17 octobre 2016

François-Désiré Froment-Meurice (1802-1855), Pendant with a coral cameo depicting Bacchus, 1854

François-Désiré Froment-Meurice (1802-1855), Pendant with a coral cameo depicting Bacchus, the sculpted gold frame decorated with winged mermaids and hung with pearls and diamond sparks, 1854. Given by Dame Joan Evans (M.30-1962) © Victoria and Albert Museum, London 2016.

14 août 2016

Charles Meryon, Le Pont au Change, from Eaux-Fortes sur Paris ( Etchings of Paris ), 1854

Charles Meryon (French, 1821–1868), Le Pont au Change, from Eaux-Fortes sur Paris ( Etchings of Paris ), 1854. Etching with additions in graphite; seventh state; Sheet: 7 3/16 x 14 1/16 in. (18.2 x 35.7 cm) Plate: 6 1/8 x 13 1/16 in. (15.6 x 33.2 cm). Bequest of Susan Dwight Bliss, 1966. The Metropolitan Museum of Art, 67.630.9 © 2000–2016 The Metropolitan Museum of Art. This unique impression of one of Meryon's iconic prints of Paris, worked extensively with an enigmatic penciled vignette in... [Lire la suite]
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25 mars 2016

Swann Galleries' April early printed books auction highlights Central Asian travel

  Nova Legenda Anglie, first edition, London, Wynkyn de Worde, 1516. Estimate $8,000 to $12,000. NEW YORK, NY.- On Tuesday, April 12, Swann Galleries will hold an auction of Early Printed, Medical, Scientific & Travel Books, featuring early English books and travel texts focusing on the exploration of Central Asia. Standouts among the travel books include a first edition of John Biddulph’s Tribes of the Hindoo Koosh, Calcutta, 1880, previously owned by the anthropologist Sir James Frazer, writer of The... [Lire la suite]
17 décembre 2015

Nationalmuseum Sweden acquires "Study of a man in Turkish dress" by Amalia Lindegren

Amalia Lindegren, Study of a man in Turkish dress, 1854. Photo: Anna Danielsson/Nationalmuseum. STOCKHOLM.- Nationalmuseum has acquired a study of a man in Turkish dress by Amalia Lindegren, a significant addition to the museum’s collection of works by female artists. The painting was a prize in a Christmas lottery run by the Swedish Association for Art in 1854 and was won by Fredrik Bergwall, a manufacturer from Norrköping. Until now, it has remained in his family’s possession. To bolster its collection of works by... [Lire la suite]
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28 juillet 2014

Chinese Garden, Guan Lianchang, a.k.a. Tingqua (active 1830s-1870's), Guanghou, China, 1854

Chinese Garden, Guan Lianchang, a.k.a. Tingqua (active 1830s-1870's), Guanghou, China, 1854, gouache on paper. Peadody Essex Museum © 2001-2014 The Peabody Essex Museum.
05 février 2013

Insecta maderensia

Insecta maderensia: being an account of the insects of the islands of the Madeiran group. London, J. Van Voorst,1854. Biodiversitylibrary. Biodivlibrary. BHL. Biodiversity Heritage Library Insecta maderensia: being an account of the insects of the islands of the Madeiran group. London, J. Van Voorst,1854. Biodiversitylibrary. Biodivlibrary. BHL. Biodiversity Heritage Library
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12 août 2012

Tsuka with Tamatori Fighting an Octupus. Japan, 1854 (late Edo)

Tsuka with Tamatori Fighting an Octupus. Japan, 1854 (late Edo). Ishiguro Masaaki (Japanese, 1813-1837). Gold, shibuichi, shakudo. L: 3 5/8 in. (9.2 cm). 51.1204.2. Acquired by Henry Walters. The Walters Art Museum. The figures on this tsuka illustrate the story of Kamatari and Tamatori. Fujiwara Kamatari was a historical figure who died in 669, but this episode is from a legend. His daughter had become the empress of China and sent a boatload of treasures, including an important jewel, back to Japan to be... [Lire la suite]
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12 août 2012

Dagger Depicting Tamatori Retrieving the Sacred Jewel from the Sea. Japan, 1854 (Nambokucho-late Edo).

Dagger Depicting Tamatori Retrieving the Sacred Jewel from the Sea. Japan, 1854 (Nambokucho-late Edo). Metalworkers: Fukawa Kazunori (Japanese, 1824-1876), Hamano Masanobu (Japanese, born 1773), Ishiguro Masaaki (Japanese, 1813-1837). Steel, gold, copper, copper alloy, silver alloy, wood, textile, shakudo, shibuichi, sentoku (?). Mounted blade: 10 in. (25.4 cm) (l.). Acquired by Henry Walters.  Provenance: Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum,... [Lire la suite]
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06 octobre 2008

A Fatimid carved rock crystal ewer. Egypt, last quarter 10th or first quarter 11th century, mounted by Jean-Valentin Morel

A Fatimid carved rock crystal ewer. Egypt, last quarter 10th or first quarter 11th century, mounted by Jean-Valentin Morel, Sèvres, early 1854 ad. Photo: Courtesy Christie's The body of tapering slightly rounded conical form on short central spreading foot, each side carved in relief with a seated cheetah held on a link chain, together flanking a central panel of interlaced arabesques with palmette terminals, a meandering band of leafy vine forming a border around the composition, the back with the base of a handle drilled and... [Lire la suite]