29 mai 2019

Marble sculpture by Michelangelo to remain at The Met for another 10 years

Michelangelo Buonarroti (Italian, 1475–1564). Cupid, ca. 1490. Marble. Overall (wt confirmed): H. 37 x W. 13 1/4 x D. 14 in., 177lb. (94 x 33.7 x 35.6cm, 80.2867kg). The Metropolitan Museum of Art, Lent by the French State, Ministry of Foreign and European Affairs (L.2009.40) NEW YORK, NY.- The Cultural services of the French Embassy and The Metropolitan Museum of Art announced the renewal of a loan agreement pertaining to one of the earliest known works by Michelangelo Buonarroti (1475–1564) that is also his sole... [Lire la suite]
Posté par Alain Truong à 11:03 - - Commentaires [0] - Permalien [#]
Tags :

24 avril 2019

The Triumph of the Body – Michelangelo and Sixteenth-century Italian Draughtsmanship at the Museum of Fine Arts, Budapest

Seated Male Nude (detail), c. 1511. Michelangelo Buonarroti (1475–1564). Red chalk with highlights in white lead; 27.9 x 21.4 cm. Teylers Museum, purchased in 1790. © Teylers Museum, Haarlem BUDAPEST - The exhibition opening on 5 April in the Museum of Fine Arts will be the first to bring Michelangelo’s unparalleled art to the Hungarian public. Triumph of the Body: Michelangelo and Sixteenth-Century Italian Draughtsmanship displays eighty drawings by Michelangelo and his most talented contemporaries, including thirty of... [Lire la suite]
Posté par Alain Truong à 11:58 - Commentaires [0] - Permalien [#]
Tags :
30 octobre 2018

Exhibition traces the emergence and influence of the nude in Renaissance art

Allegory of Fortune, about 1530, Dosso Dossi (Giovanni di Niccolò de Lutero), oil on canvas. The J. Paul Getty Museum. LOS ANGELES, CA.- Drawing inspiration from classical sculpture and the study of the live model, Renaissance artists made the nude central to their art, creating lifelike, vibrant, and varied representations of the human body. This transformative moment is one that would shape the course of European art history and resonate through the present day. On view at the J. Paul Getty... [Lire la suite]
30 mars 2018

Masterworks by Michelangelo and his contemporaries on view at the Museum of Fine Arts, Houston

Marcello Venusti after Michelangelo Buonarroti, The Last Judgment, 1549, oil tempera on poplar wood, Museo e Real Bosco di Capodimonte, Naples. HOUSTON, TX.- The Museum of Fine Arts, Houston, presents Michelangelo and the Vatican: Masterworks from the Museo e Real Bosco di Capodimonte, Naples, an exhibition highlighting the artistic legacy of Pope Paul III (1468–1549) and the vital role that drawing played in artistic production throughout Europe in the late 15th and 16th centuries. Largely drawn from the... [Lire la suite]
17 novembre 2017

Exhibition brings together the largest group of original drawings by Michelangelo

NEW YORK, NY.- Michelangelo: Divine Draftsman and Designer, on view at The Metropolitan Museum of Art from November 13, 2017, through February 12, 2018, presents a stunning range and number of works by the artist: 133 of his drawings, 3 of his marble sculptures, his earliest painting, and his wood architectural model for a chapel vault. A substantial body of complementary works by his teachers, associates, pupils, and artists who were influenced by him or who worked in collaboration with him are also being displayed... [Lire la suite]
Posté par Alain Truong à 16:35 - - Commentaires [0] - Permalien [#]
Tags :
25 septembre 2017

Spectacular exhibition devoted to the art of the second half of the 16th century opens at Palazzo Strozzi

FLORENCE.- Palazzo Strozzi is hosting The Cinquecento in Florence, a spectacular exhibition devoted to the art of the second half of the 16th century in the city, bringing together works by such artists as Michelangelo, Andrea del Sarto, Rosso Fiorentino, Pontormo, Bronzino, Giorgio Vasari, Santi di Tito and Giambologna. The final act in a trilogy of exhibitions curated by Carlo Falciani and Antonio Natali which began with Bronzino in 2010 and was followed by Pontormo and Rosso Fiorentino in 2014, the exhibition... [Lire la suite]

20 septembre 2017

Getty Museum to exhibit rare Michelangelo drawing

 Michelangelo Buonarroti (Italian, 1475-1564), Study of a Mourning Woman. Pen and brown ink, heightened with white, 26 x 16.5 cm. LOS ANGELES, CA.- The Getty Museum will exhibit a rare drawing by one of history’s most admired artists, Michelangelo, for a limited time from September 20 through October 29, 2017. The drawing was part of a landmark group of 16 drawings and one painting acquired by the Getty Museum in July of this year. Study of a Mourning Woman, ca. 1500-05, by Michelangelo Buonarroti... [Lire la suite]
Posté par Alain Truong à 10:06 - - Commentaires [0] - Permalien [#]
Tags :
21 juillet 2017

Getty announces acquisition of a group of 16 master drawings and a painting by Watteau

Michelangelo Buonarroti (Italian, 1475-1564), Study of a Mourning Woman. Pen and brown ink, heightened with white, 26 x 16.5 cm. © J. Paul Getty Museum LOS ANGELES, CA.- The J. Paul Getty Museum announced today the most important acquisition in the history of the Museum’s Department of Drawings. Acquired as a group from a British private collection, the 16 drawings are by many of the greatest artists of western art history, including Michelangelo, Lorenzo di Credi, Andrea del Sarto, Parmigianino,... [Lire la suite]
Posté par Alain Truong à 11:01 - - Commentaires [0] - Permalien [#]
Tags : , , ,
31 janvier 2017

Old masters at the Ashmolean

Rembrandt van Rijn (1606-1669), Saskia in Bed. Photograph: Ashmolean Museum Raphael (1483-1520), Self Portrait. Photograph: Ashmolean Museum Leonardo da Vinci (1467-1519), A Maiden with a Unicorn. Photograph: Ashmolean Museum Lucas van Leyden (1489/94-1533), St Jerome. Photograph: Ashmolean Museum Thomas Gainsborough (1727-1788), Study of a Woman, Seen from the Back. Photograph: Ashmolean Museum Ignace-Henri Fantin-Latour (1836-1904), A Woman Sewing. Photograph: Ashmolean Museum James Mallord William Turner... [Lire la suite]
08 août 2016

Daniele da Volterra, Michelangelo Buonarroti (1475–1564), probably ca. 1544

Daniele da Volterra (Daniele Ricciarelli) (Italian, Volterra 1509–1566 Rome), Michelangelo Buonarroti (1475–1564), probably ca. 1544. Oil on wood, 34 3/4 x 25 1/4 in. (88.3 x 64.1 cm. Gift of Clarence Dillon, 1977. The Metropolitan Museum of Art, 1977.384.1. © 2000–2016 The Metropolitan Museum of Art. This unfinished portrait of the Florentine sculptor, painter, and architect Michelangelo Buonarroti has most recently been attributed to his close follower Daniele da Volterra. An inventory taken... [Lire la suite]