Tamara de Lempicka, Jeune fille aux gants (Young Girl with Gloves) (detail), 1930–1931. Oil on board, 24 1/4 x 17 7/8 in. (61.5 x 45.5 cm). Centre Pompidou, Paris, Purchase, 1932, inv. JP557P.2023. Courtesy of Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY.

SAN FRANCISCO - Through her liberal and glamorous lifestyle, artist Tamara de Lempicka (1894-1980) has become synonymous with the carefree spirit and opulence of the 1920s. Her paintings, combining a classical figural style with the modern energy of the international avant-garde, have cemented Lempicka as one of Art Deco’s defining painters, with an enduring influence on today’s pop culture landscape. Retrospective Tamara de Lempicka—the first exhibition in the United States dedicated to the artist’s full oeuvre—will reveal a new perspective on her life and design practice. In addition to her celebrated portraits, the more than 150 works on view will also include a number of rarely seen drawings, experimental still lifes from Lempicka’s early Parisian years, melancholic domestic interiors, as well as a selection of Art Deco objects, sculptures and dresses from the Fine Arts Museums’ collection that provide perspective on the artist’s process and historical context. The exhibition is co-curated by Furio Rinaldi and Gioia Mori.

“We are thrilled to present the first major retrospective of Tamara de Lempicka’s work in the United States. As one of the preeminent portrait painters of the Art Deco period, a scholarly consideration of her artistic output for a North American audience is long overdue” said Thomas P. Campbell, Director and CEO of the Fine Arts Museums of San Francisco. “Considering San Francisco’s history as a great Art Deco capital of the world, the exhibition-–aptly presented in close proximity to landmarks of the period such as the Golden Gate Bridge and Coit Tower–adds to our understanding not only of Lempicka’s work specifically, but also this influential art and design period at large.”

Tamara de Lempicka unfolds chronologically in four major chapters that mark the stages in the artist’s life through her changing identity: “Tamara Rosa Hurwitz” (her newly revealed birth name), “Monsieur Łempitzky,” “Tamara de Lempicka,” and “Baroness Kuffner.” The different sections of the exhibition present the evolution of her artistic style and summarize the most prevalent themes of her work. The exhibition includes poignant and experimental still lifes from Lempicka’s early Parisian years, figural works inspired by the Russian avant-gardes, the Cubist aesthetic of her teacher, French cubist painter, André Lhote, as well as her appreciation for the work of Neoclassical painters of the 18th century like Jean-Auguste-Dominique Ingres.

Executed with a polished technique, the portraits on display reflect influential figures in Lempicka’s life, including her muses and lovers (poet Ira Perrot, the model Rafaëla and Marquis Guido Sommi Picenardi), portraits of her daughter, Marie-Christine “Kizette”, and her two husbands, Tadeusz Łempicki and Baron Raoul Kuffner de Dioszegh. Distinguished figures from the dazzling European and American cosmopolitan scenes of the 1920s are also featured prominently, as Lempicka was often tapped by the elite during the peak of her success to paint stately, bold and sometimes intimidating portraits.

Tamara de Lempicka (1894 - 1980) “The Beautiful Rafaëla (La belle Rafaëla),” 1927 Oil on canvas, 25 1/2 x 35 3/4 in. (64.77 x 90.805 cm) Collection of Tim Rice © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Banque d'Images, ADAGP / Art Resource, NY Image provided courtesy of the Fine Arts Museums of San Francisco

Tamara de Lempicka (1894 - 1980) “Kizette at the Balcony,” 1927 Oil on canvas, 51 3/16 x 31 13/16 in. (130 x 80.8 cm) Centre Pompidou, Paris Musée national d'art moderne / Centre de création industrielle © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY.

Tamara de Lempicka (1894-1980) “Young Girl in Pink (Kizette in Pink II),” ca. 1928-1930 Oil on Canvas, 45 5/8 x 28 11/16 in. (115.9 x 72.8 cm) Private collection, courtesy of Artis—Naples, The Baker Museum © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Photography: RoseBudz Productions.

