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26 octobre 2016

A large blue and white double-gourd vase, Jiajing mark and period (1522-1566)

A large blue and white double-gourd vase, Jiajing mark and period (1522-1566)

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Lot 124. A large blue and white double-gourd vase, Jiajing mark and period (1522-1566)44.5 cm, 17 1/2  in. Estimate 30,000 — 450,000 GBPLot sold 37,500 GBP. Photo: Sotheby's

the globular lower body rising from a short spreading foot to a smaller upper globular section with short narrow neck, brightly painted around the exterior in rich cobalt-blue tones with deer and crane in a landscape, the upper section with birds amidst shou character and prunus trees, all divided by classic scroll, lotus lappet and peach bands at the base, central section and neck, the base inscribed in underglaze-blue with the six-character mark.

ProvenanceChristie’s London, 6th August 1992, lot 294.

NotesThe Jiajing emperor’s fascination towards Daoism and its magical practices is apparent on this vase, which brims with Daoist imagery: depictions of cranes and deer, both symbolic of immortality, create the auspicious pun liuhe, which refers to the six points of the universe including the four directions, zenith and nadir; the shou (longevity) character emerging from rocks represents the vaporous emanations of qi, the cosmic energy that derives from the Dao; and the pine, flowering prunus and bamboo, known as the Three Friends of Winter, are symbols of longevity, perseverance and integrity. Vases of this type appear to have gained popularity during the Jiajing reign as, according to Palace records, the court commissioned the making of ten thousand blue and white double-gourd vases in 1547 (see the catalogue to the exhibition Enlightening Elegance, Art Museum, The Chinese University of Hong Kong, Hong Kong, 2012, p. 247).

A closely related vase in the National Palace Museum, Taipei, is illustrated in Blue-and-White Ware of the Ming, vol. 5, Taipei, 1963, pl. 4; one from the Harry Oppenheim collection and now in the British Museum, London, is illustrated in Jessica Harrison-Hall, Chinese Ceramics, London, 2001, pl. 9:35; another in the Metropolitan Museum of Art, New York, is published in Suzanne G. Valenstein, A Handbook of Chinese Ceramics, New York, 1975, pl. 166; and a fourth vase, from the Huaihaitang collection, was included in the exhibition Enlightening Eleganceop. cit., cat. no. 64.

Double gourd-shaped bottle with underglaze blue decoration, Ming dynasty, Jiajing mark and period (1522-1566)

Double gourd-shaped bottle with underglaze blue decoration, Ming dynasty, Jiajing mark and period (1522-1566). Height: 44.5 centimetres. Diameter: 23 centimetres (maximum). Harry Oppenheim collection, 1947,0712.212 © Trustees of the British Museum

This bottle is modelled in the form of a double gourd with a larger lower and smaller upper bulb standing on a high gently flared foot and with a narrow cylindrical neck and waist. Emblems of longevity, such as the lingzhi fungus, the crane, the peach, the character 'shou' [long life] and the deer, and symbols of good fortune, such as the wart-backed toad, are painted together with the Three Friends of Winter (pine, bamboo and prunus) in a vivid underglaze blue. The neck and foot are further decorated with scrolls. On the base is a six-character Jiajing reign mark.

Gourd-Shaped Bottle with Deer and Crane in Landscape, Ming dynasty (1368–1644), Jiajing mark and period (1522–66)

Gourd-Shaped Bottle with Deer and Crane in Landscape, Ming dynasty (1368–1644), Jiajing mark and period (1522–66). Porcelain painted in cobalt blue under clear glaze (Jingdezhen ware). H. 18 in. (45.7 cm); Diam. 9 3/4 in. (24.8 cm); The Metropolitan Museum of Art 65.56.2 © 2000–2016 The Metropolitan Museum of Art. 

Sotheby's. Important Chinese Art, London, 09 nov. 2016, 11:30 AM

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