Photographs by David Orr explore skulls and symmetry
David Orr, Unknown (shattered; reconstructed), 2015. Archival dye-infused aluminum disc, 30-inch diameter © 2016 David Orr
PHILADELPHIA, PA.- Perfect Vessels, a new exhibition of 22 photographs by Los Angeles-based artist David Orr, is on view at The Mütter Museum from July 15, 2016 — January 5, 2017. Completed between 2014 and 2016, the work is inspired and in response to the preeminent museum of medical history’s collection of human skulls.
In Perfect Vessels, Orr explores aesthetic and cultural ideals of perfection and symmetry. By photographing individual skulls head-on, then mirroring one side, he creates a perfectly balanced memento mori. Each skull has a unique surface texture, which, after Orr’s transformation, forms areas of abstraction, like Rorschach’s images. Evocative shapes are often located in areas (including the “third eye” and the “aperture of Brahman” at the top of the head) considered auspicious pathways to higher consciousness throughout centuries of Eastern thought. The works, dye-infused into highly reflective aluminum discs, are as much objects as photographs.
David Orr, Perfect Vessel I © 2016 David Orr
“As human beings we find symmetry pleasing because we are, ourselves, symmetrical, though not perfectly so,” says Orr. “Studies show that we perceive more symmetrical faces as more attractive, and examples of symmetry abound in art, architecture and design. The word vessel has many meanings. It can mean a container, a craft one travels in, a conduit through which powerful energy manifests itself, a utilitarian form that can be admired both as artifact and art.”
David Orr, Perfect Vessel I (Milan Joanovits, 30) © 2016 David Orr
“As human beings we find symmetry pleasing because we are, ourselves, symmetrical, though not perfectly so,” says Orr. “Studies show that we perceive more symmetrical faces as more attractive, and examples of symmetry abound in art, architecture and design. The word vessel has many meanings. It can mean a container, a craft one travels in, a conduit through which powerful energy manifests itself, a utilitarian form that can be admired both as artifact and art.”
David Orr, Perfect Vessel II © 2016 David Orr
“Knowing each skull’s history means each work represents a specific life lived,” says Orr. “I’m especially excited to be showing them here, where you can go down the hall and see the source.” He found the range of shapes in the Hyrtl skulls – which were used to debunk the pseudoscience of phrenology - compelling. “No matter how dramatic, once variations between left and right are repeated, they vanish. I especially like the idea that by repeating ‘mistakes,’ I’m getting closer to ‘perfection.’”
David Orr, Perfect Vessel III © 2016 David Orr
“Orr’s images of skulls draw viewers inside as if they were exploring a cave and finding strange formations and compelling passages,” says Robert D. Hicks, PhD, Director of The Mütter Museum and Historical Medical Library. “He has created an extraordinary new way to look at our bodies.”
Perfect Vessels will be on view in the Thomson Gallery at The Mütter Museum from July 15, 2016, through January 5, 2017.
David Orr, Perfect Vessel IX © 2016 David Orr
David Orr is a visual artist based in California. His work has been shown internationally in shows juried by representatives from the International Center for Photography, the Lucie Awards, the Metropolitan Museum of Art, The New Museum of Contemporary Art, The New York Times, and the Whitney Museum of American Art. His work is in public collections among such artists as Ansel Adams, John Baldessari, Jim Dine, David Hockney, The Brothers Quay, Edward Weston, and Joel-Peter Witkin. David has presented talks on his work at CSU Los Angeles, Death Salon, The Director’s Guild of America, Dublintellectual, Parsons School of Design/The New School, Reed College, and UCLA. Born in Manhattan and raised on the East Coast, David currently lives and works in Los Angeles.
David Orr, Perfect Vessel (trans-orbital lobotomy) © 2016 David Orr