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Alain.R.Truong
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Alain.R.Truong
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14 janvier 2020

"Van Eyck. Une révolution optique" au Musée des Beaux-Arts de Gand

"Van Eyck. Une révolution optique" au Musée des Beaux-Arts de Gand
Le Musée des Beaux-Arts de Gand présente la plus grande exposition jamais consacrée au maître flamand. A partir du 1er février et pour 3 mois seulement. Seule une vingtaine d’œuvres du Maître flamand Van Eyck sont conservées de par le monde. Tout à fait...
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27 décembre 2019

Giovanni Bellini (Venice 1425/30-1516), Christ carrying the Cross

Giovanni Bellini (Venice 1425/30-1516), Christ carrying the Cross
Lot 5. Giovanni Bellini (Venice 1425/30-1516), Christ carrying the Cross, oil on panel, marouflaged, 47.7 x 36.5 cm.; 18¾ x 14⅜ in. Estimate: 150,000 - 200,000 GBP. Lot sold 795,000 GBP. © Sotheby's. Provenance: Chiesa delle Salesiane, Murano, until the...
29 octobre 2019

At the Met, The Last Knight: The Art, Armor, and Ambition of Maximilian I

At the Met, The Last Knight: The Art, Armor, and Ambition of Maximilian I
Lorenz Helmschmid (German, first recorded 1467, died 1516). Field Armor of Maximilian I (detail), 1480. Steel, copper alloy, and leather. Sallet: private collection, New York; all other armor elements: Kunsthistorisches Museum, Vienna, Imperial Armoury...
21 octobre 2019

L'art en broderies au Moyen Âge au Musée de Cluny

L'art en broderies au Moyen Âge au Musée de Cluny
Antependium: figures de saints, Pays mosan, début du 14e siècle. Broderie de soies polychromes et de lames métalliques sur toile de lin, 82,5 x 186,5 cm, Musée de Cluny, Cl. 11995 © RMN-Grand Palais (musée de Cluny, musée national du Moyen Âge) / Gérard...
13 octobre 2019

Vittore Carpaccio: Two Venetian Ladies at the Hermitage

Vittore Carpaccio: Two Venetian Ladies at the Hermitage
Vittore Carpaccio (Italian, about 1460 - 1526), Two Venetian Ladies, c. 1510, Oil on wood, 94 x 64 cm, Museo Correr, Venice. From 9 October 2019, Vittore Carpaccio’s depiction of Two Venetian Ladies will be on display in the Italian Cabinet of the Winter...
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4 octobre 2019

Rediscovered masterpiece by Andrea Mantegna to highlight Sotheby's Masters Week in NYC

Rediscovered masterpiece by Andrea Mantegna to highlight Sotheby's Masters Week in NYC
Andrea Mantegna (c. 1431-1506), P reparatory drawing for one of the canvases in the Triumphs of Caesar. Estimated to achieve in excess of $12 Million . Courtesy Sotheby's. NEW YORK, NY .- Sotheby’s announced that it will offer one of the most art-historically...
19 septembre 2019

'Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence' at the Frick Collection, New York

'Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence' at the Frick Collection, New York
Bertoldo di Giovanni (ca. 1440–1491), Shield Bearer, ca. 1470–80. Copper alloy, with extensive traces of gilding, 8 13/16 × 3 3/4 × 2 3/4 in. (22.4 × 9.5 × 7 cm), Henry Clay Frick Bequest (1916.2.03) © The Frick Collection. Photo: Michael Bodycomb. The...
2 septembre 2019

Verrocchio's First Comprehensive Exhibition Explores His Innovation in Renaissance Art and Culture at National Gallery of Art

Verrocchio's First Comprehensive Exhibition Explores His Innovation in Renaissance Art and Culture at National Gallery of Art
Andrea del Verrocchio, Putto Poised on a Globe, c. 1480, terra cruda (unbaked clay), overall: 75 x 38.3 x 23 cm (29 1/2 x 15 1/16 x 9 1/16 in.), National Gallery of Art, Washington, Andrew W. Mellon Collection. Washington, DC—The National Gallery of Art...
1 septembre 2019

Artificial intelligence uncovers new details about Old Master paintings

Artificial intelligence uncovers new details about Old Master paintings
The Ghent Altarpiece closed. Credit: Copyright holder, Saint-Bavo’s Cathedral, www.lukasweb.be – Art in Flanders; photo Dominique Provost. LONDON .- Artificial intelligence has been used to analyse high-resolution digital x-ray images of the world famous...
15 août 2019

National Gallery reveals images of ‘abandoned’ angel and Christ underneath The Virgin of the Rocks

National Gallery reveals images of ‘abandoned’ angel and Christ underneath The Virgin of the Rocks
Left: Leonardo da Vinci (1452-1519), Virgin of the Rocks (1491–99, 1506–08), National Gallery version, © The National Gallery, London. Right: Virgin of the Rocks - tracing of the lines relating to underdrawing for the first composition, incorporating...
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