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22 octobre 2017

A fine and rare lavender blue glazed 'jun' tripod censer, Northern Song-Jin Dynasty, 12th-13th century

A fine and rare lavender blue glazed 'jun' tripod censer, Northern Song  - Jin Dynasty, 12th-13th Century

Lot 31. A fine and rare lavender blue glazed 'jun' tripod censer, Northern Song-Jin Dynasty, 12th-13th century. Estimate 90,000 — 120,000 USDLot sold 108,000USD. © Sotheby's.

after the archaic bronze ding form, raised on three short rounded tapering supports emerging from the base of the steeply rounded sides, the straight neck rising to a wide mouth with gently flaring flanged rim extending out to a well-finished upturned lip, covered with a lightly crackled and slightly translucent lavender-blue glaze of even tone with a fine glossy surface extending over the interior and exterior and completely covering the base, the glaze very well controlled, draining slightly from the lip and thinning over the knees to allow the pale buff stoneware body to show through, highlighting the form of the vessel, the tips of the feet left unglazed; width 5 1/2 in., 14 cm.

NoteThis ding  tripod censer is a classic Jun type but examples of this size, finely detailed form and well-controlled glaze are very rarely seen, and its highly noteworthy features point to a Northern Song dynasty date. The proportions of the lower bulb of the body are flattened to form a particularly well-shaped flat base, in contrast to a slightly later development in the Jin dynasty, in which a countersunk circular ring is carved into the center of a more rounded base. Indeed, in its particularly successful translucency and 'frosted' craquelure of the glaze, and the paler tint of the exposed body material, the present censer is important in its close correlation to the prized Ru ware. While Jun wares were more typically produced in the Dayu kilns of Linru county, Jun shards were also excavated from the Qingliansi kilns of neighboring Baofeng county, Henan province, which specialised in the production of the famed Ru wares; see Wang Qingzheng, The Discovery of Ru Kiln, Hong Kong, 1991, pls.2, 3 & 5. Compare the glaze behavior displayed on the bottom of the present Jun censer (see detail) with that of the famed Ru cupstand in the Percival David Foundation, illustrated ibid, pl.60, or the series of dishes exhibited at the Tobu Museum of Art, Song Ceramics, Tokyo, 1999, cat.nos.19-22, and in particular no.21.

Compare also the lavender-blue glazed Jun tripod censer of similar form, excavated in 1962 from Huangzhuang, Yu county, Henan province, illustrated in Henan sheng bowuguan, Beijing, 1985, no. 128, with caption on p. 207, where it is dated to the Northern Song dynasty. Particularly in the comparison with the opalescent bubble-suffused glazes on the finest of the classic Jun wares attributed to the Northern Song period, such as the five-lobed foliate dish in the Percival David Foundation, illustrated by Basil Gray, Sung Porcelain & Stoneware, London, 1984, col.pl.D, is it apparent how singular the glaze is on the present censer. It is also particularly rare to find a Jun censer of this large size, as the majority of similar proportions are in miniature size with  almost vestigial 'pinched' feet, such as one illustrated Krahl, Chinese Ceramics from the Meiyintang Collection, vol.1. no.389.

The dating of this lot is consistent with the results of a thermoluminescence test, Oxford Authentication Ltd., no. P104m20.

Sotheby's. Fine Chinese Ceramics & Works of Art, New York, 31 mars 2005

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