Konoe Nobutada (Japanese, 1565–1614), Waka Byobu (Poetry Screen), ca. 1610–14, Momoyama period (1573–1615)
Konoe Nobutada (Japanese, 1565–1614), Waka Byobu (Poetry Screen), ca. 1610–14, Momoyama period (1573–1615). Six-panel folding screen: ink on paper. Without mounting (each panel ): 141.8 -142.2 x 48.7-54.5 cm (55 13/16 - 56 x 19 3/16 - 21 7/16 in.), when folded overall size: ca. 55 13/16 x 21 1/2 x 8 inches. Purchased with a gift from Peggy and Richard M. Danziger, LL.B. 1963, and the Leonard C. Hanna, Jr., Class of 1913, Fund, 2010.39.1. Photo credit: Yale University Art Gallery
Taniguchi Kengo, Ruro No Sengoku Kizoku Konoe Sakihisa: Tenka Itto Ni Honrosareta Shogai, 1213 (Tokyo: Chukoshinsho, 1994).
Joshua S Mostow, Pictures of the Heart: The Hyakunin Isshu in Word and Image (Honolulu: University of Hawaii Press, 1996), 198200, 3013, 3079, 35456, 37880.
A Waka Anthology: Grasses of Remembrance, 2 vols. (Stanford, Calif.: Stanford University Press, 2006), vol 2., p. 42.
Tamiko Maeda, Sanmyakuin Konoe Nobutada: Nokosareta Tegami Kara (Kyoto, Japan: Shibunkaku Shuppan, 2006), 1260.
Maeda Tamiko, Sanmyakuin Konoe Nobutada (Kyoto: Shibunkaku Shuppan, 2006).
Tokyo National Museum, Sho no Shiho: Nihon to Chugoku Twin Peaks: The Finest of Chinese and Japanese Calligraphy, exh. cat. (Tokyo: Asahi Newspaper, 2006), 28889, 35253, 381, 424, no. 175, ill.
Edward Kamens, “Ink Play,” Yale Review 99, no. 2 (2011): 5174, ill



