of metalware form, the deep rounded sides rising to an everted rim and all supported on three large cabriole legs, covered overall in a clear straw-white glaze.
Literature: Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 250.
Chinese Ceramics in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 462.
Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008