Canalblog
Editer l'article Suivre ce blog Administration + Créer mon blog
Alain.R.Truong
Alain.R.Truong
Visiteurs
Depuis la création 51 159 033
Archives
Newsletter
Alain.R.Truong
12 avril 2017

Exhibition illustrates the global diversity and effective history of Protestantism

01_Martin Luther im Kreise von Reformatoren, 1625;1650

Martin Luther in the Circle of Reformers, 1625/1650 © Deutsches Historisches Museum

BERLIN.- For the first time an exhibition will illustrate the global diversity and effective history of Protestantism, but also its potential for engendering conflict between different cultures. 

What traces of Protestantism can be found in other denominations, religions and concepts of life? How did it change itself through these encounters – and not least of all, in what ways have people adopted and appropriated the Protestant doctrine, how have they shaped it and lived it? The exhibition “The Luther Effect” tells a global story of effect and counter-effect that begins around 1500 and continues on into the present present. It is depicted using the examples of Germany and Europe 1450–1600, Sweden 1500–1750, North America 1600–1900, Korea 1850–2000 and present-day Tanzania. 

02_Koenig Eduard VI

King Edward VI and the Pope, around 1575 © National Portrait Gallery, London.

The Deutsches Historisches Museum is presenting the exhibition in the Martin- Gropius-Bau on a area of some 3,000 m2 and bringing together outstanding exponents from national and international lenders, many of which have never before been displayed in Germany. Supplementing the exhibition are numerous cultural and educational events and fringe programmes. A richly illustrated catalogue will also be published. 

The Deutsches Historisches Museum’s presentation is one of three special national exhibitions commemorating the 500th anniversary of the Reformation in the year 2017. Besides Berlin, the Federal Government Commissioner for Culture and the Media is supporting the exhibitions in the Wartburg in Eisenach and the “Lutherstadt” Wittenberg. The exhibitions are under the patronage of Federal President Joachim Gauck. The German Savings Bank Finance Group is the principal sponsor of the exhibition “The Luther Effect. Protestantism – 500 Years in the World”. This exhibition is supported by the Museum Association of the German Historical Museum.

03_Abzeichen der Geusen Liver Turcx dan Pavs, 1574

Emblem of the Geuzen “Liver Turcx dan Pavs” (Better Turk than Papist), 1574 © Rijksmuseum, Amsterdam

04_Maria Aurora und Amelie Wilhelmine von Koenigsmarck

Maria Aurora and Amélie Wilhelmine von Königsmarck, swearing-in of the representatives of the estates on the Bible and the Swedish Book of Law, around 1690 © Östergötlands Museum, Linköping

05_Apothese Koenig Gustavs II

Apotheosis of King Gustavus II Adolphus, around 1650 © Nationalmuseum Stockholm, Sweden.

06_Dis sint de Sitten von Lappland, vor 1668

“Dis sint de Sitten von Lappland” (These are the customs of Lapland), before 1668 © Staatliche Schlösser, Burgen und Gärten Sachsen, gemeinnützige GmbH, Burg Kriebstein/PUNCTUM/Bertram Kober.

07_Johann Valentin Haidt, Erstlingsbild, 1748

Johann Valentin Haidt, First Fruits, 1748 © Unitätsarchiv der Evangelischen Brüder-Unität, Herrnhut; Unitätsarchiv: GS 463

08_Emanuel Gottlieb Leutze, Westwaerts geht das Imperium seinen Weg, 1861

Emanuel Gottlieb Leutze, Westward the Course of Empire Takes its Way, 1861 © Gilcrease Museum, Tulsa, Oklahoma.

09_Das erste Neue Testament in koreanischer Sprache, 1887

The first Korean-language New Testament, 1887 © Bodleian Library, Oxford.

10_Koreanische Uebersetzung der Zehn Gebote, 1911

Korean translation of the Ten Commandments, 1911 © The Korean Christian Museum at Soongsil University, Seoul.

11_Missionar Franz Rietzsch, um 1930

Missionary Franz Rietzsch (?), around 1930 © Unitätsarchiv der Evangelischen Brüder-Unität, Herrnhut / Stephan Schmorrde.

12_Morning Glory in der Lutheran Kariakoo Church in Daressalam, Juni 2016

Morning Glory in the Lutheran Kariakoo Church in Dar es Salaam, June 2016 © Deutsches Historisches Museum / Karsten Hein.

Commentaires