Edward Collier (active 1662–1708), Still Life with a Volume of Wither’s ‘Emblemes’, 1696
Edward Collier (active 1662–1708), Still Life with a Volume of Wither’s ‘Emblemes’, 1696. Oil paint on canvas, 838 x 1079 mm, Tate. Purchased 1949, N05916 © Tate
In this still-life painting the musical instruments, wine and jewels represent the fleeting pleasures of life, while the skull and hour-glass symbolise the inevitability of death. The open book shows a brief poem emphasising the theme of mortality. The Latin inscription in the top left corner comes from the Old Testament book of Ecclesiastes: ‘Vanity of vanities, all is vanity’. This is why such pictures are known as vanitas paintings. Born in the Netherlands, Collier arrived in England in 1693 to produce still-life paintings like this to sell to the English market. He died in London in 1708.
Gallery label, February 2016