Tamara de Lempicka (1894 - 1980) “Head of Thadeusz,” ca. 1926. Graphite on paper, 10 3/8 x 8 1/4 in. (26.3 x 21 cm) P. Nomikos Collection © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © 2012 Christie’s Images Limited

Tamara de Lempicka (1894 - 1980) “Portrait of a Man (Thadeusz Lempicki) or Unfinished Portrait of a Man,” 1928 Oil on canvas, 51 x 31 7/8 in. (129.5 x 81 cm) Centre Pompidou, Paris Musée national d'art moderne / Centre de création industrielle © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY

Tamara de Lempicka (1894 - 1980) “Portrait of a Man (Thadeusz Łempicki) or Unfinished Portrait of a Man,” 1928 Oil on canvas, 51 x 31 7/8 in. (129.5 x 81 cm) Centre Pompidou, Paris Musée national d'art moderne / Centre de création industrielle © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY

Thérèse Bonney (American, 1894 - 1978) “Tamara de Lempicka working on "Portrait of Tadeusz de Łempicki"”, ca. 1929 Gelatin silver print, 9 3/8 x 7 in. (23.8 x 17.8 cm) © The Regents of the University of California, The Bancroft Library, University of California, Berkeley. Source : Ville de Paris / Bibliothèque historique, NN-006-09335

“The combination of varied artistic influences in Europe during the interwar period constitute the ingredients for Lempicka’s unique visual language, a captivating and unique blend of classicism and modernism,” explained Gioia Mori, exhibition co-curator, professor of Contemporary Art History and leading Lempicka scholar. “After decades of research, this exhibition constituted the opportunity to investigate Lempicka’s first sojourn in the United States in the spring of 1929. She first arrived in New York and then traveled to Santa Fe and San Francisco. In San Francisco, she exhibited in 1930 at the then-renowned Galerie Beaux Arts. Lempicka’s relationship with San Francisco continued through 1941 when she exhibited a selection of her latest works at Courvoisier Gallery on Geary.”

Research leading to the exhibition has allowed the curators to clarify crucial and unpublished biographical aspects of Lempicka’s life. The artist was born to a Polish family of Jewish descent in 1894 (and not 1898, 1900 or 1902, as she previously claimed), with the birth name Tamara Rosa Hurwitz. She moved to Russia with her family, where she married Tadeusz Łempicki in 1916. Their only daughter, Marie Christine “Kizette,” was born the same year. Despite their divorce in 1929, Lempicka continued to use her first husband’s name to sign her artworks throughout her life.

Following the turmoil of the Russian Revolution in October 1917, Lempicka fled to Paris, where she would arrive in 1919 and remain throughout the 1930s, one of the millions of refugees who dispersed throughout Europe. As an openly bisexual, cosmopolitan polyglot who had lived in various European countries, she thrived in Paris and effortlessly took on the identity and lifestyle of a transgressive, carefree and trendsetting Parisian. At the beginning of her career, Lempicka chose to sign her works using the male declination of her surname, “Lempitzky,” effectively disguising her gender and adding to the confusion surrounding her origin story. However, in later signing her work “Lempitzka” and “Lempicka” she revealed her female identity. Tamara de Lempicka and Tadeusz Łempicki divorced in 1929, and in 1934 she married Baron Raoul Kuffner de Dioszegh, a Hungarian-Jewish nobleman from present-day Slovakia. In February 1939, Lempicka left Paris for the United States to attend an exhibition organized in New York. This trip saved her from witnessing the tragic Nazi occupation of Poland and Paris in 1939 and 1940. During her time in the United States, Lempicka lived in Beverly Hills and New York City, eventually joining her daughter Kizette (married surname Foxhall) in Houston. Shortly after being rediscovered as an Art Deco icon in the mid-1970s, she died in her home in Cuernavaca, Mexico, in 1980.

Also featured are Lempicka’s paintings of the 1930s and late 1940s, executed upon her departure from Europe in 1939. Many of these melancholic still lives and domestic interiors are defined by a polished pictorial technique and deliberate process that Lempicka sourced from the masters of Italian and Flemish painting.

