LONDON.- Sotheby’s London Old Masters Evening sale on 6 December 2017 covers 400 years of art history, from the visually arresting gold-grounds of the Early Italian Renaissance to one of the last and most important candlelight pictures by Joseph Wright of Derby left in private hands. Highlights also include a luminous 18th-century view of Venice by Bellotto, two recently rediscovered landscapes by Constable, as well as a formidable gallery of portraits covering 300 years, from Cranach and Titian to Van Dyck. 

Alex Bell, Worldwide Co-Chairman of Sotheby’s Old Master Paintings Department: “Strong imagery, luminous works and great names have long been driving the Old Masters market but in the last couple of years, we have witnessed a surge of interest in Early Renaissance and high Renaissance paintings among international collectors. With their simple and striking imagery, these works often find their way in very eclectic collections. We are therefore delighted that nearly half of the works in the sale consist of Renaissance pictures. We are also privileged to present rare works by three of the greatest and most influential British artists of the 18th century whose work transcends national boundaries and speaks to a wider global sensibility: Constable, Wright of Derby and Stubbs.” 

GREAT BRITISH PAINTERS 
Among the highlights in the sale are two recently rediscovered landscapes by John Constable (1776 – 1837). The first, Dedham Vale with the River Stour in Flood is one of the most exciting and important additions to the artist’s oeuvre to have emerged in the last 50 years. Painted between 1814 and 1817, the work belongs to a small group of Constable’s early Suffolk paintings remaining in private hands and will be offered with an estimate of £2-3 million (lot 40). 

Lot 40. John Constable, R.A. (1776 – 1837), Dedham Vale with the River Stour in Flood from the grounds of Old Hall, East Bergholt, oil on canvas, 51 x 91.5 cm.; 20 1/8  x 36 in. Estimate 2,000,000 — 3,000,000 GBP. Lot sold for £1,809,000 ($2,424,964). Photo: Sotheby's

The second work by Constable is the first sketch for one of the artist’s most celebrated paintings, The Opening of Waterloo Bridge, today in the collection of Tate Britain. Previously thought lost, the work, dating from circa 1819–20, depicts a rare view of London by the artist and presages Monet’s famous series of views of Waterloo Bridge created almost a century later (lot 51, est. £1-1.5 million). 

 Lot 51. John Constable, R.A. (1776 – 1837), The Opening of Waterloo Bridge, seen from Whitehall Stairs, London, 18 june 1817, oil on canvas, 51 x 91.5 cm.; 20 1/8  x 36 in. Estimate 1,000,000 — 1,500,000 GBP. Sold for £2,289,000 (3,068,404). Photo: Sotheby's.

Testament to the genius of Joseph Wright of Derby (1734-1797), An Academy by Lamplight is one of the artist’s most important candlelight pictures, and one of his last major works remaining in private hands. Painted in 1769, the work is a supreme example of Wright’s dramatic rendering of light and shade and his association with the Enlightenment movement. It comes to the market with an estimate of £2.5-3.5 million, the highest estimate for a work by Joseph Wright of Derby ever at auction. 

 Lot 11. Joseph Wright of Derby (1734-1797), An Academy by Lamplight, oil on canvas, 127 x 101.5 cm.; 50 x 40 in. Estimate 1,000,000 — 1,500,000 GBP. Sold for £7,263,700 ($9,736,990) (est. £2.5-3.5 million) – an auction record for the artist. Photo: Sotheby's.

Important works by George Stubbs (1724 – 1806), the greatest animal painter of the 18th century, rarely appear on the market. Painted in 1789, Two bay hunters in a paddock was commissioned by the Irish peer, Arthur Annesley, 8th Viscount Valentia and is typical of Stubbs’ preferred setting for his portraits of horses in the latter part of his career, often depicting two horses communing face to face (lot 47, est. £1.5-2 million).   

 Lot 47. George Stubbs (1724 – 1806), Two bay hunters in a paddock, signed and dated, lower right: Geo: Stubbs pinxit / 1789, oil on panel, 90 x 137 cm.; 35 1/2  x 54 in. Estimate 1,500,000 — 2,000,000 GBP. Photo: Sotheby's.

ITALIAN VIEWS 
Highly sought after, Italian views feature strongly in the sale, with two 18th-century Landscapes depicting the Villa Aldobrandini at Frascati and the Villa Farnese at Caprarola by Vanvitelli, the inventor of the Veduta, (lot 24, est. £700,000-1 million) and a luminous morning view of The Grand Canal, looking north from near the Rialto Bridge, recognised only recently as a work by Bernardo Bellotto. The work is likely to date to about 1738, early in the artist’s career when his works were often mistaken for those of his illustrious uncle Canaletto. In some respects this painting may be seen as an instance of Bellotto surpassing his celebrated master (lot 25, est. £2-3 million).  

