New landmark exhibition at The Met explores powerful imagery of the gods of ancient Egypt

14 octobre 2025

New landmark exhibition at The Met explores powerful imagery of the gods of ancient Egypt

NEW YORK, NY.- Divine Egypt at The Metropolitan Museum of Art—the first major exhibition of Egyptian art at the Museum in over a decade—explores how images of gods in ancient Egypt were experienced not merely as spiritual depictions in temples, shrines, and tombs but were the instruments that brought the gods to life for daily worship, offering ancient Egyptians a vital connection between the human and divine worlds. The exhibition brings together over 200 spectacular works of art to examine the imagery associated with the most important deities in ancient Egypt’s complex and always-expanding constellation of gods.

Over more than 3,000 years, the Egyptian people’s belief system grew to include more than 1,500 gods with many overlapping forms and traits. Divine Egypt features impressive works of art, ranging from monumental statues to small elegant figurines in gleaming gold and silver and brilliant blue faience, that represent 25 of ancient Egypt’s principal deities, including the stately falcon-headed Horus, the potentially dangerous lion-headed Sakhmet, the great creator-god Re, and the serene mummiform Osiris. The exhibition reveals the ways in which subtle visual cues, like what a figure wore, how they posed, or the symbols they carried, helped identify them and their roles.

“Divine Egypt will immerse visitors in the breathtaking imagery of the most formidable ancient deities and expansive universe of the Egyptian gods,” said Max Hollein, The Met’s Marina Kellen French Director and Chief Executive Officer. “The Museum’s galleries for Egyptian art are among the most beloved by our millions of yearly visitors, and this dazzling exhibition brings together some of our most exquisite works with loans from leading global institutions for an exceptional, once-in-a-lifetime exhibition of ancient Egyptian art.”

The exhibition includes magnificent works of ancient Egyptian art that have never been exhibited together before, many of them on loan from institutions such as the Museum of Fine Arts, Boston; the Musée du Louvre, Paris; and the Ny Carlsberg Glyptotek, Copenhagen. There also are over 140 works from The Met’s own iconic Egyptian art collection. Highlights range from impressive sculpture to a striking pectoral in gold and lapis (the substances that the bodies of gods were believed to be made of) to detailed metal and wood sculptures. A solid gold statue of the god Amun adorns a re-creation of a divine barque, a type of boat that held the principal deity of a temple and would be paraded through the streets during festivals so that people could commune directly with the god. Each section of the exhibition provides an immersive opportunity to examine the ways in which the kings and people of ancient Egypt recognized and interacted with their gods.

"The ways in which the ancient Egyptian gods were depicted are vastly different from the divine beings in contemporary religions and therefore are intriguing to modern audiences," said Diana Craig Patch, Lila Acheson Wallace Curator in Charge of Egyptian Art. "The identity of an ancient Egyptian god may at first seem easy to recognize but looks can be deceiving, as one form can be shared by many deities. Across more than 3,000 years of history, gods, attributes, roles, and myths were rarely dropped from use, yet the Egyptians of the time had no difficulty understanding and accepting the resulting multiplicity. Through hundreds of spectacular objects, Divine Egypt will allow visitors to understand the complex nature of these deities and help translate the images that were needed to make the inhabitants of the celestial realm available to ancient Egyptians."

By focusing on the imagery associated with many of the most important and powerful deities in ancient Egypt, the exhibition reveals the multifaceted nature of ancient Egyptian religion as well as the ease with which ancient Egyptians connected with their complicated divine landscapes. Some deities deceptively employed the same imagery with the result that one form could be shared by many gods, while in other cases the roles of deities would expand or change over ancient Egypt’s long history, with one god taking on many forms. The evolution of this landscape over time created deities with numerous roles often having a different representation for each manifestation. Hathor, for example, can appear as a cow, a woman wearing a headdress of horns protecting a sun disk, or a human-headed snake, while some gods maintained consistent forms over thousands of years, like Ptah, who is almost always mummiform and wears a cap.

Divine Egypt also looks at how two categories of society interacted differently with the gods: the Pharaoh and high priests had access to the gods in daily temple rituals, while non-royal Egyptians were not permitted to enter the inner sanctuaries of the great temples where the deities came to Earth and inhabited their images. Through objects of private devotion, including donations to offering tables and shrines in temples and images of deities found in homes and villages, the people of Egypt could find support from their gods daily.

The exhibition concludes with artifacts relating to the transition to the next life—a reality shared by Egyptians of all rank—with depictions of the gods who together oversaw each person’s passage from this world to the next: chief god of the underworld, Osiris, supported by his sisters, Isis and Nephthys, and Anubis, the canid-headed god who supervises the embalming process.

Divine Egypt is curated by Diana Craig Patch, Lila Acheson Wallace Curator in Charge of Egyptian Art at The Met, with Brendon Hainline, Research Associate, Department of Egyptian Art.

Relief of the Goddess Maat, ca. 1294‒1279 BCE, Museo Archeologico Nazionale di Firenze, Florence. Photo : Anna-Marie Kellen/©Metropolitan Museum of Art/Museo Archeologico Nazionale di Firenze, Florence

Maat, the goddess depicted here, embodied the concept of maat, a combination of ideas related to righteousness and justice.

Striding Toth, 332–30 BCE, Metropolitan Museum of Art, New York. Photo : Anna-Marie Kellen/©Metropolitan Museum of Art

Thoth, a divine scribe and healer, is commonly depicted with the head of an ibis. His pose, with one foot set before the other, is one that reappears throughout ancient Egyptian art.

Statue of the god Min, ca. 3300 BCE, Ashmolean Museum, Oxford. Photo : Anna-Marie Kellen/©Metropolitan Museum of Art/Ashmolean Museum

This fragment, which the curators say belonged to one of the earliest known monumental statues, represents Min, god of fertility. He once appeared with an erect phallus that has since been snapped off.

Triad of Osorkon II, 874–850 BCE. Musée du Louvre, Paris. Photo : Mathieu Rabeau/©Musée du Louvre, Dist. RMN - Grand Palais/Art Resource, NY

The closes out on this statuette of a seated Osiris posed between Horus and Isis. Cast in dramatic lighting, it appears to gleam in an otherwise darkened gallery.

Statuette of Osiris, 664–332 B.C. Leaded bronze. The Metropolitan Museum of Art, New York, Rogers Fund, 1961 (61.45) Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.

Statuette of Amun, ca. 945–712 B.C. Gold. The Metropolitan Museum of Art, New York, Edward S. Harkness Gift, 1926 (26.7.1412) Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.

Statue of Anubis, ca. 1390–1352 BCE. Diorite. Ny Carlsberg Glyptotek, Copenhagen (ÆIN 33.) Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.

Statuette of a canid-headed god, probably Anubis, Ptolemaic Period, 332–30 BCE. Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.

Box for a cat mummy inscribed for Bastet, Late Period-Ptolemaic Period, 664–30 BCE. Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.

Statuette of an animal symbolizing Ra, Late Period–Ptolemaic Period, 664–30 BCE. Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.

Head of a cow goddess, New Kingdom, possibly Ramesside Period ca. 1295–1070 BCE. Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.

Statue group of the god Horus and the king Horemheb, ca. 1323–1295 BCE. Stone, limestone. Kunsthistorisches Museum, Vienna, Egyptian and Near Eastern Collection (AE INV 8301) Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.

Magical Stela (Cippus of Horus), 360–343 B.C. Metagraywacke. The Metropolitan Museum of Art, New York, Fletcher Fund, 1950 (50.85) Photo by Anna-Marie Kellen © The Metropolitan Museum of Art.