06 février 2020

National Gallery of Art Celebrates 500th Anniversary of Raphael's Death in Exhibition on View February 16 through June 14, 2020

Raphael (1483–1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down sheet: 8.1 x 23.2 cm (3 3/16 x 9 1/8 in.) support: 9.4 x 24.8 cm (3 11/16 x 9 3/4 in.), National Gallery of Art, Washington, Woodner Collection. Washington, DC—Raphael (1483–1520) was the first and greatest figure in the modern classical tradition of Western art. In celebration of the 500th anniversary of his death, the National Gallery of Art will present 26 prints... [Lire la suite]

08 août 2019

The J. Paul Getty Museum presents 'Blurring the Line: Manuscripts in the Age of Print'

Left: The Way to Calvary and Saint Veronica with the Sudarium (detail), from the Spinola Hours, Bruges, about 1510-20, Master of James IV of Scotland; tempera colors, gold, and ink on parchment. The J. Paul Getty Museum. Right: Christ Carrying the Cross (detail), Germany, about 1475-80, Martin Schongauer, engraving on paper. Fine Arts Museums of San Francisco, Bequest of Mrs. Edgar Sinton, 1981.1.106. LOS ANGELES, CA.- Throughout the Middle Ages (about 500-1500), texts and images were disseminated primarily through handwritten... [Lire la suite]
04 avril 2018

Influence of Renaissance prints on Maiolica and bronze explored at the National Gallery of Art

Urbino (?), Plate with the Plague of Phrygia (after Raphael), c. 1535/1540, tin-glazed earthenware (maiolica), National Gallery of Art, Washington, Corcoran Collection (William A. Clark Collection). WASHINGTON, DC.- The first exhibition of its kind in the United States, Sharing Images: Renaissance Prints into Maiolica and Bronze, brings together some 90 objects to highlight the impact of Renaissance prints on maiolica and bronze plaquettes. Accompanied by a publication that provides a comprehensive introduction to... [Lire la suite]
16 juin 2016

Flavius Vespasianus et Sylvius Otho, Limoges, XVIIème siècle, d'après des gravures de Marcantonio Raimondi

Lot 152. Flavius Vespasianus et Sylvius Otho, Limoges, XVIIème siècle, d'après des gravures de Marcantonio Raimondi. Estimation 600 € - 800 €. Photo Millon & Associés. Deux plaques ovales émaillées en grisaille sur fond noir ornées.  des profils de deux empereurs romains laurés dont les noms sont figurés en lettres or : Vespasianus X et Silvius Otho VIII Flavius. 10 x 8 cm. Accidents et repeints Collections & Successions, le 17 Juin 2016 à 14h00. MILLON ET ASSOCIÉS PARIS, PARIS
25 janvier 2014

New discoveries featured in exhibition of Italian master drawings from the Princeton University Art Museum

Michelangelo Buonarroti: Bust of a Youth and Caricature Head of an Old Man both in left profile, ca. 1530. Black chalk on tan paper. Gift of Frank Jewett Mather Jr. Courtesy of the Princeton University Art Museum. PRINCETON, NJ.- More than 90 rarely seen masterworks by legendary artists from the 15th through the early 20th centuries, including Carpaccio, Michelangelo, Tiepolo and Modigliani, will be on view beginning Jan. 25 as part of the Princeton University Art Museum’s special exhibition 500 Years of Italian Master Drawings... [Lire la suite]
24 avril 2013

The monumental rooms of the Doge's Palace in Venice exhibit Manet: Return to Venice

Edouard Manet,  Olympia, 1863 Olio su tela, 130 x 190 cm Parigi, Musée d’Orsay © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt VENICE- Manet. Return to Venice is the name of the exhibition the Fondazione Musei Civici di Venezia will  from 24th April to 18th August 2013 in the monumental rooms of the Doge’s Palace. It will includeabout 80 paintings, drawings and prints, and has been planned with the special collaboration of the Musée D’Orsay in Paris, which possesses the largest number of... [Lire la suite]
01 janvier 2012

Très rare rondache de parement en fer repoussé, d'après une oeuvre de Raphaël, Milanais vers 1550-70.

  Très rare rondache de parement en fer repoussé d'une scène maniériste inspirée du « Cycle Troyen », d'après une oeuvre de Raphaël, Milanais vers 1550-70.Photo Pierre Bergé & associés A very rare Milanese embossed Mannerist circular iron parade shield decorated with a scene from the Trojan Cycle of Homeric poems, after a composition by Raphael, circa 1550-70. Convex, the edges turned over wire, encircled by domed stellate iron lining rivets and four pairs of larger stellate rivets for the enarms, decorated centrally... [Lire la suite]
23 août 2008

"Time/Frame" @ the Spencer Museum of Art

Marcantonio Raimondi, circa 1470/1482-1527/1534, Italy, Raphael, after 1483-1520, Italy, Father Time, late 1400s-early 1500s, engraving. Spencer Museum of Art, The University of Kansas. Gift of the Max Kade Foundation, 1969.0138 LAWRENCE, KS.- Schedules, appointments, deadlines, PDAs, day planners, calendars, wristwatches... Such timekeeping devices give structure to our lives, and we rely on them to chart the minutes of our days and the moments of our existence. As astronomer and anthropologist Anthony Aveni notes, “Time gets... [Lire la suite]