26 mai 2012

Ecole Italiennedu début du XVIIème siècle, entourage de Carlo Bonone, Saint Sébastien

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Ecole Italiennedu début du XVIIème siècle, entourage de Carlo Bonone, Saint SébastienPhoto Delorme & Collin du Bocage

Toile, 165 x 101 cm. Restaurations. RM - Lot 27. Estimation : 8 000 - 12 000 €

Delorme & Collin du Bocage. Vendredi 08 juin à 13h30.  Drouot - Richelieu - Salles 5-6. EMail : info@parisencheres.com - Tél. : 01 58 18 39 05

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Van Cleef & Arpels

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Van Cleef & Arpels. Photo Delorme & Collin du Bocage

Elégante bague en or centrée d'un cabochon de rubis de belle couleur en serti clos entouré d'un pavage de diamants brillantés. Signée, numérotée 32 943. Poids du rubis: 12 cts env. Poids brut: 9.90 g. TDD: 50. VE. Lot 125. Estimation : 10 000 - 15 000 €

Delorme & Collin du Bocage. Vendredi 08 juin à 13h30.  Drouot - Richelieu - Salles 5-6. EMail : info@parisencheres.com - Tél. : 01 58 18 39 05

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A black-glazed bottle vase. Kangxi period (1662-1722)

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A black-glazed bottle vase. Kangxi period (1662-1722) photo: Christie's Images Ltd 2012

The vase has a globular body rising to a tall, slender neck, the exterior is covered in a lustrous black glaze ending just under the white-glazed lipped rim. 8 in. (20.2 cm.) high. Lot 1022. Price Realized £3,500 ($5,513)

Provenance: With 'C.T. Loo & Co.' label to base 

Christie's. Chinese Ceramics, Works of Art and Textiles 18 May 2012 London, South Kensington

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Three pairs of civil rank badges. Qing dynasty (1644-1911) and later

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Three pairs of civil rank badges. Qing dynasty (1644-1911) and later. photo: Christie's Images Ltd 2012

including a pair of kesi Eighth Rank Quail, a similar pair of kesi Seventh Rank Mandarin Duck, and a pair of embroidered gilt Sixth Rank Egret, circa 1911 (3). Lot 1266. Price Realized £3,500 ($5,513)

Christie's. Chinese Ceramics, Works of Art and Textiles 18 May 2012  London, South Kensington 

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A pair of kesi military fourth rank tiger badges. Qing dynasty (1644-1911)

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A pair of kesi military fourth rank tiger badges. Qing dynasty (1644-1911)photo: Christie's Images Ltd 2012

together with a gilt embroidered xiezhi Censor's rank badge; a similar gilt embroidered Third Rank Leopard; a Fifth Rank Bear; and a silver gilt embroidered xiezhi Censor's badge (6). Lot 1260. Price Realized £4,375 ($6,891)

Christie's. Chinese Ceramics, Works of Art and Textiles 18 May 2012  London, South Kensington 

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A large ecladon chaarger. Ming Dynasty (1368-1644)

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A large ecladon chaarger. Ming Dynasty (1368-1644)   photo: Christie's Images Ltd 2012

The large dish is freely carved to the centre with a large lotus bloom, which is bordered by a band of flower scrolls, the dish is covered in an even celadon glaze, with an unglazed circle to the base revealing the orange-fired body. 18¾ in. (47.5 cm.) diam. Lot 1176. Estimate £12,000 - £14,000 ($19,080 - $22,260). Price Realized £15,000 ($23,625)

Christie's. Chinese Ceramics, Works of Art and Textiles 18 May 2012  London, South Kensington 

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A small famille rose brush pot , 18th-early 19th century

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A small famille rose brush pot , 18th-early 19th centuryphoto: Christie's Images Ltd 2012

The cylindrical brush pot is delicately decorated in bright enamels with two branches of blossoming prunus and peonies with foliage. 3 3/8 in. (8.5 cm.) high  Lot 1233. Estimate £3,000 - £5,000 ($4,770 - $7,950). Price Realized £23,750 ($37,406)

Christie's. Chinese Ceramics, Works of Art and Textiles 18 May 2012  London, South Kensington 

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A famille verte Month cup. Kangxi underglazed blue six-character mark within a double circle and of the period (1662-1722

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A famille verte Month cup. Kangxi underglazed blue six-character mark within a double circle and of the period (1662-1722). photo: Christie's Images Ltd 2012

The vessel has deep thinly potted sides rising to a slightly everted rim, it is delicately painted with a flowering pomegranate tree in a setting of rocks, grasses and plants, inscribed in underglaze blue on the reverse with a couplet, lu se zhu lian ying; xiang feng fen bi zhe, ending with a single-character seal mark, shang2 5/8 in. (6.6 cm.) diam.  Lot 1294. Estimate £15,000 - £25,000 ($23,850 - $39,750). Price Realized £18,750 ($29,531)

Notes: The couplet is taken from the poem tong he yong lou qian hai shi lou er shou by the Tang poet Sun Ti (696-761). The inscription may be translated as: "The colour of the pomegranate flowers dampened with dew is reflected in the beaded curtain, the breeze scented with their fragrance is contained by the whitewashed wall, the seeds of the pomegranate resemble the beads of a curtain". 

