"The Egyptians and the Gifts of the Nile" at Museo della Cattedrale - Palazzo Garofalo, Ragusa

13 avril 2025

"The Egyptians and the Gifts of the Nile" at Museo della Cattedrale - Palazzo Garofalo, Ragusa

RAGUSA.- For the first time ever, the sun-drenched island of Sicily is playing host to a remarkable collection of artifacts from the Egyptian Museum of Turin, the world's oldest institution dedicated solely to the wonders of ancient Egypt. The exhibition, titled "The Egyptians and the Gifts of the Nile," opened its doors today in the Baroque city of Ragusa, promising visitors an extraordinary journey through over three millennia of history along the life-giving river.

Housed within the stunning Museo della Cattedrale - Palazzo Garofalo, a jewel of Sicilian Baroque architecture, the exhibition presents a carefully curated selection of 24 significant artifacts on loan from Turin. These pieces offer a captivating glimpse into the daily lives, artistic expressions, religious beliefs, and funerary practices of the ancient Egyptians. Adding further depth to this unprecedented event, several prominent Sicilian museums, including the Antonio Salinas National Archaeological Museum of Palermo, the Iblean Archaeological Museum of Ragusa itself, and the “Corrado Basile” Papyrus Museum of Syracuse, have also contributed Egyptian works from their own collections.

The Egyptian Museum of Turin, celebrating its bicentennial this year, boasts an unparalleled collection, making this loan to Sicily a truly special occasion. The exhibition in Ragusa, a UNESCO World Heritage site renowned for its breathtaking Baroque architecture, creates a unique dialogue between two distinct yet equally rich cultural heritages. Visitors will traverse through time, exploring artifacts that span from the Predynastic Period (3900−3300 BC) to the Greco-Roman Age (332 BC−395 AD), offering a comprehensive overview of ancient Egyptian civilization.

Among the showcased treasures is a delicate model boat, dating back to the First Intermediate Period (2118 - 1980 BC). Crafted from stuccoed and painted wood and adorned with the protective udjat eyes, this miniature vessel provides insight into the ancient Egyptian belief that the deceased journeyed to the sacred city of Abydos aboard such boats.

Model boat with sailors Assiut, First Intermediate Period (2161–1990 BC). Wood, stucco, paint, 13 x 86 x 24 cm. Inv. No. S. 14815. © Turin, Egyptian Museum.

Another highlight is a complete set of alabaster canopic jars belonging to Ptahhotep, a figure from the Third Intermediate Period (1076-722 BC). These four intricately carved jars, each with a lid depicting a zoomorphic head representing one of the Sons of Horus, were used to preserve the organs of the deceased separately, reflecting the complex funerary rituals of the time.

Canopis of Ptahhotep, Third Intermediate Period, XXI dynasty, Memphis?. Alabaster, various sizes. © Turin, Egyptian Museum.

Beyond the captivating artifacts themselves, the exhibition also shines a light on the pioneers who dedicated their lives to understanding ancient Egypt. A special focus is placed on Johann Joachim Winckelmann, a key figure of Neoclassicism who penned the first treatise on Egyptian art, and Jean-François Champollion, the brilliant mind who deciphered hieroglyphs, unlocking the secrets of the Egyptian language and laying the groundwork for modern Egyptology. This element of the exhibition encourages visitors to reflect on the very origins of our knowledge about this ancient civilization.

The arrival of this prestigious exhibition has been met with palpable excitement in Ragusa. Mayor Peppe Cassì expressed his enthusiasm, recalling the hundreds of residents who recently attended lectures on Egyptian civilization by the director of the Egyptian Museum of Turin, Christian Greco. "It was yet another confirmation of the passion for culture that animates our territory," Mayor Cassì stated, emphasizing the exhibition's role in a broader program of cultural events designed to enrich the region from spring to late autumn.

Councillor Giovanni Gurrieri echoed this sentiment, highlighting the ambitious nature of bringing such a significant exhibition to Ragusa. "Today it is a reality," Councillor Gurrieri affirmed, emphasizing the extraordinary journey through time and geography that awaits visitors. He also underscored the importance of this event for Ragusa's growing reputation as an international cultural hub.

Paolo Marini, the curator from the Egyptian Museum, emphasized the historical narrative woven through the exhibition. "The Egyptian Museum brings to Sicily an exhibition and a thousand-year-old history told by original artifacts that, dynasty after dynasty, lead visitors from the 4th millennium BC to the 2nd century AD," Marini explained. He further highlighted the use of digital installations that enhance the visitor experience and the crucial collaboration with other regional museum institutions.

Iole Siena, President of Arthemisia, the production company behind the exhibition, spoke of her personal connection to Sicily and the importance of bringing art to lesser-known Italian territories. "Ragusa represents the pulsating heart of this project, and I am particularly happy to participate in this 'first time'," she said, underscoring the ethical commitment to making art accessible to all.

The exhibition is made possible through the generous support of numerous sponsors and partners, including Generali Valore Cultura as the main sponsor, Toyota TD Car, and several technical and special partners, demonstrating a strong collaborative effort to bring this cultural event to fruition.

"The Egyptians and the Gifts of the Nile" delves into the profound and ancestral relationship between the ancient Egyptians and the Nile River. The river was the very lifeblood of their civilization, attracting settlements, shaping their society, dictating the agricultural seasons, influencing their diet, and defining many aspects of their religious beliefs. The artifacts on display – from intricately decorated vases and informative stelae to powerful statues and delicate papyri – are testament to this vital connection, offering invaluable insights into the customs and beliefs of this ancient and glorious civilization.

