Art du XIVème siècle / 14th century Art

  Affiche Vierge à l’Enfant dite Notre-Dame de BonnesNouvelles (détail) Musée des Augustins, Toulouse. © Mairie de Toulouse / Photo Daniel Martin / Oficina PARIS - Synthétisant des recherches récentes, l’exposition «Toulouse, 1300-1400: l’éclat d’un gothique méridional » présentée au musée de Cluny – musée national du Moyen Âge du 18 octobre 2022 au 22 janvier 2023 dresse un état des lieux inédit de la création à Toulouse au XIVe siècle. À cette période, Toulouse fait partie des plus grandes villes de France avec Paris,... [Lire la suite]

Nerio (active late 13th–early 14th centuries). Cutting from a choirbook (antiphonary): Easter Scenes: The Three Maries at the Tomb with the Angel of the Resurrection, and The Resurrected Christ Appearing to the Three Maries (in initial A), ca. 1315. Tempera, gold, and ink on parchment, 9 3/8 x 9 3/8 in. The Metropolitan Museum of Art, New York, New York, Rogers Fund, 12.56.1. NASHVILLE, Tenn.—The Frist Art Museum presents Medieval Bologna: Art for a University City, the first major museum exhibition in the... [Lire la suite]

Nerio (active late 13th and early 14th centuries). Cutting from a choirbook (antiphonary): Easter Scenes: The Three Maries at the Tomb with the Angel of the Resurrection, and The Resurrected Christ Appearing to the Three Maries (in initial A), ca. 1315. Tempera, gold, and ink on parchment, 9 3/8 x 9 3/8 in. The Metropolitan Museum of Art, New York, New York, Rogers Fund, 12.56.1. NASHVILLE, Tenn.—The Frist Art Museum presents Medieval Bologna: Art for a University City, the first major museum exhibition in the United States to... [Lire la suite]

Paolo Veneziano (Italian (Venetian), about 1295 - about 1362) and Giovanni Veneziano (Italian, active about 1345 - about 1358), The Coronation of the Virgin, detail, 1358. Tempera and gold leaf on panel. Unframed: 109.9 × 68.6 cm (43 1/4 × 27 in.) Framed: 145.4 × 91.4 × 9.8 cm (57 1/4 × 36 × 3 7/8 in.), The Frick Collection, New York, Purchase, 1930 EX.2021.3.14 Paolo Veneziano (about 1295–about 1362) was the premier painter in late medieval Venice, producing religious works ranging from large complex altarpieces to small... [Lire la suite]

Vincent van Gogh (1853-1890), Peasant Burning Weeds, 1883, oil on panel, 30.5 × 39.7 cm, Van Gogh Museum, Amsterdam / Drents Museum, Assen. AMSTERDAM.- The Van Gogh Museum and the Drents Museum have jointly acquired an early painting by Vincent van Gogh: Peasant Burning Weeds from 1883. The small yet powerful work shows a solitary figure on a deserted plain at twilight, illuminated by a fire. Van Gogh painted the work in Drenthe, where he stayed in the autumn of 1883 and captured the landscape in paintings and drawings.... [Lire la suite]

Jewish ceremonial wedding ring, from the Colmar Treasure, ca. 1300­–before 1348. Gold, opaque and translucent enamel, 1 3/8 x 7/8 in. (3.5 x 2.3 cm). Musée de Cluny – Musée national du Moyen Âge, © RMN-Grand Palais / Art Resource, NY. For more than 500 years, a small cache of jewelry and coins lay hidden within the walls of a house in Colmar, France. Secreted there in the 14th century and discovered in 1863, the Colmar Treasure—now in the collection of the Musée de Cluny, Paris—comprises rings of sapphire, ruby, garnet, and... [Lire la suite]

Master of Charles of Durazzo (active 1370–1420, Florence) Panel from a Marriage Chest (cassone) with Story of Torello and Saladin, ca. 1380–90, tempera and molded and gilded gesso on panel, 20 1/8 x 49 1/4 x 2 3/8 in. (51 x 125 x 6 cm), collection of Museo Stibbert, Florence, Italy, Inv. 16201. MADISON, WI .- Drawing on a selection of outstanding panels and complete cassoni—elaborately decorated wedding chests—together with textiles, majolica ware, paintings and other domestic items, this exhibition explores and... [Lire la suite]

Drinking horn (griffin claw), probably Prague, around 1400. Silver, gold plated, horn, enamel. H 34.2 cm, L 48.5 cm; Cover: Dm 12.3 cm. Green Vault, IV 333. © Dresden State Art Collections. "Halt veste us / komen geste" This invitation, engraved on the branch on which the creeping, bearded carrying figure of the ancient drinking horn is based, describes its function very precisely. It is a ceremonial vessel whose silver gilt beaker allows it to be used as a welcome cup for guests, but also for festive customs such as minne... [Lire la suite]

Lot 53. Lorenzo Veneziano (active Venice, 1356-1379), The Crucifixion, tempera on gold ground panel, shaped top, 55.7 x 40cm (21 15/16 x 15 3/4in). Estimate £400,000 - 600,000 (€450,000 - 680,000). Sold for £1,688,750 (€1,906,727) inc. premium. Photo: Bonhams.  Provenance: Baron de Cosson (1846-1929), the British-born antiquarian collector,acquired circa 1915, and by descent through his family in the U.K. to the present owner. Note: This splendid newly... [Lire la suite]

Lot 5. Pichet ou cruche, poterie à glacure plombifère transparente à décor de bandeaux vert foncé appliqués sur un fond vert pale, Saintonge, XIVe siècle. Estimation : 500/600 €. © Prunier OVV H : 22,2 cm. Bel état de conservation. SVV JEAN EMMANUEL PRUNIER. Splendeurs de la Haute Époque, Dimanche 24 septembre à 14h30 à Louviers