Honma Hideaki, Slanted Shadow, 2010. Madake & nemagari bamboo, rattan, 28.25 x 12 x 13.25. 

SANTA FE, NM.- TAI Modern announces its upcoming exhibition by Honma Hideaki. A celebration of his thirty-year career, this solo show will feature twelve of the artist’s most impressive bamboo sculptures. 

Honma’s dynamic works pay homage to the natural beauty of his native Sado Island, Japan. He often uses menyadake, a bamboo species said to grow only the island, and hand-cuts bamboo from the groves outside of his home. Certain pieces, such as Flowing Pattern 2018-B, are clearly inspired by the shapes and energy of the surrounding Sea of Japan. The strong curves of the piece delineate the form of a crashing wave, and the layering of bent bamboo strips resemble ripples on the surface of the ocean. The work suggests motion and force without any actual movement. Its mesmerizing quality lies in this visual suspension of motion, something only an artist of Honma’s caliber could capture so precisely. 

Honma Hideaki, Cool Breeze, 2013. Madake & nemagari bamboo, rattan, 6.50 x 30.50 x 13.50".

“In bamboo art, one usually goes through traditional training - learning basket making before he or she moves on to making bamboo sculpture. Contrarily, I started my artist career late in life when I began assisting in my father Honma Kazuaki’s production studio,” Hideaki explains. “I thought not knowing basket making basics was a disadvantage in the beginning, but it actually helped me to think freely and allowed me to develop my own method and personal style.” 

As a young man, Honma was a soldier in the Japanese Air Self-Defense Force. After an accident caused a major injury in one eye, he was forced to resign. His uncle, the pioneering bamboo artist Honma Kazuaki, had no children, so he adopted Hideaki, who loved to draw and work with his hands, as his son, student and heir to the family's bamboo business. 

 Honma Hideaki, Ripples, 2013. Madake bamboo, nemagari bamboo and rattan, 10.25 x 36.75 x 7.50".

2017 was a milestone year for Honma – it marked the 30th anniversary of his becoming an independent artist and it was also the year he lost his father. Consequently, he has re-dedicated himself to developing his individual style, making sculptures that can stand beside but separate from the work of his well-known father. His art is a part of the permanent collection of the Metropolitan Museum of Art, the Art Institute of Chicago, and the Asian Art Museum

Honma Hideaki, Flowing Pattern 2016, 2016. Madake bamboo, nemagari bamboo and rattan, 37.00 x 30.00 x 14.00".

Honma Hideaki, Snail, 2016. Madake, menyadake, & nemagari bamboo, rattan, 24.50 x 31.75 x 8.50.

Honma Hideaki, Floating, 2017. Madake, menyadake, & nemagari bamboo, rattan, 14.50 x 38.25 x 6.50".

Honma Hideaki, Flowing Pattern A, 2018. Madake bamboo, nemagari bamboo and rattan, 41.50 x 28.50 x 8.00".

Honma Hideaki, Flowing Pattern B, 2018. Madake bamboo, nemagari bamboo and rattan, 25.00 x 37.00 x 10.00".

Honma Hideaki, Harmony, 2018. Madake bamboo, nemagari bamboo and rattan, 17.25 x 28.25 x 10.00".

Honma Hideaki, Sign of Wind, 2018. Madake, menyadake, & nemagari bamboo, rattan, 28.50 x 19.25 x 6.00".

Honma Hideaki, Tide, 2018. Madake bamboo, nemagari bamboo and rattan, 13.50 x 51.00 x 8.00".

Honma Hideaki, Undulation, 2018. Madake bamboo, nemagari bamboo and rattan,19.25 x 25.00 x 19.50".