Albrecht Dürer

Left: The Way to Calvary and Saint Veronica with the Sudarium (detail), from the Spinola Hours, Bruges, about 1510-20, Master of James IV of Scotland; tempera colors, gold, and ink on parchment. The J. Paul Getty Museum. Right: Christ Carrying the Cross (detail), Germany, about 1475-80, Martin Schongauer, engraving on paper. Fine Arts Museums of San Francisco, Bequest of Mrs. Edgar Sinton, 1981.1.106. LOS ANGELES, CA.- Throughout the Middle Ages (about 500-1500), texts and images were disseminated primarily through handwritten... [Lire la suite]

Le Musée Pouchkine à la Fondation Custodia. PARIS - Cette première grande rétrospective des œuvres graphiques du musée Pouchkine en France couvre les écoles européennes et russes, du XVe au XXesiècle. À travers une sélection de plus de 200 œuvres, le public pourra saisir la richesse de cette remarquable collection moscovite. Dürer, Véronèse, Rubens, Fragonard, Tiepolo, Friedrich, Kandinsky, Picasso, Matisse, Modigliani, Chagall ou encore Malevitch sont mis à l’honneur aux côtés de grands noms de... [Lire la suite]

Allegory of Fortune, about 1530, Dosso Dossi (Giovanni di Niccolò de Lutero), oil on canvas. The J. Paul Getty Museum. LOS ANGELES, CA.- Drawing inspiration from classical sculpture and the study of the live model, Renaissance artists made the nude central to their art, creating lifelike, vibrant, and varied representations of the human body. This transformative moment is one that would shape the course of European art history and resonate through the present day. On view at the J. Paul Getty... [Lire la suite]

Harry Dalmeny fielding bids. Courtesy Sotheby's. LONDON.- This week’s sales concluded today with a combined total of £77.7 million / $102.6 million, with strong results across Old Master and British paintings and drawings, decorative arts, sculptures and antiquities spanning over two millennia. OLD MASTERS EVENING, 4 July • Total up 70% on last December. • Participants spanning four continents, with buying from Asia, Russia and Latin America. • 77.3% of lots sold. • More than half of the lots achieved... [Lire la suite]

Urbino (?), Plate with the Plague of Phrygia (after Raphael), c. 1535/1540, tin-glazed earthenware (maiolica), National Gallery of Art, Washington, Corcoran Collection (William A. Clark Collection). WASHINGTON, DC.- The first exhibition of its kind in the United States, Sharing Images: Renaissance Prints into Maiolica and Bronze, brings together some 90 objects to highlight the impact of Renaissance prints on maiolica and bronze plaquettes. Accompanied by a publication that provides a comprehensive introduction to... [Lire la suite]

Anonymous, Heliocentric armillary sphere of the Copernican system "which holds that the Earth moves and the Sun is fixed at the centre of the world", c. 1725, Paris, Bibliothèque nationale de France © Bibliothèque nationale de France Abu Dhabi, UAE - Globes: Visions of the World curated by Bibliothèque nationale de France (BnF) will open to the public on 23 March and run until 2 June 2018. Louvre Abu Dhabi’s second special exhibition will explore the history of the spherical representation of the world and its scientific... [Lire la suite]

Meister von Meßkirch, The Adoration of the Magi, detail from the middle panel of the former high altarpice of St. Martin in Messkirch, around 1535/40, coniferous wood, 165.7 x 92.8 cm, Meßkirch, Parish Church, © Archibishop's Ordinariat Freiburg i., Br., Picture Archive, recording Michael Eckmann. STUTTGART.- The mystery of the Messkirch Master's identity has been capturing imaginations for more than a century. Yet even that fascination is outstripped by the captivating quality of his works. It comes as no surprise that the... [Lire la suite]

"Animals. Respect / Harmony / Submission". Poster. HAMBURG.- Animals are a frequent subject of debate these days. Do they have a soul? How much do they suffer? Are we under any obligation to protect their individuality by granting them rights? Are human beings morally authorized to do as they want with animals, to consume them, rob them of their freedom and train them for the purposes of entertainment? Scientific discussion takes the relationship between animal and human being very seriously. In the everyday life of... [Lire la suite]

Claude Monet (1840–1926), Waterloo Bridge, 1903. Oil on canvas, lined, 65 × 101.5 cm, www.lostart.de/532967. Kunstmuseum Bern, Bequest of Cornelius Gurlitt 2014. Provenance undergoing clarification / Currently no indications of being looted art. BERN - Gurlitt Status Report is the title of two concurrent exhibitions with different thematic focuses. The Bundeskunsthalle and the Kunstmuseum Bern present works from the estate of Cornelius Gurlitt, the son of the Third Reich art dealer... [Lire la suite]

Anonymous, Book of the Dead: the final judgement scene, about 940 BC, red and black ink on papyrus. Image © The Trustees of the British Museum. PROVIDENCE, RI.- The RISD Museum presents Lines of Thought: Drawing from Michelangelo to Now: from the British Museum, which explores the vital role of drawing as a continual and active process of discovery. The exhibition is on view from October 6, 2017, through January 7, 2018, and is one of only two U.S. presentations for this remarkable show. Lines of Thought... [Lire la suite]