Canalblog
Editer l'article Suivre ce blog Administration + Créer mon blog
Publicité
Alain.R.Truong
Alain.R.Truong
Publicité
Visiteurs
Depuis la création 50 914 179
Archives
Newsletter
Alain.R.Truong
12 février 2017

"Beyond Caravaggio" exhibition opens at the National Gallery of Ireland

17

Michelangelo Merisi da Caravaggio  (1571-1610), 'Boy Bitten by a Lizard', ca. 1593-1595, Fondazione di Studi di Storia dell’Arte Roberto Longhi, Florencia. © Fondazione di Studi di Storia dell’Arte Roberto Longhi

 DUBLIN.- The highly anticipated exhibition Beyond Caravaggio opened this Saturday 11 February in the National Gallery of Ireland. Out of a total of 42 major works from the sixteenth and seventeenth century, four are master paintings by Michelangelo Merisi da Caravaggio (1571-1610). Many of the works in the show are on loan from private collections, and regional galleries, and is, therefore, be a rare opportunity for visitors to see works not easily available to the public. 

Adrian Le Harivel, co-curator of Beyond Caravaggio says: ‘”This exhibition will bring together, for the first time in Dublin, thirty major artists who knew or were inspired by Caravaggio. It underlies the incredible impact that he had on painting at the time, whose ripples are still felt today.” 

18

Michelangelo Merisi da Caravaggio (1571-1610), 'The Supper at Emmaus', 1601 © The National Gallery, London

Caravaggio is widely acknowledged as bringing a revolution to painting during the Baroque period with his dramatic use of light and uncompromising realism. His work had a long-lasting and wide-reaching influence across Europe. This exhibition shows the ways in which a large number of artists adopted Caravaggio’s ideas and developed them to become masters in their own right. Four major works by Caravaggio take centre stage in the exhibition: The Supper at Emmaus, 1601 (National Gallery, London); The Taking of Christ, 1602 (National Gallery of Ireland), as well as two works never exhibited before in Ireland: Boy Bitten by a Lizard, 1594-95 (National Gallery, London) and Boy Peeling Fruit, c.1592 (The Royal Collection). Other important works by his followers include a number of French artists, such as Valentin de Boulogne’s Concert with Three Figures, Georges de la Tour’s Dice Players and Nicolas Regnier’s Saint Sebastian being tended by Saint Irene. 

This exhibition is a unique collaboration between the National Gallery, London, the National Gallery of Ireland and the National Galleries of Scotland. 

19

Michelangelo Merisi da Caravaggio (1571-1610), 'The Taking of Christ', 1602. On indefinite loan to the National Gallery of Ireland from the Jesuit Community, Leeson St., Dublin, who acknowledge the kind generosity of the late Dr Marie Lea-Wilson. Photo © National Gallery of Ireland.

Accompanying the exhibition is a fully illustrated catalogue, published in hardback by the National Gallery Company, London, in association with the National Gallery of Ireland, Dublin, and the Royal Scottish Academy, Edinburgh. Authors: Letitzia Treves, with contributions by Aidan Weston-Lewis, Gabriele Finaldi, Christian Tico Seifert, Adriaan E. Waiboer, Francesca Whitlum-Cooper and Marjorie E. Wieseman. 

The catalogue is available to purchase with an exhibition ticket bundle online; or direct through the Gallery Shop (€25hb). 

Letizia Treves, Curator of Italian and Spanish Paintings 1600-1800 at the National Gallery, London, in collaboration with Adrian Le Harivel, Curator of British Art, National Gallery of Ireland, and Aidan Weston-Lewis, Chief Curator and Head of the Print Room at the National Galleries of Scotland.

20

Orazio Gentileschi, 'David and Goliath', 1605–08 © The National Gallery of Ireland, Dublin.

21

Giovanni Antonio Galli, called Lo Spadarino, 'Christ displaying his Wounds', about 1625–35 © Courtesy of Perth Museum & Art Gallery, Perth & Kinross Council. 

22

Artemisia Gentileschi, 'Susannah and the Elders', 1622 © The Burghley House Collection. 

22 bis

Rutilio Manetti, 'Victorious Earthly Love', about 1625 © The National Gallery of Ireland, Dublin.

23

Jusepe de Ribera, 'The Martyrdom of Saint Bartholomew', 1634. Image courtesy of the Board of Trustees, National Gallery of Art, Washington, DC.

24

Michelangelo Merisi da Caravaggio, ‘Salome receives the Head of John the Baptist’, about 1609–10. © The National Gallery, London

25

Hendrick ter Brugghen, 'The Concert', about 1626 © The National Gallery, London

26

Gerrit van Honthorst, 'Christ before the High Priest', about 1617 © The National Gallery, London

27

Georges de La Tour and Studio, 'Dice Players', about 1650–1 © Preston Park Museum and Grounds

28

Michelangelo Merisi da Caravaggio, 'Saint John the Baptist in the Wilderness', about 1603–4 © The Nelson-Atkins Museum of Art, Kansas City, Missouri (Purchase: William Rockhill Nelson Trust) 52-25. Photo Jamison Miller

29

Francesco Buoneri (or Boneri) called Cecco del Caravaggio (c.1589–after 1620), 'A Musician', c.1615. The Wellington Collection, Apsley House, London (English Heritage). Photo: Apsley House, London © Historic England.

29-2

Cecco del Caravaggio, ‘Interior with a Young Man holding a Recorder’, 1615-1620 © Ashmolean Museum, University of Oxford.

30

Nicolas Régnier, ‘Saint Sebastian tended by the Holy Irene and her Servant’, 1626-1630 © Ferens Art Gallery, Hull Museums. 

31

Carlo Saraceni, ‘Saint Gregory the Great’, 1619-1620 © The Burghley House Collection.

32

Jusepe de Ribera, ‘Saint Onuphrius’, ca. 1630 © The National Gallery of Ireland, Dublin.

33

Jusepe de Ribera, ‘Lamentation over the Dead Christ’, Early 1620s © The National Gallery, London. 

34

Antiveduto Gramatica, ‘Card Players’, ca. 1615 © Historic England.

35

Antiveduto Gramatica, ‘Christ disputing with the Doctors ’, ca. 1613 © National Galleries of Scotland.

36

Valentin de Boulogne, ‘The Four Ages of Man’, ca. 1629 © The National Gallery, London.

37

Valentin de Boulogne, ‘A Concert with Three Figures’, 1615-1616 © Devonshire Collection, Chatsworth. Reproduced by permission of the Chatsworth Settlement Trustees. 

38

Georges de La Tour, ‘The Cheat with the Ace of Clubs’, 1630-1634 © Kimbell Art Museum, Fort Worth, Texas.

39

Giovanni Baglione, ‘The Ecstasy of Saint Francis’, 1601 © The Art Institute of Chicago.

40

Publicité
Publicité
Commentaires
Publicité