“The exhibition stems from the Fine Arts Museums’ recent acquisition of a drawing by Lempicka, a portrait of her daughter Kizette, which will be on view to the public for the first time in the exhibition. Reflective of her meticulous academic training in Paris, Lempicka’s drawings reveal both the artist’s outstanding technical refinement as a designer and her breath of visual sources, at the core of her unique style – from Italian Mannerism to the French Neoclassicism, the Russian avant-garde and the innovative graphic language of fashion illustrators like George Barbier, Helen Dryden and Georges Lepape,” shared Furio Rinaldi, exhibition co-curator and curator in charge of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco. “Beyond celebrating Lempicka’s Art Deco persona, Tamara de Lempicka will reveal the artist’s layered artistic influences, demonstrating how her appreciation and knowledge of European art history informed the deliberate design process behind her memorable paintings.”

The exhibition also includes a special section on the relationship between Lempicka and fashion in the 1920s and 1930s, demonstrated through the works she produced for the German fashion magazine Die Dame - including the famous cover Self-Portrait on a Green Bugatti. This relationship is also demonstrated through garments from the Museums’ collection of costume and textile arts, with clothing produced by pioneering women designers Callot Soeurs, Madeleine Vionnet, and Madame Grès, and characterized by elegance and ease of physical movement as well as a renewed interest in the natural shape of women’s bodies.

Tamara de Lempicka wearing a gown by Marcel Rochas, 1933. Photograph by Madame d’Ora (Dora Kallmus) Courtesy of the Tamara de Lempicka Estate

Madeleine Vionnet (1876-1975) Ernesto Thayaht (1893-1959) Evening dress, ca. 1922-1928 Silk crepe with opalescent glass bead embroidery, 41 x 18 in. (104.1 x 45.7 cm) dress; 36 x 18 in. (91.4 x 45.7 cm) slip Fine Arts Museums of San Francisco, Museum purchase, Gift of Mr. and Mrs. Alfred S. Wilsey 2001.65a-b Photograph by Randy Dodson, © Fine Arts Museums of San Francisco

Madame (Alix) Grès (1903-1993) Gres (est. 1942) Evening ensemble: gown and slip, 1946-1948 Silk jersey, 58 in. (147.3 cm) Fine Arts Museums of San Francisco, Gift from the Collection of Marjorie Gunst Stern, 2007.69.10a-b Photograph by Randy Dodson, © Fine Arts Museums of San Francisco

Lempicka embodied the independence of a dynamic type of the “New Woman,” capable of fashioning her own personality and path through stylish modes of dress. The haute couture fashions represented in Lempicka’s paintings, such as the Portrait of Ira P. or the Girl in Green, vividly capture the plurality of clothing styles available to women during the interwar era and illustrate Lempicka’s modern beauty, powerful femininity and status among the upper-class Parisians.

Tamara de Lempicka (1894 - 1980) “Portrait of Ira P.”, 1930 Oil on panel, 39 3/8 x 25 9/16 in. (100 x 65 cm) Private Collection © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © 1969 Christie’s Images Limited

Tamara de Lempicka (1894-1980) “Young Girl in Green (Young Girl with Gloves),” ca. 1931 Oil on board, 24 1/4 x 17 7/8 in. (61.5 x 45.5 cm) Centre Pompidou, Paris, purchase, 1932, inv. JP557P © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Digital image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY

Opening at the de Young on October 12 and running through February 9, Tamara de Lempicka is the first scholarly museum retrospective of the artist’s work in the United States, exploring Lempicka’s artistic influences and revealing the process behind works that have become synonymous with Art Deco. After its presentation at the de Young, the exhibition will travel to Houston and be on display at the Museum of Fine Arts, Houston, March 9 through May 26, 2025.

Tamara de Lempicka is organized by the Fine Arts Museums of San Francisco in collaboration with the Museum of Fine Arts, Houston. The exhibition Lead Sponsor is Denise Littlefield Sobel. Significant Support is provided by Bettina S. Bryant, Roger Thomas, Arthur Libera, and Drew Thomas. Generous Support is provided by Romana D. Bracco, Stanlee Gatti, Parida Saennam and Austin Ligon, Laura Scher and Ian Altman, Mary Beth and David Shimmon, Sotheby's, Gwynned Vitello and Zenni.com. Additional Support for this exhibition is provided by Luanne and Pete Andreotti, Sandra Bessières, Edina Jennison, Wendy W. Kwok and family, Jan and Bob Newman, and Anita L. Wornick.

