Art du XVème siècle / 15h century Art

Bartolomé Bermejo and Osona's Workshop, Triptych of the Virgin of Montserrat. Oil on panel, Central: 156,5 x 100,5 x 2,1 cm, Left panel: 156,2 x 50,2 x 1,6 cm, Right panel: 156,2 x 50,2 x 1,6 cm, c. 1483 - 89, Cattedrale Nostra Signora Assunta, Aula Capitolare, Acqui Terme (Alessandria). MADRID.- Room C in the Jerónimos Building at the Museo del Prado is hosting the staging of this exhibition, curated by Joan Molina, a lecturer at the Universitat de Girona. The exhibition seeks to pay well-deserved homage to... [Lire la suite]

L0t 31. Pique-cierge en cuivre émaillé, polychromé et doré, Venise, fin du XVe siècle. H. 50,5 cm ; 19 3/4 in.  Estimate €40,000 - €60,000. © Sotheby's. Provenance: Galerie J. Kugel, ParisCollection Yves Saint Laurent - Pierre Bergé, rue de Babylone.  Note: Il existe aujourd’hui un peu plus de trois cents objets en cuivre émaillé et doré qui sont attribués traditionnellement à des ateliers vénitiens de la fin du Moyen Age. Leurs couleurs bleue, verte, turquoise rehaussées d’or... [Lire la suite]

  Filippino Lippi, Portrait of a Young Man, circa 1485 © Courtesy National Gallery of Art, Washington, Andrew W. Mellon Collection. MUNICH.- The first presentation in the newly renovated exhibition space in the Alte Pinakothek is dedicated to the painters of Florence from the 15th century. With some 120 masterpieces, the show presents the groundbreaking artistic innovations at the birthplace of the Renaissance, with an exemplary juxtaposition of paintings, sculptures and drawings. A comprehensive... [Lire la suite]

LONDON - In autumn 2018, the National Gallery will present a tale of two artists, their families and their cities; an interlinked story of art, family, rivalry, marriage, pragmatism, and personality – Mantegna and Bellini. This exhibition is the first ever devoted to the relationship between two of the greatest artists of the Italian Renaissance: Giovanni Bellini (active about 1459–1516) and Andrea Mantegna (1430/1–1506). Through exceptionally rare loans of paintings, drawings, and sculpture, travelling to... [Lire la suite]

St. Jerome and St. Catherine of Alexandria. Bruges or Brussels ca. 1480-1490, oil on panel, 84.5x 61 cm. On loan from the Broere Charitable Foundation. AMSTERDAM.- Never before has the masterpiece Saint Jerome and Saint Catherine of Alexandria been on view in a museum. The painting arrived at the Rijksmuseum this week on long-term loan from the Broere Charitable Foundation, from which a number of works have been on display at the Rijksmuseum since 2012. The panel was painted between 1480 and 1490 in... [Lire la suite]

Leonardo da Vinci and Lorenzo di Credi, A Miracle of Saint Donatus of Arezzo (detail), ca. 1475–85. Oil on panel. Worcester Art Museum, Mass., Theodore T. and Mary G. Ellis Collection, inv. no. 1940.29. Photo: Image courtesy the Worcester Art Museum. NEW HAVEN, CONN.- On view at the Yale University Art Gallery from June 29 through October 7, Leonardo: Discoveries from Verrocchio’s Studio investigates a virtually unknown period in the career of perhaps the most famous artist of the Italian Renaissance, Leonardo da... [Lire la suite]

Lot 1. Maître de la Légende de Saint Jacques (Rhin supérieur ou Alsace, fin XVème-début XVIème siècle), La Dormition de la Vierge, inscrit 'L STRAONE' (vers le centre à gauche), huile et rehauts d'or sur panneau, 76,2 x 49,9 cm. (30 x 19 5/8 in.). Estimate EUR 80,000 - EUR 120,000. Price realised EUR 100,000. © Christie's Images Ltd 2018 Littérature: A. Stange, Kritisches Verzeichnis der deutschen Tafelbilder vor Dürer, vol II. Munich, 1970, p. 41. B.... [Lire la suite]

Lot 5. Gérard David (Oudewater vers 1455-1523 Bruges), La Déploration sur le Christ mort, huile sur panneau, 18 x 17,4 cm. (7 1/8 x 6 7/8 in.). Estimate EUR 30,000 - EUR 50,000. Price realised EUR 110,000. © Christie's Images Ltd 2018 Note: Gérard David est considéré comme le dernier des grands Primitifs flamands. Né dans le nord des Pays-Bas, c’est bien à Bruges qu’il s’installe dès 1484, date à laquelle il est inscrit à la corporation des imagiers. Il y travaille dans... [Lire la suite]

Derick Baegert (c. 1440 - c. 1509), The Descent from the Cross, around 1480-1490, Dallas Museum of Art, Marguerite and Robert Hoffman Fund in memory of Dr. William B. Jordan. DALLAS, TX.- The Dallas Museum of Art today announced its acquisition of The Descent from the Cross by the German master painter Derick Baegert (c. 1440 - c. 1509). Painted around 1480-1490, the monumentally-scaled panel is an exceptional example of Baegert’s distinctive style, which reflects the transitional period between medieval and... [Lire la suite]

Two newly acquired works by Cosimo Rosselli —Saint Ansanus (left) and Saint Anthony Abbot (right), both painted ca. 1470—rejoin Rosselli’s Madonna and Child in Glory(center) in The Huntington’s collections. Saint Ansanus (36 1/4 x 19 1/4 in.), Saint Anthony Abbot (36 1/4 x 19 3/8 in.), Madonna and Child in Glory (36 x 28 in.), tempera with gold leaf on poplar wood panel. The Huntington Library, Art Collections, and Botanical Gardens. SAN MARINO, CA.- The Art Collectors’ Council... [Lire la suite]