Robert Peake

George Gower (c.1540-1596), George Goring Jnr. (c.1555-1602) of Ovingdean and Danny Park, Hurstpierpoint, Sussex, 1581. Oil on panel, 8 x 56 cm. Inscribed and dated upper left: 'Ao DNI.1581./AEtatis Suae.26. Charged with the Goring coat-of-arms (upper right). The Weiss Gallery. © 2019 London Art Week. Paul van Somer (c.1577 - 1622), Sir Thomas Dallison, 2nd Bt. of Laughton (1591-1645), Painted c.1620
. Oil on canvas, 43 x 35 ¼ in. (109.2 x 90 cm.), English 18th century carved frame. The Weiss Gallery. © 2019 London Art Week. ... [Lire la suite]

 Jakob Lena Knebl, Chesterfield, 2014 (detail), Courtesy of Jakob Lena Knebl - Pleated skirt, c. 1526 (detail), Kunsthistorisches Museum Wien, Hofjagd- and Rüstkammer - William Larkin, Portrait of Diana Cecil, later Countess of Oxford, c. 1614-1618 (detail), English Heritage, The Iveagh Bequest (Kenwood, London) © Kunsthaus Zürich 2018 ZURICH.- From 20 April to 15 July 2018, visitors to the Kunsthaus Zürich can look forward to ‘Fashion Drive. Extreme Clothing in the Visual Arts’. More than 230... [Lire la suite]

Henry, Prince of Wales by Isaac Oliver, c. 1610-12. ©The Royal Collection Photo: Supplied by Royal Collection Trust / © HM Queen Elizabeth II 2012. LONDON.- The National Portrait Gallery stages the first ever exhibition on Henry, Prince of Wales (1594-1612), focusing on a remarkable period in British history, dominated by a prince whose death at a young age precipitated widespread national grief, and led eventually to the accession to the throne of his younger brother, the doomed King Charles I. The Lost Prince: The Life and Death... [Lire la suite]

Robert Peake (c. 1551-1619). Peregrine Bertie, Lord Willoughby de Eresby (1555-1601), circa 1588-90. Oil on panel. Inscribed with the Lumley cartellino centre left.  Only recently correctly identified our portrait, with its distinctive cartellino, depicts. Height : 61.00 cm. Width : 50.50 cm. Price on application. Note: Peregrine Bertie, Lord Willoughby de Eresby (1555-1601), one of the great military commanders and heroes of his time, as well as a trusted envoy for Elizabethan I. The painted cartellino, or label... [Lire la suite]