/Kenyan border.  In keeping with modern sculptors (such as Brancusi and Arp) she focuses on the search for perfection in form.  Odundo's ceramics are hand built, using a coiling technique.  She does not use the wheel, preferring instead to shape her vessels without its restraints of rotational symmetry.  Similarly, the surfaces on her vessels are not glazed but instead laboriously burnished, covered with slip, and burnished again.  When thoroughly dry the pots are fired in a gas kiln, first in an oxidizing atmosphere, which turns them a naturally bright red-orange.

Odundo's work is represented in over 40 public collections worldwide, including The Metropolitan Museum of Art, New York; The British Museum, London; The Art Institute of Chicago; The Museum of Fine Arts, Houston; The National Museum of African Art and the Cooper-Hewitt National Design Museum (both at the Smithsonian Institution, Washington D.C.); Los Angeles County Museum of Art; and the Victoria and Albert Museum, London.  

Sotheby's. African, Oceanic and Pre-Columbian Art, New York, 16 May 2013

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