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28 décembre 2022

Two Ru-type vases from the Personal Collection of Robin Woodhead sold at Sotheby's. Monochrome, London, 2 November 2022

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Lot 221. A very fine Ru-type hexagonal vase, HuSeal mark and period of Qianlong (1736-1795). Height 34.8 cm., 13¹¹⁄₁₆ in. Lot sold: £277,200 (Estimate: £120,000 - 180,000). © 2022 Sotheby's.

the base with a six-character seal mark in underglaze blue.

Property from the Personal Collection of Robin Woodhead.

Provenance: Private Collection, Japan
Sotheby's Hong Kong, 9th October 2007, Lot 1526.

NoteCovered in a subtle glaze of a misty bluish grey and suffused overall with a fine crackle, this beautiful vase of the Qianlong period (1736-95) pays tributes to the craftsmanship of the distant past. The glaze has been created in imitation of Ru ware, one of the Five Great Wares of the Song dynasty (960-1279) as defined by collectors of later periods, along with Ding, Ge, Jun and guan. The unglazed foot has been stained with a brown wash, which simulates the dark body of guan ware. Preserved in the National Palace Museum, Taipei is a vase of closely related hexagonal form, also with tubular handles on its neck and of Qianlong mark and period, but modelled in a smaller scale and covered in Ge-type glaze, accession no. zhong-ci-212.

The form of this vase was inspired by archaic bronze vessels hu, which were originally created as ritual wine containers for ancestral ceremonies. See, for example, the Ju Shu Hu from the Western Zhou dynasty (c. 1046-771 BC), the neck set with a pair of lug handles, cast with a pear-shaped body of oval section, all above a tall splayed foot, from the collection of Chen Chengqiu and now in the Palace Museum, Beijing, accession no. gu-77025. The present vessel reflects the Qianlong Emperor's penchant for these early wares, which he not only collected but also commissioned the imperial kilns to recreate or imitate.

Another Ru-type vase of this form sold twice in our Hong Kong rooms, 20th May 1981, lot 822 and, more recently, 3rd October 2017, lot 3638. Compare also an example sold in our Paris rooms, 10th June 2021, lot 58.

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Lot 222. A fine Ru-type vase, Hu, Seal mark and period of Qianlong (1736-1795). Height 33.2 cm, 13 in. Lot sold: £201,600 (Estimate: £100,000 - 150,000). © 2022 Sotheby's.

the base with a six-character seal mark in underglaze blue.

Property from the Personal Collection of Robin Woodhead.

Provenance: Sotheby’s Hong Kong, 8th April 2007, Lot 709.

Note: Brimming with sophistication in its minimalistic concept and design, this vase with its well-proportioned angular form is strikingly contemporary in its aesthetic notion even though it was created over two hundred years ago. It forms a marked contrast to the richly ornamented decorative styles that are generally associated with the Qianlong period (1736-95), and illustrates the technical perfection achieved by craftsmen working at the imperial kilns in Jingdezhen during that time. Monochrome vessels required a high level of skill and precision in every stage of their production, from the purity of the clay and precision of the potting to the evenness of the glaze and control of the firing, particularly if of such large size as the present piece.

This vessel is a fine example of the monochrome porcelain of the Qianlong reign which alludes to the Emperor’s deep appreciation and respect for the past. Covered in a bluish-green glaze permeated with a crackle, it was created in imitation of guan ware, one of the celebrated wares of the Song dynasty (960-1279). Guan was produced in Hangzhou, the Southern Song (1127-1279) capital, as the Southern Song potters’ answer to Ru, the imperial ware of the North. A closely related vase also covered in guan-type glaze and of Qianlong mark and period, but showing more obvious crackle, is preserved in the National Palace Museum, Taipei, accession no. gu-ci-9106.

Sotheby's. Monochrome, London, 2 November 2022

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