of quatrelobed form, the walls of the vessel skilfully carved in the form of four overlapping petals with an outline of bracket foliations, all supported on four short feet and enclosing a central hollow cylinder, the patina of a creamy beige colour.

Exhibited: Gerald Tsang and Hugh Moss, Arts from the Scholar's Studio, Fung Ping Shan Museum, University of Hong Kong, 1986, cat. no. 114.