14 août 2017

Bowl with lotus bunch design in doucai enamels, Qing Dynasty, Yongzheng mark and period (1723-1735)

Bowl with lotus bunch design in doucai enamels, Qing Dynasty, Yongzheng mark and period (1723-1735). Jingdezhen Ware. H. 14.0, mouth D. 20.2, bottom D. 11.0. Gift of Mr. Hirota Matsushige, TG2663 © 2004-2017 Tokyo National Museum.

14 août 2017

Large vase with peony design in famille rose enamels, Qing Dynasty, Yongzheng mark and period (1723-1735)

Large vase with peony design in famille rose enamels, Qing Dynasty, Yongzheng mark and period (1723-1735). Jingdezhen Ware. H. 51.1, mouth D. 12.0, bottom D. 16.2. Gift of Dr. Yokogawa Tamisuke, TG1014 © 2004-2017 Tokyo National Museum.
14 août 2017

Tea caddy in shape of bucket with handle, Ming-Qing dynasty, 17th century

Tea caddy in shape of bucket with handle, Ming-Qing dynasty, 17th century, Jingdezhen Ware. High 8.8 Bore size 6.5 Bottom diameter 5.5. Gift of Mr. Matsushige Hirota, TG 2601 © 2004-2017 Tokyo National Museum.
Posté par Alain Truong à 22:17 - - Commentaires [0] - Permalien [#]
Tags : , ,
14 août 2017

Dish with design of ladies and deer-drawn carts in overglaze enamels, Qing Dynasty, Kangxi mark and period(1662-1722)

Dish with design of ladies and deer-drawn carts in overglaze enamels, Qing Dynasty, Kangxi mark and period(1662-1722), Jingdezhen Ware. H. 4.8, D. 39.2, bottom D. 31.1. Gift of Dr. Yokogawa Tamisuke, TG989 © 2004-2017 Tokyo National Museum.
14 août 2017

Sebastian Stoskopff, A flagon of wine, a wine glass, a loaf of bread and knife and pies on a pewter plate, circa 1630

Sebastian Stoskopff (Strassbourg 1597 - 1657 Idstein ), A flagon of wine, a wine glass, a loaf of bread and knife and pies on a pewter plate. Signed lower left. Oil on canvas, 19¼ x 24 inches / 48.9 x 61 cm, POA © Adam Williams Fine Art Ltd Sebastian Stoskopff was from Alsace and brought up in the independent Protestant republic of Strasbourg. In 1615, after serving his apprenticeship in the studio of the miniaturist and engraver Friedrich Brentel the Elder, he became the pupil of the painter and architect Daniel Soreau (d. 1619)... [Lire la suite]
14 août 2017

Willem van Aelst, Still life, 1679

Willem van Aelst, Still life. Oil on canvas 37,4 x 31,1 cm. Signed and dated 1679, POA © Kunsthandel P. de Boer bv Provenance: Collection D.A. van Dongen, AmsterdamWith Charles Roelofsz, AmsterdamPrivate collection Rotterdam Kunsthandel P. de Boer bv.  Herengracht 512, 1017 CC Amsterdam, Netherlands
Posté par Alain Truong à 21:23 - - Commentaires [0] - Permalien [#]
Tags : , ,

14 août 2017

Louis Michiels (Active in the Hague 1672-1680), Hunting still life

Louis Michiels (Active in the Hague 1672-1680), Hunting still life. Oil on canvas, 70 x 53 cm. Signed, POA © Kunsthandel P. de Boer bv Provenance: Private collection Sweden Kunsthandel P. de Boer bv.  Herengracht 512, 1017 CC Amsterdam, Netherlands
14 août 2017

Floris Gerritsz. van Schooten, Still Life of Fruit on a Table Draped with a Dark Cloth: Plums, Apples, Bunches of Black and ...

Floris Gerritsz. van Schooten (Haarlem active c. 1605 - 1656), Still Life of Fruit on a Table Draped with a Dark Cloth: Plums, Apples, Bunches of Black and White Grapes and Pears, signed with monogram in the middle right (on a leaf above the pears): F V S, oil on panel, 24 x 40 inches (52 x 83 cm), POA © Lawrence Steigrad Fine Arts. This lush still life of fruit is an excellent example of a lesser-known aspect of the oeuvre of the Haarlem still-life painter, Floris van Schooten, who was a contemporary and fellow townsman of Floris... [Lire la suite]
14 août 2017

Simon Luttichuys (Dutch, 1610 - 1661), Still life, 1649

Simon Luttichuys (Dutch, 1610 - 1661), Still life. Oil on canvas, 30 ¾ x 25 ¼ inches, 78 x 64.1 cm., Signed right: S. L. fecet / 1649, POA © French & Company, Llc.  The recent emergence of this finely preserved still life alters, yet again, our notion of quality in seventeenth-century Dutch still life. Of all periods and genres, Netherlandish still-life painting lacks a complete sense of canon and chronology, in part because ideas of development and progress are comparatively unimportant. The work of many... [Lire la suite]
Posté par Alain Truong à 20:52 - - Commentaires [0] - Permalien [#]
Tags : , ,
14 août 2017

Bowl with floral scroll design in overglaze enamels, Ming Dynasty, 16th century, Daming mark

Bowl with floral scroll design in overglaze enamels, Ming Dynasty, 16th century, Daming mark. Jingdezhen Ware. H. 11.6, mouth D. 27.6, bottom D. 13.8. Important Art Object. Gift of Dr. Yokogawa Tamisuke, TG1286 © 2004-2017 Tokyo National Museum