October 12, 2024 - February 9, 2025

Tamara de Lempicka (1894 - 1980) “Cubist Woman, Seated,” 1922 Graphite on paper, 6 1/4 x 4 in. (15.8 x 10.2 cm) Henryk Bury Collection © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Image © Sotheby’s 2024

Tamara de Lempicka (1894 - 1980) “Male Nude,” ca. 1924 Oil on canvas, 41 3/8 x 29 1/2 in. (105.1 x 75 cm) Collection of Harvey Fierstein © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © 2018 Christie’s Images Limited

Tamara de Lempicka (1894-1980) "Nature morte à la poupée russe (Le Jacinthe)," ca 1924 Oil on canvas on cardboard, 12 1/2 x 9 x 1/2 in. (31.75 x 22.86 x 1.27 cm) Private Collection Photograph by Gerard Vuilleumier, courtesy of the Fine Arts Museums of San Francisco © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY

Tamara de Lempicka (1894-1980) "Portrait d’André Gide," 1925 Oil on cardboard, 19 1/2 x 12 1/2 x 1/2 in. (49.53 x 31.75 x 1.27 cm) Private Collection Photograph by Gerard Vuilleumier, courtesy of the Fine Arts Museums of San Francisco. © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY

Tamara de Lempicka (1894 - 1980) “Irene and Her Sister,” 1925 Oil on canvas, 57 1/2 x 35 1/16 in. (146 x 89 cm) Private collection. Courtesy Irena Hochman Fine Art Ltd. NY © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Image courtesy Irena Hochman Fine Art Ltd. NY

Tamara de Lempicka (1894-1980) "Portrait de S.A.I. le Grand Duc Gabriel," ca 1926 Oil on canvas, 45 1/2 x 25 1/2 x 1/2 in. (115.57 x 64.77 x 1.27 cm) Private Collection © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Photograph by Gerard Vuilleumier, courtesy of the Fine Arts Museums of San Francisco

Studio Lorelle "Tamara de Lempicka sitting, in profile," 1928 Courtesy of the Tamara de Lempicka Estate

Thérèse Bonney (1894 - 1978) “Tamara de Lempicka at her apartment on rue Méchain, 14e arr. designed and built by Robert Mallet-Stevens,” ca. 1929 Gelatin silver print 5 1/2 x 6 15/16 in. (14 x 17.6 cm) © The Regents of the University of California, The Bancroft Library, University of California, Berkeley. Source : Ville de Paris / Bibliothèque historique, NN-006-09335

Thérèse Bonney (1894 - 1978) “Tamara de Lempicka working on the portrait "Nana de Herrera"”, ca. 1929 Gelatin silver print 5 1/2 x 6 15/16 in. (14 x 17.6 cm) © The Regents of the University of California, The Bancroft Library, University of California, Berkeley. Source : Ville de Paris / Bibliothèque historique 4C-EPF-006-00701

Tamara de Lempicka (1894-1980) “Saint-Moritz,” 1929 Oil on panel, 13 3/4 x 10 5/8 in. (35 x 27 cm) Musée des Beaux-Arts d’Orléans, Gift of the artist, 1976, inv. 76.121 © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Banque d'Images, ADAGP / Art Resource, NY

Tamara de Lempicka (1894 - 1980) "Study for the portrait of Mrs. Bush," 1929 Graphite on paper, 9 1/4 x 5 9/16 in. (23.5 x 14.2 cm) Private collection, courtesy of Artis—Naples, The Baker Museum © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Photography: RoseBudz Productions

Tamara de Lempicka (1894-1980) "Portrait of Mrs. Rufus Bush," 1929 Oil on canvas, 48 1/16 x 26 in. (122 x 66 cm) Private collection, courtesy of Artis—Naples, The Baker Museum © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Photography: RoseBudz Productions.

Tamara de Lempicka (1894-1980) “The Communicant,” 1929 Oil on canvas, 39 3/4 x 25 1/2 in. (101 x 64.8 cm) Centre Pompidou, Paris Musée national d'art moderne / Centre de création industrielle © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY.

Tamara de Lempicka (1894-1980) “Woman with Dove,” 1929-1930 Oil on panel, 13 13/16 x 10 1/2 in. (35.1 x 26.6 cm) Private collection, courtesy of Artis—Naples, The Baker Museum © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Photography: RoseBudz Productions.

