26 décembre 2018

Centro Culturale Candiani exhibits over 70 works from the Hermitage in St. Petersburg

VENICE.- Over 70 works from the Hermitage in St. Petersburg, including 20 paintings by great sixteenth to eighteenth-century Venetian masters, which return to Venice after centuries, appear alongside drawings and paintings from the Venetian civic collections, revealing shared aspects of collecting history between Venice and St. Petersburg. Veronese, Titian, Tiepolo, Canaletto and Guardi Works never before displayed in Italy and which indeed in some cases have never left the Hermitage are on show in Mestre, including... [Lire la suite]

12 mai 2018

Francesco Guardi (1712 Venice - 1793 Venice), Capriccio con arco rovinato e mura di paese

Lot 1108. Francesco Guardi (1712 Venice - 1793 Venice), Capriccio con arco rovinato e mura di paese. Oil on canvas (relined). 37.5 x 27.5 cm. Estimate: € 180,000 - € 200,000. © Lempertz Provenance: Schaeffer Galleries, New York. - Private collection Switzerland. - Gallery Fischer Auktionen, Lucerne 11.11.1994, Lot 2047. - German private collection. Exhibited: Mostra dei Guardi, Palazzo Grassi, Venice 5.6.-10.10.1965, no. 131. Literature: Mostra dei Guardi, Exhibition Catalog, Palazzo Grassi, Venice 1965, p. 252,... [Lire la suite]
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04 mars 2018

The Cleveland Museum of Art presents "Eyewitness Views: Making History in Eighteenth-Century Europe"

The Bucintoro Departing from Molo (detail), 1710. Luca Carlevarijs (Italian, 1663–1730). Oil on canvas; 134.8 × 259.4 cm. The J. Paul Getty Museum, Los Angeles, 86.PA.600.  CLEVELAND, OH.- Eyewitness Views: Making History in Eighteenth-Century Europe showcases outstanding masterworks by revered artists who recorded some of the most newsworthy events and impressive spectacles of eighteenth-century Europe. Whether depicting a triumphal procession, a joyous celebration, or the catastrophic eruption of a volcano, the... [Lire la suite]
07 janvier 2018

Arts minister steps in to prevent Venetian masterpiece from export

Francesco Guardi, The Rialto Bridge with the Palazzo dei Camerlenghi. Oil on canvas, 47⅛ x 80½ in (119.7 x 204.3 cm). Sold for £26,796,000 at Christie's London, 6 July 2017. © Christie's Images Ltd 2017 LONDON.- Arts Minister John Glen has placed a temporary export bar on the Rialto Bridge with the Palazzo dei Camerlenghi by Francesco Guardi to provide an opportunity to keep it in the country. The extraordinary painting is at risk of being exported from the UK unless a buyer can be found to match... [Lire la suite]
16 décembre 2017

Francesco Guardi (Venice 1712 - 1793), Venice, A view of San Giorgio Maggiore

Lot 209. Francesco Guardi (Venice 1712 - 1793), Venice, A view of San Giorgio Maggiore, oil on canvas, 44 x 58.1 cm.; 17 1/4  x 22 7/8  in. Estimate 80,000 — 120,000 GBP. Lot sold 315,000 GBP. Photo: Sotheby's The great island monastery of San Giorgio Maggiore, with its church designed by Andrea Palladio and completed in 1610, was one of Guardi's most popular views, and nearly thirty autograph versions are recorded. The view in this hitherto unknown and unpublished work... [Lire la suite]
06 septembre 2017

Minneapolis Institute of Art Presents First-Ever Exhibition to Focus on View Paintings as Depictions of Contemporary Events

Giovanni Antonio Canaletto (Italian, 1697-1768), The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, c. 1740. Oil on canvas. Bequest of Miss Tessie Jones in memory of Herschel V. Jones. Minneapolis Institute of Art. Minneapolis— The Minneapolis Institute of Art (Mia) presents the first-ever exhibition to focus on view paintings as depictions of contemporary events. “Eyewitness Views: Making History in Eighteenth-Century Europe” features approximately 40 paintings from the golden age of European view... [Lire la suite]

28 août 2017

Exhibition at the Kimbell Art Museum focuses on the life of Giacomo Casanova

  Giacomo Casanova, by his brother Francisco Giuseppe Casanova, 1750-1755. FORT WORTH, TX.- Notorious today for his amorous pursuits, Giacomo Casanova (1725–98) was esteemed by his contemporaries as a charming conversationalist, expert on many topics, and an international man of letters. He traveled widely throughout the continent, with extended sojourns in his native Venice, Paris, London, and much of Eastern Europe, mingling with royalty, popes and luminaries such as Voltaire and Benjamin Franklin along the way. This... [Lire la suite]
08 juillet 2017

Francesco Guardi (Venice 1712-1793), Venice: the Rialto Bridge with the Palazzo dei Camerlenghi

Lot 25. Francesco Guardi (Venice 1712-1793), Venice: the Rialto Bridge with the Palazzo dei Camerlenghi, signed ‘GUARDI’ (lower left), oil on canvas, 47 1/8 x 80½ in. (119.7 x 204.3 cm). Estimate On Request. Price realised GBP 26,205,000 © Christie's Images Ltd 2017  Provenance: Probably acquired in Venice in 1768 by Chaloner Arcedeckne, M. P. (1741-1804) of Glevering Hall, Suffolk and 1 Grosvenor Square, London, and by descent through his son, Andrew... [Lire la suite]
06 juillet 2017

Francesco Guardi (Venice 1712 - 1793), Venice, Piazza San Marco, looking East towards the Basilica

Lot 68. Francesco Guardi (Venice 1712 - 1793), Venice, Piazza San Marco, looking East towards the Basilica, oil on canvas, 39.2 x 52 cm.; 15 3/8  x 20 1/2  in. Estimate 150,000 — 250,000 GBP. Lot sold 284,750 GBP. Photo: Sotheby's Provenance: With Thos. Agnew and Sons, Ltd., London, 1919; Le comte de Feuilhade de Chauvin, Paris; Federico Gentili di Giuseppe (1868–1940), Paris; Anonymous sale ('Monsieur G... di G...'), Paris, Galerie Charpentier, 5 April 1938, lot 32,... [Lire la suite]
10 mai 2017

First exhibition to focus on view paintings as depictions of contemporary events opens in L.A.

The Rialto Bridge with the Festive Entry of the Patriarch Antonio Correr (detail), 1735, Michele Marieschi, oil on canvas. Osterley Park, The Palmer-Morewood Collection, National Trust (accepted in lieu of tax and transferred to the National Trust by Her Majesty's Government in 1984). Photo: National Trust Photo Library / Art Resource, NY LOS ANGELES, CA.- Long before today’s fast-paced news cycle, the visual memory of contemporary events in eighteenth-century Europe was shaped and sometimes even manipulated by great... [Lire la suite]