Paul Gauguin, Te Fare (La maison) (1892, estimate: £12,000,000-18,000,000) and Henri Matisse, Jeune fille aux anémones sur fond violet (1944, estimate: £5,000,000-7,000,000) © Christie’s Images Limited 2017.

LONDON.- The Impressionist & Modern Art Evening Sale on 28 February will launch 20th-Century at Christie’s, a season of sales that take place in London from 28 February to 10 March 2017. The auction will present 51 lots from the birth of Impressionism through to some of the most important and ground-breaking movements of the 20th century, and will feature two esteemed European collections, The Personal Collection of Barbara Lambrecht and Le Corbusier: Important Works from the Heidi Weber Museum Collection, forming a focal point for the sale. A major highlight is Paul Gauguin’s Te Fare (La maison) (1892, estimate: £12,000,000-18,000,000), one of the most richly coloured of his Tahitian landscapes, painted on his first visit to the island. Further exceptional works include Henri Matisse’s Jeune fille aux anémones sur fond violet (1944, estimate: £5,000,000-7,000,000), part of a series of interior scenes that the artist created whilst living in Vence in the South of France, a monumental portrait of two figures by Pablo Picasso titled Joueur de flûte et femme nue (1970, estimate: £6,500,000-8,500,000), Canotage á Bougival (circa 1881, estimate: £3,700,000-4,700,000), a landscape by Pierre-Auguste Renoir, formerly in the collection of Albert C. Barnes, painted at a transitional moment in his career and Auguste Rodin’s timeless expression of passionate love Le baiser (conceived circa 1882, estimate: £4,000,000-6,000,000). The Impressionist & Modern Works on Paper sale takes place on 1 March and is followed by the Impressionist & Modern Art Day Sale, also on 1 March at King Street with Impressionist & Modern Art taking place at Christie’s South Kensington on 3 March. The online-only sale Picasso Ceramics will run alongside the live auctions from 24 February to 7 March 2017. Prices range from £500-18,000,000 across the season, providing opportunities for collectors at every level. Highlights will be on view in Shanghai on 8 February and Beijing from 11 to 13 February with all works to be exhibited in London from 23 to 28 February 2017. 

IMPRESSIONIST & MODERN ART EVENING SALE HIGHLIGHTS 
GAUGUIN 
An homage to the spectacular Tahitian landscape, Te Fare (La maison) was created in 1892, the year that Paul Gauguin painted some of his greatest masterpieces. A large hibiscus tree dominates the composition, its rich emerald green leaves and just visible orange blossoms obscuring the purple-roofed house situated behind it. This wooden hut could, it has been suggested, be the artist’s own rented home in Mataiea. A quiet, enigmatic narrative seems to veil the scene, imbuing the composition with a deeper, psychological dimension, a reflection of Gauguin’s Symbolist involvement. In Te Fare (La maison) Gauguin has increasingly simplified and monumentalised the landscape, transcending reality by turning the natural world into a mystic vision of colour, line and form. 

Paul Gauguin (1848-1903), Te Fare (La maison), signed and dated ‘P. Gauguin 92’ (lower right); inscribed ‘TE FARE’ (lower left), oil on canvas, 28¬ x 36¿ in. (72.6 x 91.8 cm). Painted in 1892. Estimate £12,000,000-18,000,000 ($15,000,000-23,000,000) (€14,000,000-21,000,000). © Christie’s Images Limited 2017.

PICASSO 
Joueur de flûte et femme nue depicts a voluptuous female nude, being softly serenaded by a bearded, flute-player seated next to her. The couple’s interlocking limbs, and the sensual, spontaneous style of the painting all serve to infuse the composition with a heady sense of eroticism, a feature that characterises much of Picasso’s late work. The unmistakable, hieratic profile of the seated nude in Joueur de flûte et femme nue is that of Jacqueline Roque, Picasso’s great love, wife and final muse, who first appeared in his work in 1954. 

Pablo Picasso (1881-1973), Joueur de flûte et femme nue, dated ‘21.10.70.’ (on the reverse), oil on canvas, 63æ x 51¿ in. (162 x 130 cm). Painted in October 1970. Estimate £6,500,000-8,500,000 ($8,200,000-10,700,000) (€7,700,000-10,000,000). © Christie’s Images Limited 2017.

RENOIR 
Renoir is likely to have painted Canotage á Bougival in the spring of 1881, soon after returning from a two-month trip to Algeria, his first ever voyage outside of France. During his travels, the artist had devoted himself fully to landscape painting, revelling in the dense and luxuriant foliage of palm and banana trees. Seeking to maintain the creative energy that the Algerian vistas had inspired in him, he continued to paint landscapes that bear witness to one of the central tenets of Impressionism: the plein-air master standing outdoors. Canotage á Bougival was acquired in 1920 by one of the most important collectors of the 20th Century: Dr Albert C. Barnes. Barnes's collection of modern art remains among the greatest of its kind, and features many works by Renoir, whom Barnes admired above all other painters. 

Pierre-Auguste Renoir (1841-1919), Canotage á Bougival, signed ‘Renoir’ (lower right), oil on canvas, 21º x 25¬ in. (54 x 65 cm). Painted circa 1881. Estimate £3,700,000-4,700,000 ($4,700,000-5,900,000) (€4,400,000-5,500,000). © Christie’s Images Limited 2017.

