Hans Holbein the Younger

Raffael (Raffaello Santi) (1483-1520), The Sistine Madonna, 1512/13, oil on canvas, 269.5 x 201 cm, Gemäldegalerie Alte Meister, Gall 93 © SKD. DRESDEN.- The international reputation of the Gemäldegalerie Alte Meister (Old Masters Picture Gallery) of the Staatliche Kunstsammlungen Dresden is based on such masterpieces as Raphael’s “Sistine Madonna”, Giorgione’s “Sleeping Venus”, Vermeer’s “The Procuress” or Bellotto’s views of Dresden. Although most of the Semper building is currently... [Lire la suite]

Simon Pietersz Verelst (1644-1721), Charles II, c.1670–75. Oil on canvas, 219.1 x 135.8 cm, RCIN 409151. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018. EDINBURGH.- Highlights of the magnificent art collection assembled by Charles II following the restoration of the monarchy in 1660 have gone on display in a new exhibition on view at The Queen’s Gallery, Palace of Holyroodhouse. Exploring the rich world of Charles II’s court and the role of the arts in the re-establishment... [Lire la suite]

HOUSTON, TX.- Tudors to Windsors: British Royal Portraits from Holbein to Warhol sheds new light on changing ideas of monarchy and nationhood in Britain. The exhibition features portraits of British royalty spanning 500 years, by artists from Hans Holbein and Sir Joshua Reynolds to Annie Leibovitz and Andy Warhol. In a sweeping survey, Tudors to Windsors covers the cavalcade of kings, queens, princes, and princesses who have graced the British crown. The MFAH is the only U.S. venue to host this unprecedented... [Lire la suite]

Hans Holbein, Erasmus von Rotterdam, 1523. Mischtechnik auf Papier, auf Tannenholz aufgezogen, 37,1 x 30,8 cm. Kunstmuseum Basel - Amerbach-Kabinett. Photocredit: Kunstmuseum Basel - Martin P. Bühler BASEL.- The exhibition Basel Short Stories turns the spotlight on the Kunstmuseum Basel's rich and in some respects world-famous collection, presenting less well-known treasures from the holdings in new contexts. The kaleidoscopic display unites illustrious and obscure, private and world-historical—and... [Lire la suite]

Anthony van Dyck, Charles I, 1635-6. Oil on canvas, 84.4 x 99.4 cm. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017. LONDON.- The Royal Academy of Arts, in partnership with Royal Collection Trust, presents Charles I: King and Collector, a landmark exhibition that reunites one of the most extraordinary and influential art collections ever assembled. During his reign, Charles I (1600-1649) acquired and commissioned exceptional masterpieces from the fifteenth to the seventeenth century, including works by Van Dyck,... [Lire la suite]

Hans Holbein the Younger, A Lady with a Squirrel and a Starling (Anne Lovell?), about 1526-8. Oil on oak, 56 x 38.8 cm © The National Gallery, London. LONDON.- The Masterpiece Tour is part of the National Gallery’s commitment to promote the understanding, knowledge, and appreciation of Old Master paintings to as wide an audience as possible. This opportunity to bring hugely popular works to the public’s doorstep is being made possible by the generous support of Christie’s. The New Art Gallery... [Lire la suite]

Sir John Godsalve by Hans Holbein the Younger, c.1532-4, Royal Collection Trust © Her Majesty Queen Elizabeth II 2017. LONDON.- The National Portrait Gallery opened its first exhibition of old master European portrait drawings, many rarely seen, and some not displayed for decades, today Thursday 13 July 2017. But while the works on display are by some of the outstanding masters of the Renaissance and Baroque, the drawings in The Encounter: Drawings from Leonardo to Rembrandt (13 July – 22 October 2017) have been... [Lire la suite]

Albrecht Dürer, German," St. Jerome in his Study," 1514, engraving. Bequest of David P. Becker, Class of 1970. Bowdoin College Museum of Art. BRUNSWICK, ME.- The Bowdoin College Museum of Art opened a groundbreaking exhibition on the visual culture of mortality and morality in early Renaissance Europe. On view from June 24 to November 26, 2017, The Ivory Mirror: The Art of Mortality in Renaissance Europe reveals how, in an increasingly complex and uncertain world, Renaissance artists sought to address the critical human... [Lire la suite]

Johan Joseph Zoffany, Queen Charlotte, 1771, oil on canvas, Royal Collection Trust, UK, © Her Majesty Queen Elizabeth II 2016 NEW HAVEN, CONN.- This February, the Yale Center for British Art premiered the first exhibition to explore the instrumental roles of the Hanoverian princesses Caroline of Ansbach (1683–1737), Augusta of Saxe-Gotha (1719–1772), and Charlotte of Mecklenburg-Strelitz (1744–1818)—all of whom married into the British royal family—and how they shaped the nation’s society and culture during a time of... [Lire la suite]

Hans Holbein the Younger, Portrait of a Man with a Falcon, 1542.