Canalblog Tous les blogs Top blogs Mode, Art & Design Tous les blogs Mode, Art & Design
Editer l'article Suivre ce blog Administration + Créer mon blog
MENU
Alain.R.Truong
Publicité
Alain.R.Truong
Publicité
Visiteurs
Depuis la création 51 884 237
Publicité
Archives
Newsletter
Alain.R.Truong
Publicité
15 janvier 2017

Konoe Nobutada (Japanese, 1565–1614), Waka Byobu (Poetry Screen), ca. 1610–14, Momoyama period (1573–1615)

1

2

3

4

Konoe Nobutada (Japanese, 1565–1614), Waka Byobu (Poetry Screen), ca. 1610–14, Momoyama period (1573–1615). Six-panel folding screen: ink on paper. Without mounting (each panel ): 141.8 -142.2 x 48.7-54.5 cm (55 13/16 - 56 x 19 3/16 - 21 7/16 in.), when folded overall size: ca. 55 13/16 x 21 1/2 x 8 inches. Purchased with a gift from Peggy and Richard M. Danziger, LL.B. 1963, and the Leonard C. Hanna, Jr., Class of 1913, Fund, 2010.39.1. Photo credit: Yale University Art Gallery

Bibliography: Kunihiko Shimonaka, ed., Shodo Zenshu (Encyclopedia of Calligraphy), 22 (Tokyo: Heibonsha, 1959), pls. 14–15.

Taniguchi Kengo, Ruro No Sengoku Kizoku Konoe Sakihisa: Tenka Itto Ni Honrosareta Shogai, 1213 (Tokyo: Chukoshinsho, 1994).

Joshua S Mostow, Pictures of the Heart: The Hyakunin Isshu in Word and Image (Honolulu: University of Hawaii Press, 1996), 198–200, 301–3, 307–9, 354–56, 378–80.

A Waka Anthology: Grasses of Remembrance, 2 vols. (Stanford, Calif.: Stanford University Press, 2006), vol 2., p. 42.

Tamiko Maeda, Sanmyakuin Konoe Nobutada: Nokosareta Tegami Kara (Kyoto, Japan: Shibunkaku Shuppan, 2006), 1–260.

Maeda Tamiko, Sanmyakuin Konoe Nobutada (Kyoto: Shibunkaku Shuppan, 2006).

Tokyo National Museum, Sho no Shiho: Nihon to Chugoku Twin Peaks: The Finest of Chinese and Japanese Calligraphy, exh. cat. (Tokyo: Asahi Newspaper, 2006), 288–89, 352–53, 381, 424, no. 175, ill.

Edward Kamens, “Ink Play,” Yale Review 99, no. 2 (2011): 51–74, ill

Publicité
Commentaires
Publicité