MATISSE 
Depicting a young artist, Annelies Nelck, Jeune fille aux anémones sur fond violet is the first of three portraits by Matisse that features this model. Of these three works, the present oil is the only one to remain in private hands; the other two reside in the Musée Matisse, Nice, and the Honolulu Museum of Art, Hawaii. Wearing a red and orange Romanian blouse – one of Matisse’s adored collection of lavish dresses and ornate costumes that he often depicted his sitters in – Nelck is surrounded by blossoming flowers against a soft, mauve background, bringing Matisse's lifelong preoccupations with colour and line to a triumphant conclusion. 

Henri Matisse (1869-1954), Jeune fille aux anémones sur fond violet, signed and dated ‘H. Matisse 44’ (lower left), oil on canvas, 24º x 19√ in. (61.3 x 50.1 cm). Painted in Vence in March 1944. Estimate £5,000,000-7,000,000 ($6,300,000-8,800,000) (€5,900,000-8,200,000). © Christie’s Images Limited 2017.

RODIN 
First conceived circa 1882, Le baiser is one of the most iconic sculptures of Rodin’s entire oeuvre, renowned for its poetic depiction of two young lovers caught in a passionate embrace. Rodin’s work dramatically portrays the intense desire that has swept through these two figures, causing their bodies to intertwine in an almost spiral formation, as they succumb to their lustful impulses. Slightly larger than life size, the original marble version was exhibited at the Paris Salon of 1898. 

Auguste Rodin (1840-1917), Le baiser, grand modèle, signed and numbered ‘A. Rodin 6/8’ (on the right side of the base); stamped with the Coubertin foundry mark, inscribed and dated ‘FC © by musée Rodin 2010 Fonderie de Coubertin France’ (on the left side of the base), bronze with brown patina. Height: 71¬ in. (182 cm.) Width: 43º in. (110 cm.) Depth: 43º in. (110 cm). Originally conceived circa 1882, and in this size in 1889; this bronze version cast in 2010. Estimate £4,000,000-6,000,000 ($5,000,000-7,600,000) (€4,700,000-7,000,000). © Christie’s Images Limited 2017.

THE PERSONAL COLLECTION OF BARBARA LAMBRECHT SOLD TO BENEFIT THE RUBENS PRIZE COLLECTION IN THE MUSEUM OF CONTEMPORARY ART SIEGEN 
With the sale of her personal collection, Barbara Lambrecht continues her profound and longstanding philanthropic engagement. Her personal collection was carefully assembled over four decades and two distinct conceptual strands can be identified: classic early Impressionism and the daring colour of the Fauves. Two important oils by Berthe Morisot will be presented alongside Claude Monet’s Les Bords de la Seine au Petit-Gennevilliers (1874, estimate: £2,000,000-3,000,000), Deux anges by Kees van Dongen (1907-09, estimate: £400,000-600,000) and Pablo Picasso’s Portrait de Lluis Alemany (1899-1900, estimate: £300,000-500,000). 

Claude Monet (1840-1926), Les bords de la Seine au Petit-Gennevilliers, signed ‘Claude Monet’ (lower left), oil on canvas, 21¡ x 28æ in. (54.2 x 73 cm). Painted in 1874. Estimate £2,000,000-3,000,000 ($2,600,000-3,800,000) (€2,400,000-3,500,000). © Christie’s Images Limited 2017.

Kees van Dongen (1877-1968), Deux anges, signed ‘van Dongen.’ (lower right); signed and titled ‘van Dongen Deux Anges’ (on the stretcher), oil on canvas, 21¬ x 18¿ in. (54.8 x 45.9 cm). Estimate £400,000-600,000 ($510,000-760,000) (€470,000-710,000). © Christie’s Images Limited 2017.

Pablo Picasso (1881-1973), Portrait de Llu’s Alemany, signed ‘PR Picasso’ (lower left), gouache and charcoal on paper, 18Ω x 12º in. (47 x 31 cm). Executed in 1899-1900. Estimate £300,000-500,000 ($380,000-630,000) (€360,000-590,000). © Christie’s Images Limited 2017.

Berthe Morisot (1841-1895), Femme en noir or Avant le théâtre, signed ‘Berthe Morisot’ (lower right), oil on canvas, 22¬ x 12¿ in. (57.3 x 30.7 cm). Painted in 1875. Estimate £600,000-800,000 ($760,000-1,000,000) (€710,000-940,000). © Christie’s Images Limited 2017.

Berthe Morisot (1841-1895), Femme et enfant au balcon, signed ‘B Morisot’ (lower right), oil on canvas, 24 x 19æ in. (61 x 50 cm). Painted in 1872. Estimate £1,500,000-2,000,000 ($1,900,000-2,500,000) (€1,800,000-2,400,000). © Christie’s Images Limited 2017.

LE CORBUSIER: IMPORTANT WORKS FROM THE HEIDI WEBER MUSEUM COLLECTION 
Three oil paintings from the Heidi Weber Museum Collection, including Nature morte et figure (completed in 1944, estimate: £1,500,000-2,500,000), trace Le Corbusier’s career from the 1920s to the 1940s and will be offered alongside four works on paper. From the elegant, rigidly structured Purist compositions of the late 1910s and early 1920s, to the exuberant multi-hued compositions of his later years, the astonishing diversity that characterises Le Corbusier’s oeuvre can be seen in the selection of works that feature in the Impressionist & Modern Art Evening and Works on Paper Sales. 

Le Corbusier (1887-1965), Nature morte et figure, signed and dated ‘Le Corbusier 27-38-44’ (lower right); signed and dated again ‘Le Corbusier 27-38-44’ (on the reverse), oil on canvas, 44æ x 57º in. (113.8 x 145.5 cm). Painted in 1927, 1938 and 1944. Estimate £1,500,000-2,500,000 ($1,900,000-3,200,000) (€1,800,000-2,900,000). © Christie’s Images Limited 2017.