Portrait of a young man, Roman, Second half of the first century AD. Marble, 23 x 19 x 16 cm (9 x 7.5 x 6.3 in.). Image courtesy Galerie Chenel, Stand 212 at TEFAF New York Fall 2018
Provenance: Formerly in the collection of the Baron Maximilian von Heyl (1844-1925), Darmstadt (published in the catalogue of that collection in 1930); probably in the collection of Dr. Arthur Rosin (1879-1974), Berlin and New York; Collection Leopold Gutmann (1891-1970), then transported to New York in 1937 with the rest of his collection; received as a present from Dr. Arthur Rosin, his father-in-law; Collectio of Leonard Sussman (1920-2015), New York and Craftsbury, Vermont, received as a present from Leopold Gutmann, his father-in-law; then passed down within the same family as an heirloom.
Literature: Klaus Fittschen - Paul Zanker, Katalog der römischen Porträts in den Capitolinischen Museen und den anderen komunalen Sammlungen der Stadt Rom, Katalog der römischen Porträts in den Capitolinischen Museen und den anderen komunalen Sammlungen der Stadt Rom, note 9n, 2014, vol. IV, p. 45
Hugo Helbing, Katalog der Sammlung Baron Heyl, Darmstadt. Vol. II, Sammlung antiker Kunst, Darmstadt, no. 23 (non illustré)., October 30th, 1930, no. 23 (non illustré)., no. 23 (non illustré).
P. Cairn, Marmorbildnisse neronisch-flavischer Zeit, Munich, Marmorbildnisse neronisch-flavischer Zeit, Munich, no. 132, 1993, no. 132, pp. 252-253
Paul Arndt and Georg Lippold, Photographische Einzelaufnahmen antiker Skulpturen, serie XIII, nos 3744-3746., 1932, nos 3744-3746., nos 3744-3746.
F. Fless, Opferdiener und Kultusmusiker auf stadtrömischen historischen reliefs., Untersuchungen zur Ikonographie, Funktion und Benennung, pl. pl. 30.1-2, 1995, Mainz, pl. pl. 30.1-2, P.67
John Pollini, "Two Portrait Busts of Slave Boys from a Shrine of Cobannus in Gaul,", Studia Varia from the J. Paul Getty Museum, vol. 2,, 2001, note 103, p. 139
John Pollini, "The Warren Cup: Homoerotic Love and Symposial Rhetoric in Silver,", The Art Bulletin, vol. 81, figs. 19-20, 1999, figs. 19-20, pp. 34-35
Gallery Chenel is a family business that is driven by a passion for sculpture. It specializes in archaeological objects, with particular emphasis on Roman arts. Established in Paris in 1999, the gallery has grown over the years and it has settled on Quai Voltaire, opposite the Louvre Museum, where it has fitted a modern exhibition space, a shrine for antique pieces. Every year, it organizes many thematic exhibitions and participates in numerous international fairs (Masterpiece London, Frieze Masters London, TEFAF New York and TEFAF Maastricht). It is proud on proposing object of taste and quality. Expertise and attention to provenance, in order to give customers a full guarantee of authenticity, are primary to the gallery. Among his clients, it has curators well as passionate collectors, decorators and art lovers.The gallerys professionalism ensures that all can by with confidence. Members of the Syndicat National des Antiquaires, of IADAA (International Association of Dealers in Ancient Art).