Christie's. Chinese Ceramics, Works of Art and Textiles 18 May 2012  London, South Kensington 

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A yellow-glazed 'dragon' dish . Wanli underglazes blue six-character mark and of the period (1573-1619)

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A yellow-glazed  'dragon' dish . Wanli underglazes blue six-character mark and of the period (1573-1619)photo: Christie's Images Ltd 2012

With shallow rounded sides and an everted flaring rim, the saucer incised to the interior with a central medallion of a five-clawed dragon admist scrolling cloud, the exterior similarly decorated with two dragons in pursuit of flaming pearls amongst clouds and fire scrolls. 5¼ in. (13.5 cm.) diam. Lot 1177. Estimate £20,000 - £30,000 ($31,800 - $47,700). Price Realized £46,850 ($73,789)

Christie's. Chinese Ceramics, Works of Art and Textiles 18 May 2012  London, South Kensington 

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Zhang Huan (Chinese, B. 1965), Rubens

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Zhang Huan (Chinese, B. 1965), Rubensphoto: Christie's Images Ltd 2012

bronze sculpture with gold patina, on stone base, sculpture: 53 x 48 x 181 cm. (20 7/8 x 19 x 71 1/8 in.) with base: 103 x 88 x 212 cm. (40 1/2 x 34 1/2 x 83 1/3 in.), edition A/P 1/2 and edition of 9. Executed in 2001. Lot 2033. Estimate HK$800,000 - HK$1,200,000 ($103,565 - $155,348). Price Realized HK$2,660,000 ($344,354)

ProvenanceF2 Gallery, Beijing, China (acquired directly from the artist)
Acquired from the above by the present owner

LiteratureCotthem Gallery, Zhang Huan, Spain, 2001 (illustrated, p. 91).
Asia Society, Zhang Huan: Altered States, New York, USA, 2007 (illustrated, p. 84).

Notes:: Zhang Huan is one of the most compelling avant-garde artists to emerge from Beijing's East Village performance scene in the early mid-1990s, widely recognized for rapidly gaining international recognition for the evocative imagery of his photography and his physically challenging staged performance art. His performances, sculptures, drawings, and photo-based works, including many prominent public commissions, have earned him a reputation as one of the leading Chinese artists working in contemporary art today. Across these different media, Zhang examines and questions humanity and spirituality to critically address and reflect upon China's changing environment and culture.

Born in 1965 in Anyang, a town in the Henan Province of China, Zhang's earliest works from the 1990s set the vanguard for performance art in his country. The confrontational and sometimes confounding imagery recorded from his performances involved exposing his own body to physically grueling acts that contained within them connections to self-portraiture and notions of the self that were an essential part of avant-garde Chinese discourse, and which continue to play a pivotal role in his conceptual art practice. As Zhang participated more and more in international art exhibitions, this relationship as a Chinese artist in Western institutions, and the politics of representation and of collecting, also became important themes in his works.
 
In 2001, Zhang made his first widely recognized sculpture, Rubens (Lot 2033) which grew out of a performance piece of the same title. Zhang drew his inspiration from the infamous painting by Peter Paul Rubens, The Rape of the Daughters of Leucippus (Fig. 1), and the resulting performance, which took place in a church in Ghent, Belgium, hometown of the painter with whom Zhang felt an affinity. Sixty people, including collectors of his works, were invited by Zhang to participate in the performance to enact scenes inspired by the painting, dressed in period costume and enacting a kind of crude violence on the literal body of the artist. In this way, he also references Yoko Ono's famous performance, Cut Piece, performed in Tokyo in 1964, wherein she invited the audience to cut off pieces of her outfit until she was fully naked (fig. xxx). In Rubens, Zhang takes on the feminized role of the victim, subject to the machinations, desires, and cruelty of the art world audience. The artist closed the performance after the course of an hour with a poem by Li Shangyin, a poet from the late Tang Dynasty: "Sunset so beautiful, but it is close to dusk," about which Zhang commented that it "is about getting older, about beautiful things ending."

Rubens marked a turning point in Zhang's art practice as he chose to make his first sculpture as a self-portrait that would later become a characteristic in his body of work, in which he "concretized the performance", and in this concretization adds new and additional layers to the work. A life-sized bronze sculpture with gold patina in the cast of Zhang's nude body stands rigid with firsts formed, similar to the posture of the Chinese terracotta warriors. Amassed by twenty or so hands cast from the participants of the original performance, they swarm around and grope the golden figure, pushing him forward, blinding him, or cheating him-pronouncing the body's obligation in conflicting social conditions that is analogous to his use of his own body in performances. The implicit references of the hand gestures is an ironic commentary on the artist's and individual's relationship to a larger society, and also on Zhang's position as an internationally-acclaimed artist, as he himself drolly remarked, "Everyone loves the artist now, transformed into a Buddha." As one of the earliest and significant sculptures from Zhang,Rubens embodies the heart of Zhang's own evolution from performance artist to the material manifestation in of his concepts into spectacular, provocative sculptures and installations.
 
Christie's. Asian 20th Century & Contemporary Art (Evening Sale) 26 May 2012  Convention Hall 

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