Tamara de Lempicka (1894-1980) "The Girls," 1930 Oil on panel, 13 3/4 x 10 5/8 in. (35 x 27 cm) Private collection, courtesy of Artis—Naples, The Baker Museum © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Photography: RoseBudz Productions.

Tamara de Lempicka (1894-1980) "Le chapeau de paille," 1930 Oil on panel, 13 7/8 x 10 9/16 in. (35.2 x 26.8 cm) Collection Prof. Mark Kaufman (Monaco) © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY.

Tamara de Lempicka (1894-1980) “Sainte Thérèse d’Avila,” 1930 Oil on panel, 30 x 26.5 cm Museo Soumaya.Fundación Carlos Slim Collection, Mexico City, Inv. 50558 © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Courtesy of Museo Soumaya.Fundación Carlos Slim Collection, Mexico City.

Tamara de Lempicka (1894-1980) Arums, 1931. Oil on panel, 20 x 12 cm. (7 7/8 x 4 3/4 in.,) Peterson Family Collection © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY. Courtesy of the Peterson Family Collection.

Tamara de Lempicka (1894 - 1980) “Portrait of Jan and Joël Martel,” ca 1931. Charcoal on paper 31 11/16 x 23 1/2 in. (80.5 x 59.7 cm) Henryk Bury Collection © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © 2018 Christie’s Images Limited

Tamara de Lempicka (1894 - 1980) “Brilliance (Bacchante),” ca. 1932 Oil on panel, 14 1/4 x 10 5/8 in. (36.195 x 27 cm) Rowland Weinstein, courtesy of Weinstein Gallery, San Francisco © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY.

Tamara de Lempicka (1894-1980) “Etude pour “La ronde”, d’après Parmigianino,” ca. 1932 Graphite on paper 190 x 133 mm Museo Soumaya.Fundación Carlos Slim Collection, Mexico City, Inv. 52422 © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Courtesy of Museo Soumaya.Fundación Carlos Slim Collection, Mexico City.

Tamara de Lempicka (1894 - 1980) “Mother Superior,” 1935 Oil on canvas laid down on board 11 13/16 x 7 7/8 in. (30 x 20 cm) Musée d'arts de Nantes, Gift of the artist 1976, 976.7.1.P © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © Musée d'arts de Nantes - Photograph: Cécile Clos.

Tamara de Lempicka (1894 - 1980) “Arums,” 1935 Oil on canvas, 25 7/8 x 19 3/8 in. (65.8 x 49.2 cm) Centre Pompidou, Paris Musée national d'art moderne / Centre de création industrielle © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY.

Tamara de Lempicka (1894-1980) “Study for 'Young Girl Drawing'”, 1937 Graphite on paper, 12 13/16 x 9 1/8 in. (32.544 x 23.178 cm) Fine Arts Museums of San Francisco, Museum purchase, Lisa Sardegna and David Carrillo, Phoebe Cowles and Robert Girard, and Achenbach Foundation for the Graphic Arts Endowment Fund, 2022.10 © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Photograph by Jorge Bachmann. Courtesy of the Fine Arts Museums of San Francisco.

Tamara de Lempicka (1894 - 1980) “Woman with Arms Crossed,” 1939 Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm) Lent by The Metropolitan Museum of Art, Gift of Kizette de Lempicka-Foxhall, 1986 (1986.356) © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Image copyright © The Metropolitan Museum of Art. Image source: Art Resource, NY.

Tamara de Lempicka (1894 - 1980) “The Refugees (of Spain)”, n.d. Oil on panel, 21 1/4 x 19 5/8 in. (54 x 49.8 cm) Musée d’art et d’histoire Paul Eluard, Saint-Denis © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Musée d’art et d’histoire Paul Eluard, Saint-Denis © Cliché : I. Andréani.

Tamara de Lempicka (1894 - 1980) “Wisdom (La Sagesse),” 1940-1941 Oil on panel, 33 1/16 x 26 3/8 x 4 1/2 in. (84 x 67 x 11.5 cm) Colección Pérez Simón, Mexico © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © 2019 Christie’s Images Limited