The exhibition's narrative unfolds chronologically, guiding visitors through the major periods of ancient Egyptian history. It begins with the formative era at the dawn of the 4th millennium BC, showcasing the intellectual and artistic sensibilities that laid the foundation for Pharaonic Egypt. It then moves through the periods of centralized power and political instability, highlighting how these historical shifts influenced religious beliefs, literary thought, and artistic craftsmanship. The later stages of the exhibition explore the dynamic New Kingdom, a period of economic, social, and cultural flourishing, and finally, the era of new horizons and cultural influences, marked by foreign occupations and the eventual integration of Greek and Roman traditions.

To enhance the visitor experience and make the complexities of ancient Egyptian history and culture more accessible, the exhibition incorporates infographics, videos, and digital models. These multimedia elements help to bring the stories behind the artifacts to life, enriching the understanding and engagement of visitors with even the most intricate pieces.

"The Egyptians and the Gifts of the Nile" promises to be a captivating and enlightening experience for visitors of all ages. It offers a rare opportunity to witness firsthand the artistry and ingenuity of one of history's most fascinating civilizations, brought to life in the stunning setting of Baroque Ragusa. The exhibition is set to run for an extended period, inviting both locals and tourists to embark on this unforgettable journey through the sands of time and the enduring legacy of ancient Egypt.

Decorated vessel with tubular handles and painted decoration, Predynastic period, Naqada IIA-D. Clay/sand inclusions, 50 x 6 x 15 x 11.5 cm. Inv. No. S00414/02. © Turin, Egyptian Museum.

Fragment of a cult building of King Djoser with hieroglyphic inscriptions Heliopolis (temple area), Old Kingdom, 3rd Dynasty, reign of Djoser (2650–2580 BC). Limestone, 13.4x3.4x16.7 cm. Inv. No. S. 2671/20. © Turin, Egyptian Museum.

Statuette of a seated man, Old Kingdom, Fifth – Sixth Dynasty (2494–2181 BCE). Limestone, 10 x 38 x 20 cm. Inv. Suppl. 1192. © Turin, Egyptian Museum.

Model of bread-making and brewing with seven figures at work, Middle Kingdom, First half of the 12th Dynasty (1939–1875 BC), Assiut, Tomb of Minhotep. Wood+stucco, 51 x 30 x 27c m. Inv. Suppl. 8789 © Turin, Egyptian Museum.

Amulet depicting the royal child, New Kingdom (1540–1076 BCE). Gold, 1.8 x 3.1 x 0.6 cm. Inv. Cat. 6679/v.n.149 © Turin, Egyptian Museum.

Talatat with Nefertiti and a princess, New Kingdom, 18th Dynasty (1353–1336 BC). Limestone, 21.5 x 23 x 3.5 cm. Inv. Suppl. 18137 © Turin, Egyptian Museum.

Ushabti of the Lady of Urny House, New Kingdom, 19th dynasty, Deir el-Medina. Wood, 27,80 x 7,60 x 5,60 cm. Inv. Cat.2599 © Turin, Egyptian Museum.

Stele of Nya, priest of Amun, New Kingdom, 19th dynasty. Limestone, 63 x 41 x 16 cm, 70 kg, Inv. Cat.1585 © Turin, Egyptian Museum.

Vase decorated with lotus flower, New Kingdom. Faïence, 16,50 x 5 cm. Inv. Cat.3358 © Turin, Egyptian Museum.

Amulet depicting a hippopotamus, Late Period. Chalcedony, 1.8 x 0.7 x 2.6 cm, inv. 6741. © Turin, Egyptian Museum.

Cat figurine, Cat mummy sarcophagus, Late Period. Bronze and plant fiber, 2.5 x 8 x 11.9 cm, inv. 0887. © Turin, Egyptian Museum.

Amulet depicting the god Bes, Late Period – Hellenistic Period (722–30 BCE). Steatite, 2.6 x 4.8 x 1.2 cm. Inv. Cat. 621. © Turin, Egyptian Museum.

Amulet depicting a hybrid deity, Late Period (722–332 BCE). Lapis lazuli, 0.7 x 2.3 x 1.4 cm, Inv. Provv. 620. © Turin, Egyptian Museum.

Bronze statuette of the goddess Isis lactans, Late period (664–332 BC) or later. Bronze, 12 x 18 x 45 cm. Inv. Cat. 156, © Turin, Egyptian Museum.

Terracotta female statuette depicting standing Isis-Aphrodite, Hellenistic-Roman Period. Nilotic clay, 32 x 12 x 13 cm, 836 g, Inv. Cat.7217/01 © Turin, Egyptian Museum.

Egyptian-style funerary mask, Assiut, Roman period; cartonnage, 38 x 22 x 23 cm, inv. S.11059 © Turin, Egyptian Museum.

Cat Mummy, Unspecified date. Organic animal + vegetable fiber / Linen. Base circumference: 23 x 7.7 x 36.5 x 8 cm. Inv. Cat. 2349/08 © Turin, Egyptian Museum.

Papyrus used as a protective amulet to be placed around the mummy's neck, contains the formula 100 of the Book of the Dead with which the dead hoped to re-board the boat of the sun, vegetable fibre/papyrus, Late Period/Ptolemaic Period, Thebes. Papyrus, 28 x 42,10 x 0,90 cm. Inv. Provv.3585 © Turin, Egyptian Museum.

Posté par Alain Truong à 15:00 - Commentaires […] - Permalien [#]

Tags: Archéologie & Antiquiities, Ancient Egypt