 Lot 24. Gaspar van Wittel, called Vanvitelli (1652/3 - 1736), Two landscapes with the Villa Aldobrandini at Frascati and the Villa Farnese at Caprarola, the former signed and inscribed on the packmules lower left: GASP/VAN/WITTEL and BELV/D. FRAS; a pair, both oil on canvas, each: 49.5 x 98.5 cm.; 19 1/2  x 38 3/4  in. Estimate 700,000 — 1,000,000 GBP. Lot Sold 777,000 GBP (1,041,569  USD). Photo: Sotheby's.

Lot 25. Bernardo Bellotto (1722 - 1780), Venice, a view of the Grand Canal looking north from near the Rialto bridge, with the Fabbriche Nuove on the left, oil on canvas, 61 x 92.5 cm.; 24 x 36 3/8  in. Estimate 700,000 — 1,000,000 GBP. Sold for £2,049,000 ($2,746,684). Photo: Sotheby's.

EARLY RENAISSANCE AND RENAISSANCE PAINTING IN EUROPE 
The sale also includes a rich offering of European Renaissance paintings, mainly Italian, German and Flemish, covering three centuries. 

Following the records set for Italian gold-grounds last December, the sale presents a fine selection of early Renaissance paintings, including 14th and 15th-century Tuscan and Venetian works, as well as an exceptionally rare example of mid-14th century Catalan painting (lot 27). Leading this group are a magnificent depiction the “Madonna of Mercy” (Madonna della Misericordia) by The Master of 1336 painted in Pistoia around 1340-1350 (lot 26, est. £400,000-600,000) and a superb Nativity scene painted around 1435–40, almost certainly in Vienna, by The Master of The Saint Lambrecht Votive Altarpiece. With its precious and visually arresting gold-ground, this panel is an outstanding example of the full flowering of the International Gothic style in Austria in the 15th century (lot 29, est. £300,000-400,000).  

Lot 26. The Master of 1336 (formerly known as the Master of Popiglio), active in Pistoia during the first half of 14th century, The Madonna della Misericordia, tempera and gold on panel, 92.5 x 46 cm.; 36 3/8  x 18 1/8  in. Estimate 400,000 — 600,000 GBP. Sold for £753,000 ($1,009,396). Photo: Sotheby's. 

Lot 29. The Master of The Saint Lambrecht Votive Altarpiece (c. 1410-1440), Recto: The Nativity; Verso: Christ on the Mount of Olives, oil and gold on panel, 82 x 66.7 cm.; 32 ¼ x 26 ¼ in. Estimate 300,000 — 400,000 GBP. Lot Sold 297,000 GBP (398,129 USD). Photo: Sotheby's.

Renaissance painting and sculpture are also at the core of a single-owner sale “A Venetian Legacy: An Italian Private Collection” to be offered in London on 5 December. Further highlights include Italian furniture and 18th century Venetian paintings, such as The Fortune Teller by Pietro Longhi and A Mediterranean Port View by Luca Carlevarijs. 

FLEMISH PAINTING: In Rubens’ Garden 
Among the fantastic selection of Flemish paintings is a fascinating work by David Teniers the Younger (1610-1690), one of the most prolific Flemish painters of the 17th century. Painted in 1651, An elegant company before a pavilion in an ornamental garden contains a reference to almost all the greatest painters of the Golden Age of Flemish painting. It depicts a garden party in the parterre behind Rubens’ house (now the Rubenhuis), with the garden pavilion designed by Rubens himself as a backdrop. The work also features a self-portrait of Teniers and his wife Anna, daughter of Jan Brueghel the Elder, granddaughter of Pieter Bruegel the Elder and niece of Pieter Brueghel the Younger. The painting has had a distinguished history and a continuous provenance since 1731, 80 years after it was painted (lot 43, est. £800,000-1,200,000). 

Lot 43. David Teniers the Younger (1610-1690), An elegant company before a pavilion in an ornamental garden, signed and dated lower left: DAVID · TENIERS · FEC · / 1651, oil on copper, 70 x 87.6 cm.; 27 1/2  x 34 1/2  in. Estimate 800,000 — 1,200,000 GBP. Lot Sold 1,569,000 GBP (2,103,245 USD). Photo: Sotheby's.

300 YEARS OF PORTRAITURE 
The sale is also distinguished by a fascinating gallery of portraits featuring some of the most influential painters in the history of Western Art. Covering 300 years of portraiture, from the late 15th century to the 18th century, the selection is highlighted by a remarkable group of female portraits and two likenesses of high-ranking commanders by two master portraitists who came to dominate the genre throughout Europe: the Venetian Renaissance master Titian and the flamboyant Baroque painter, Anthony van Dyck. 

