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14 juillet 2017

A rare miniature molded archaistic vase and cover, Qianlong molded four-character seal mark and of the period (1736-1795)

A rare miniature molded archaistic vase and cover, Qianlong molded four-character seal mark and of the period (1736-1795) 

A rare miniature molded archaistic vase and cover, Qianlong molded four-character seal mark and of the period (1736-1795) 

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Lot 1530. A rare miniature molded archaistic vase and cover, Qianlong molded four-character seal mark and of the period (1736-1795), 4 in. (10.2 cm.) highEstimate USD 60,000 - USD 80,000. Price realised USD 315,750 © Christie's Images Ltd 2013

The vase has a somewhat flattened globular body and is molded with pairs of archaistic birds on the sides between petal lappet and ruyi borders, and on the neck between the pair of archaistic bird scroll handles, all of which is covered with acafé-au-lait glaze with gilt highlights and reserved on a moldedleiwen ground finely mottled in black, turquoise and blue enamel in imitation of an ancient bronze patina. The domed cover with knob finial is decorated en suite. The interior and interior of the foot are covered with a finely speckled gold glaze. 

Provenance: Peter Mack Brown, Georgetown, Washington, D.C., 1979.  

Note: This diminutive vase and cover, with its archaistic decoration and enamels colored to suggest the patina of ancient bronze, represents a major artistic theme of the Qianlong reign. Like his predecessors, the Qianlong emperor was a great admirer and collector of antiques and was particularly fascinated with the concept of imitating one material in another. During the Qianlong reign this fascination was at its height, and lacquer, stone, wood and bronze were among the materials reproduced in porcelain. With the technical advances and virtuosity of porcelain production during the Qianlong period, potters from the official kilns were able to experiment with different ways and techniques to satisfy the emperor's penchant for the curious and archaic. 

There is a small group of Imperial Qianlong-marked porcelains to which this vase belongs, all decorated with mottled enamels of different types such as turquoise on the present piece, combined with café-au-lait-tone enamels and gilt motifs, and fashioned in imitation of ancient bronzes. Usually, the decoration on the porcelain vessels was modified from its original form and it is often difficult to determine whether they were copied from ancient prototypes or from contemporary archaistic Qianlong bronzes. Here, the central confronting birds with rounded heads form decorative roundels, rather than the more squared designs found on ancient bronzes. Similarly, while elegantly potted, the shape is an interpretation of an ancient bronze form, with the addition of a conforming low-domed cover and bud-form finial. 

One feature that appears on ancient bronze vessels and that distinguishes a few of the porcelains of this group, such as the current vessel, is the molded leiwen ground on which the raised motifs appear. As opposed to simply mottled enamels on a flat surface, the molded grounds provide a textural contrast to the flat gilt and enameled motifs. A small archaistic porcelain bell in the Palace Museum, Beijing, that also displays this rare feature beneath mottled turquoise, green and black enamels, is illustrated in Kangxi. Yongzheng. Qianlong: Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, p. 415, no. 96. 

Other forms from this Imperial group decorated in a similar palette to the present piece include: a tripod censer illustrated in Emperor Ch'ien-lung's Grand Cultural Enterprise, Taipei, 2002, p. 173, no. V-7, and an archaistic bottle vase from the Collection of Gerard Hawthorne sold at Sotheby's Hong Kong, 5 October 2011, lot 1949. Another archaistic porcelain vase displaying a 'robin's-egg' ground, with squared flat handles similar to those on the present vase, was sold at Sotheby's Hong Kong, 9 October 2102, lot 3004. Others can be found with 'teadust'-glazed grounds including one illustrated in Kangxi. Yongzheng. Qianlong: Qing Porcelain from the Palace Museum Collectionibid., p. 412, no. 93, and a rare beaker vase, gu, sold at Christie's New York, 15-16 September 2011, lot 1602.

A fine and rare gold-ground archaistic bottle vase, Seal mark and period of Qianlong (1736-1795)

A fine and rare gold-ground archaistic bottle vase, Seal mark and period of Qianlong (1736-1795), 15 cm., 5 7/8 in. Sold for 12,980,000 HKD Sotheby's Hong Kong, 5 October 2011, lot 1949. Photo: Sotheby's

A fine and rare robbin's egg-ground gilt decorated archaistic bottle vase, Seal mark and period of Qianlong (1736-1795)

A fine and rare robbin's egg-ground gilt decorated archaistic bottle vase, Seal mark and period of Qianlong (1736-1795), 37.5 cm., 14 3/4 in. Sold for 35,380,000 HKD Sotheby's Hong Kong, 9 October 2102, lot 3004. Photo: Sotheby's

A rare gilt-decorated teadust-glazed imitation bronze beaker vase, gu, Qianlong incised and gilded sel mark and of the period (1736-1795)

A rare gilt-decorated teadust-glazed imitation bronze beaker vase, gu, Qianlong incised and gilded sel mark and of the period (1736-1795), 11 1/8 in. (28.3 cm.) high. Sold for USD 386,500. at Christie's New York, 15-16 September 2011, lot 1602 © Christie's Images Ltd 2011

Christie's. Fine Chinese Ceramics and Works of Art, 21 - 22 March 2013, New York, Rockefeller Center

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