10 mai 2018

Joos van Cleve (around 1485 Kleve - 1541 Antwerp), Portrait of a young man

Lot 1006. Joos van Cleve (around 1485 Kleve - 1541 Antwerp), Portrait of a young man. Oil on wood. 20 x 12.5 cm. Estimate: € 100,000 - € 120,000. © Lempertz Provenance: Henry Oppenheimer (1839-1932 London). - Christie's London, 24.7.1936, Lot 8. - Koetser Gallery, London, New York 1941. - Nicholas M. Acquavella Galleries, New York. - Private collection New York (?). - Sotheby's Parke Bernet, New York, 7.6.1984, Lot 13th - German Private Collection. Exhibited: London 1927, No. 124 (?). - Koetser Gallery, New... [Lire la suite]
Posté par Alain Truong à 18:30 - - Commentaires [0] - Permalien [#]
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13 octobre 2017

'François Ier et l'art des Pays-Bas' au Musée du Louvre

Jean Clouet, Portrait équestre de François Ier © RMN-Grand Palais (musée du Louvre) / Michel Urtado PARIS - Si le goût de François Ier pour l’art italien est bien connu et son mécénat essentiellement identifié à la création du foyer italianisant de Fontainebleau, son règne ne s’inscrit pas moins dans une tradition très vivace d’implantation en France d’artistes originaires des Pays-Bas. L’exposition fait ainsi resurgir tout un pan méconnu de la Renaissance française et se propose d’explorer la variété, les... [Lire la suite]
11 octobre 2017

Philadelphia Museum to Present Centenary Exhibition Dedicated to Renowned Collection of European Old Master Art

Antonello da Messina (Antonello di Giovanni di Michele de Antonio), Italian (active Messina, Naples, and Venice), 1456- 1479, Portrait of a Young Gentleman, 1474. Oil on panel, 12 5/8 x 10 11/16 inches (32.1 x 27.1 cm). Philadelphia Museum of Art, John G. Johnson Collection, 1917. © 2017 Philadelphia Museum of Art. PHILADELPHIA - This fall, the Philadelphia Museum of Art will present Old Masters Now: Celebrating the Johnson Collection, a major exhibition focusing on one of the finest collections... [Lire la suite]
16 avril 2016

Joos van Cleve (?Cleve c. 1485-1540/1 Antwerp), The Virgin and Child (The Madonna of the Cherries)

Lot 109. Joos van Cleve (?Cleve c. 1485-1540/1 Antwerp), The Virgin and Child (The Madonna of the Cherries), oil on panel, 25 ¾ x 19 3/8 in. (65.4 x 49.3 cm.). Estimate $600,000 - $800,000. Price Realized $665,000 . Photo Christie's Image Ltd 2016 Provenance: Private collection, Europe, since the 19th century. Note: Completely unknown to scholars until its recent rediscovery, this powerful and solemn Virgin and Child is the earliest known autograph treatment by Joos van Cleve of one of the most... [Lire la suite]
16 mars 2014

The sartorial styles of Scottish Kings and Queens revealed in new exhibition at The Queen's Gallery

Joos van Cleve, 'Henry VIII', c. 1530-35. Royal Collection Trust/ (C) Her Majesty Queen Elizabeth II 2013.  LONDON.- An exhibition showcasing the fashions of the Tudor and Stuart rich and famous, including several Scottish monarchs, opened at The Queen's Gallery, Palace of Holyroodhouse yesterday (Friday, 14 March).  For the Tudor and Stuart elite, luxurious clothing was an essential element of court life. Garments and accessories – and the way in which they were worn – conveyed important messages about wealth, gender,... [Lire la suite]
23 octobre 2013

Städel Museum opens exhibition by the most important artist of the German Renaissance

  Albrecht Dürer: Portrait of a young woman with her hair, 1497, canvas, 56.3 x 43.2 cm © U. Edelmann - Städel Museum - ARTOTHEK FRANKFURT. From 23 October 2013 to 2 February 2014, the Städel Museum will present Albrecht Dürer (1471–1528) – presumably the most important artist of the German Renaissance – in a comprehensive special exhibition. The show will encompass more than 280 works, including some 200 by Dürer himself. It will feature the German master’s oeuvre in the full breadth and diversity of the artistic means of... [Lire la suite]

14 septembre 2012

Emperor Maximilian I and the Age of Albrecht Dürer @ Vienna's Albertina Museum

Albrecht Dürer, Emperor Maximilian I, 1518. Black and coloured chalk, heightened with white chalk. Albertina, Vienna VIENNA.- Emperor Maximilian I was a "media emperor", who spared no efforts for the representation of his person and to secure his posthumous fame. He employed the best artists and made use of the most modern media of his time. Many of the most outstanding works produced for the propaganda and commemoration of Emperor Maximilian I are preserved in the Albertina. These include not only numerous works by... [Lire la suite]
04 septembre 2012

Dramatic images of apocalypse, death, devils and witchcraft at the National Gallery of Victoria

Joos van Cleve (manner of), St Jerome (1530s -40s). Oil on wood panel, 42.6 x 31.9 cm. National Gallery of Victoria, Melbourne. Felton Bequest, 1932 (4590-3) MELBOURNE.- Dramatic images of apocalypse, death, devils and witchcraft feature as part of a fascinating look into early European thought in The Four Horsemen: Apocalypse, Death and Disaster, opened at the National Gallery of Victoria on 31 August.  The exhibition presents 120 artworks from the fifteenth to eighteenth centuries, when religious and social turmoil inspired... [Lire la suite]
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22 octobre 2011

École anglaise vers 1600, suiveur de Joos van Cleve, Portrait de Josepus Antonius d'Acosta

École anglaise vers 1600, suiveur de Joos van Cleve, Portrait de Josepus Antonius d'Acosta.Photo Tajan Huile sur panneau parqueté. Une inscription en haut à gauche : Josepus Antonius d'Acosta Lu/sitanus nobilis Vir Meritis clarus et qui apud Henricum 8 Angli[a]e Regem in su[missi]mo favore fuit/Anno 1520. (Josepus Antonius d'Acosta, célèbre Portugais, connu pour ce qu'il fit et qui jouit d'une grande estime auprès de Henry VIII, roi d'Angleterre, en 1520); 101 X 71,5 cm. Estimation : 100 000 / 150 000 €Provenance: Probablement... [Lire la suite]
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29 avril 2009

17th Century follower of Joos van Cleve, Saint Jerome in his study

17th Century follower of Joos van Cleve, Saint Jerome in his study oil on canvas. 62 by 58.2 cm. Est. 6,000—8,000 EUR NOTE: A 17th Century copy after Joos van Cleve's depiction of Saint Jerome, of which an exceptionally large number of variants and replicas originated in the artist's studio and circle.1 The composition was not strictly of Van Cleve's own invention, but was based on Albrecht Dürer's Saint Jerome, painted in 1521 for Ruy Fernández de Almeida, Ambassador of King John III of Portugal, now in the Museu Nacional... [Lire la suite]
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