Albrecht Dürer (1471–1528). Adam and Eve, Engraving, platemark: 9 5/8 x 7 1/2 in. Cincinnati Art Museum, Bequest of Herbert Greer French, 1943.193.

NASHVILLE, TENN.- The Frist Art Museum presents Albrecht Dürer: The Age of Reformation and Renaissance, an exhibition featuring one hundred engravings, etchings, and woodcuts by the brilliant and versatile German Renaissance artist Albrecht Dürer (1471–1528). Organized by the Cincinnati Art Museum, the exhibition is on view in the Frist’s Upper-Level Galleries from November 6, 2020, through February 7, 2021.

Dürer is celebrated as the greatest artist of the Northern Renaissance and one of the finest printmakers of all time. This exhibition spans nearly his entire career, from his early works as an independent master through the end of his life. It highlights the major themes of his art, such as the Apocalypse and the Passion, and his interest in nature, linear perspective, and ideal human proportions. Dürer lived in the prosperous city of Nuremberg during the advent of the Protestant Reformation, and the exhibition explores how the religious turmoil affected both the artist and his art.

Albrecht Dürer (1471–1528). The Four Horsemen for the Apocalypse, 1497–98. Woodcut (proof before text), image: 15 3/8 x 11 1/8 in. Cincinnati Art Museum, Bequest of Herbert Greer French, 1943.212.

“Already by the time he was thirty years old, Dürer had become the most famous artist in Europe, which is especially notable because he was a contemporary of Leonardo, Michelangelo, and Raphael,” says Frist Art Museum curator Trinita Kennedy. He achieved fame primarily with his prints, which were reproduced in multiples and sold widely.

“Inexpensive, portable, and mass produced, prints were a new medium of communication and an accessible art form that aided the spread of information and knowledge during the Renaissance, much like the internet in our own times,” says Kennedy. “By using his AD monogram as a means of declaring the authorship of images, Dürer is also a key figure in the development of modern ideas of authorship and copyright.”

Albrecht Dürer (1471–1528). Virgin and Child with the Monkey, ca. 1498. Engraving, platemark: 7 1/2 x 4 7/8 in. Cincinnati Art Museum, Bequest of Herbert Greer French, 1943.184.

Organized chronologically, the exhibition begins with an overview of Dürer’s training and early travels and then focuses on the opening of his workshop, his major works, and his later travels to Italy and the Netherlands. The exhibition concludes with a study of Dürer’s last decade and legacy.

The exhibition includes prints from five major devotional books by Dürer: the Apocalypse, the Large Passion, the Life of the Virgin, the Small Passion, and the Engraved Passion. It also features Dürer’s greatest Renaissance nudes—Nemesis (The Great Fortune) and Adam and Eve—plus outstanding exemplars of all three Master Engravings: Knight, Death, and the Devil; Melencolia I; and St. Jerome in His Study. 

Albrecht Dürer (1471–1528). Nemesis (The Great Fortune), 1501–2. Engraving, platemark: 13 x 8 7/8 in. Cincinnati Art Museum, Bequest of Herbert Greer French, 1943.188.

To provide historical context, works by Dürer’s predecessors, contemporaries, and followers are also on view, as well as maps and a timeline. A video produced by the Frist Art Museum with local artists explains the three most important printmaking techniques used by Dürer: engraving, etching, and woodcut. A seek-and-find activity encourages visitors of all ages to have fun looking closely at Dürer’s prints to discover a menagerie of animals within.