Damien Hirst, In and Out of Love (Butterfly Paintings and Ashtrays) (detail), 1991, © Damien Hirst and Science Ltd. All rights reserved / DACS, London / ARS, NY 2020.
NEW HAVEN, CT — The Yale Center for British Art presents its first new special exhibition since reopening to the public. Thirty years ago, Damien Hirst’s seminal installation In and Out of Love was shown for the first time. It subsequently launched his career as one of the most prominent artists his generation and was coexistent with London’s rise as a global hub for contemporary art. To mark this milestone, In and Out of Love (Butterfly Paintings and Ashtrays) will be shown in its entirety for the first time in many years, alongside works of historic, modern, and more contemporary art from the Center’s collections. Titled Love, Life, Death, and Desire: An Installation of the Center’s Collections, this display will be on view through February 28, 2021.
“I am excited to welcome visitors into the Center’s third-floor galleries following a successful public reopening,” says Director Courtney J. Martin. “Love, Life, Death, and Desire highlights the depth of our collection and presents how artists over the centuries have engaged with some of the most consuming themes related to the human condition.”
Taking up two floors of the Woodstock Street Gallery between June 21 and July 26, 1991, Hirst’s first solo exhibition comprised a room of live butterflies and an installation titled Butterfly Paintings and Ashtrays. Today, the permanent half of that iconic installation is part of the Center’s collection—featuring eight paintings in bright pastel colors, each with dead butterflies pressed into their surfaces of high gloss paint; four ashtrays loaded with cigarette butts on a table; and four large cubes, each with a hole on every side.
Among the other highlights that will be on view in the Center’s third-floor galleries are Henry Fuseli’s tragic Dido, first shown at the Royal Academy in 1781; Anthony Vandyke Copley Fielding’s sublime celebration of nature in A Scene on the Coast, Merionethshire—Storm Passing Off (1818); Angelica Kauffman’s hymn to love in Rinaldo and Armida (1771); and Christopher Le Brun’s poetic meditation on beauty in Kingdom (2015).
Henry Fuseli, Dido, 1781. Oil on canvas. Yale Center for British Art, Paul Mellon Collection.
Angelica Kauffmann, Rinaldo and Armida, 1771. Oil on canvas. Yale Center for British Art, Paul Mellon Collection.
Christopher Le Brun, Kingdom, 2015. Oil on canvas. Yale Center for British Art, Dr. Lee MacCormick Edwards Charitable Foundation, and Friends of British Art Fund, © Christopher Le Brun.