Portraits of High-ranking Commanders 
Late portraits by Titian (1485/90(?)-1576) are very rare and this impressive Portrait of a Venetian Admiral, possibly Francesco Duodo was executed during the Italian master’s final decade. Largely ignored in the literature due to its inaccessibility, this portrait can be traced back to the 1620s when Van Dyck recorded it in his Italian sketchbook (lot 18, est. £1-1.5 million).  

Lot 18. Tiziano Vecellio, called Titian (1485/90 (?) - 1576), Portrait of a Venetian admiral, possibly Francesco Duodo, oil on canvas, 87.2 x 77 cm.; 34 3/8  x 30 1/4  in. Estimate 1,000,000 — 1,500,000 GBP. Unsold. Photo: Sotheby's.

Sir Anthony Van Dyck himself is represented in the sale by a portrait of another high-ranking commander, George, Baron Goring (1608–1657), one of the most prominent and talented of Charles I's cavalry commanders (lot 39, est. £150,000-200,000). 

Lot 39. Sir Anthony van Dyck (1599 - 1641), Portait of  George, Baron Goring (1608–1657), inscribed, centre left: LORD GORING, oil on canvas. Estimate 150,000 — 200,000 GBP. Lot sold for £187,500 ($251,344). Photo: Sotheby's.

Portraits of Female Sitters 
The selection of female portraits is led by a portrait by Van Dyck depicting Anne Sophia, Countess of Carnarvon, daughter of one of the painter’s most important early patrons, and painted circa 1636, at the height of the baroque painter’s career (lot 8, est. £400,000-600,000).  

Lot 8. Sir Anthony van Dyck (1599 - 1641), Portait of Anne Sophia, Countess of Carnarvon (d. 1695), inscribed on a label, verso:  ...Anne Sophia, daughter of Philip: Earl of Pem- broke and Montgomery and wife of Robert Dormer, first Earl of Carnarvon, killed at the battle of Newbury 20 Sept. 1643. By Vandyke., oil on canvas. Estimate 400,000 — 600,000 GBP. Lot Sold 585,000 GBP (784,193 USD). Photo: Sotheby's. 

Another highlight of this section is one of Lucas Cranach The Elder’s finest versions of Lucretia - a favourite subject of the artist - painted circa 1525 (lot 6, est. £400,000-600,000).  

Lot 6. Lucas Cranach the Elder (1472 - 1553), Lucretia, signed lower right with the artist's device of a winged serpent, oil on marouflaged limewood panel, oval, reduced from a rectangular panel, 35.9 x 27.1 cm.; 14 1/8  x 10 5/8  in. painted surface: 34.5 x 25.4 cm.; 13 5/8  x 10 in. Estimate 400,000 — 600,000 GBP. Sold for £669,000 ($896,794). Photo: Sotheby's.

Stretching back to the turn of the 15th to the 16th century are a Portrait of a lady attributed to the German painter Bernhard Strigel, a work of exceptional quality and in remarkable condition (lot 5, est. £150,000-200,000) and The Magdalene by The Master of the female half-lengths, who ran one of the most prolific workshops of the northern Renaissance (lot 7, est. £80,000-120,000). 

Lot 5. Attributed to Bernhard Strigel (1460 – 1528), Portrait of a lady, bust-length, in a gold embroidered black dress and a white headdress, holding a sprig of nightshades and forget-me-nots, oil on panel, 37.2 x 26.7 cm.; 14 5/8  x 10 1/2  in. Estimate 150,000 — 200,000 GBP. Lot sold for £273,000 ($365,957). Photo: Sotheby's. 

Lot 7. The Master of the Female Half-lengths (active in Antwerpt  during the first half of 16th century), The Magdalene, half-length, holding a jar of unguent, oil on panel, 62 x 47.2 cm.; 24 1/2  x 18 5/8  in. Estimate 80,000 — 120,000 GBP. Lot sold for £87,500 ($117,294). Photo: Sotheby's.

The sale also features two 17th-centruy Italian portraits: a ravishing depiction of Arachne painted by Bernardo Strozzi circa 1628–33 (lot 21, est. £200,000-300,000) and a poetic representation of a three-quarter turned young shepherdess playing the flute attributed to the great Bolognese painter Giuseppe Maria Crespi (lot 9, est. £60,000-80,000). 

Lot 21. Bernardo Strozzi (1581 - 1644), Arachne, oil on cedar panel, 57 x 45 cm.; 22 1/2  x 17 3/8  in. Estimate 200,000 — 300,000 GBP. Photo: Sotheby's. 

 Lot 9. Attributed to Giuseppe Maria Crespi (1665 - 1747), A shepherdess playing the flute, oil on canvas, possibly reduced, 95 x 77 cm.; 37 3/8  x 30 1/4  in. Estimate 60,000 — 80,000 GBP. Sold for £249,000 ($333,784). Photo: Sotheby's.