The Jewish Museum opens first U.S. exhibition devoted to visionary designer and architect Pierre Chareau

7 novembre 2016

The Jewish Museum opens first U.S. exhibition devoted to visionary designer and architect Pierre Chareau

Pierre Chareau Portrait, 1925. Photo © Centre Pompidou

NEW YORK, NY.- The Jewish Museum is presenting the first U.S. exhibition focused on French designer and architect Pierre Chareau (1883-1950) from November 4, 2016 through March 26, 2017. Showcasing rare furniture, lighting fixtures, and interiors, as well as designs for the extraordinary Maison de Verre, the glass house completed in Paris in 1932, Pierre Chareau: Modern Architecture and Design brings together over 180 rarely-seen works from major public and private collections in Europe and the United States. It also addresses Chareau’s life and work in the New York area, after he left Paris during the German occupation of the city, including the house he designed for Robert Motherwell in 1947 in East Hampton, Long Island. In his day Chareau was celebrated as a designer of exquisite furniture and stylish interiors, which he displayed at the annual salons of decorative art. Both facets of his creative life are part of a single vision explored in the exhibition.

Pierre Chareau rose from modest beginnings in Bordeaux to become one of the most sought after designers in France. Creating custom furniture and interiors for a distinguished clientele that included leading figures of the French-Jewish intelligentsia, Chareau balanced the opulence of traditional French decorative arts with interior designs that were elegant, functional, and in sync with the requirements of modern life. His innovative furniture, veneered in rare woods, with occasional touches of exotic materials, had clean profiles and movable parts that appealed to the progressive sensibilities of the haute bourgeoisie.

Pierre Chareau (French, 1883-1950) and Bernard Bijvoet (Dutch, 1889-1979), Maison de Verre, 1928-1932. Photograph © Mark Lyon

The facade of Pierre Chareau and Bernard Bijvoet’s Maison de Verre at night. Photograph © Yukio Futagawa / GA Photographers

Architecture, however, was Chareau’s great ambition. Although he produced only a handful of buildings, the Maison de Verre, designed with the Dutch architect Bernard Bijvoet, is justly acknowledged as one of the most original houses of the 20th century, owing to its daring structural clarity and ingenious technological novelties. It remains a major point of reference for architects today.

Through his highly distinctive artistic language, Chareau established himself at the intersection of tradition and innovation, becoming a major figure in 20th century design. The Jewish Museum’s exhibition places Chareau in the context of the interwar period in Paris, highlighting his circle of influential patrons, engagement with the period’s foremost artists, and designs for the film industry. The architect and his wife’s active patronage of the arts – and reuniting part of their collection of paintings, sculptures, and drawings by significant artists such as Mondrian, Modigliani, Motherwell, Lipchitz, and Orloff – is another important aspect of Pierre Chareau: Modern Architecture and Design at the Jewish Museum.

Piet Mondrian, Composition V with Blue and Yellow, 1927. The Baltimore Museum of Art: Bequest of Saidie A. May, BMA 1951.343

Chana Orloff (French, 1888-1968), Bust of Pierre Chareau, 1921. Ateliers Chana Orloff

Dollie Chareau’s apartment. Far right on the back wall is Robert Motherwell’s painting Line Figure in Beige and Mauve, 1946. The Museum of Modern Art, Architecture & Design Study Center, New York, AD1330. Image provided by The Museum of Modern Art / Licensed by SCALA / Art Resource, New York

Between the wars, Chareau designed primarily for a cultured urban elite, and many of his patrons were Jewish. With the German occupation of Paris in 1940, his many Jewish clients were forced to depart. Chareau, whose wife Dollie Dyte Chareau was Jewish and whose mother came from a Sephardic family, fled to the United States. The exhibition will also explore the enduring consequences of Chareau’s flight from Nazi persecution, the dispersal of many of the works he designed during and after World War II, and his attempts to rebuild his career while in exile in New York during the 1940s.

Pierre Chareau: Modern Architecture and Design, featuring furniture, lighting fixtures, tabletop objects, textiles, drawings, pochoir prints, ephemera, archival photography, and works of art from Chareau and his wife’s personal collection, is organized into four main sections. The first section is devoted to Chareau’s furniture designs, showcasing six groupings of furniture created by the artist for a variety of living spaces. The second section looks at Pierre and Dollie Chareau as art collectors featuring works of art once owned by them and sometimes used in the interiors designed by Pierre Chareau. The third section features recreations of four interiors designed by Chareau, and the fourth and last section is devoted to his masterpiece, the Maison de Verre in Paris. Drawings, ephemeral material, and archival photographs provides contextual background to Chareau’s activities in France and the United States.

La Religieuse floor lamp, 1923, designed by Pierre Chareau. Centre Pompidou, Musée National d’Art Moderne, Centre de Creation Industrielle, Paris, Purchase funded in part by the Scaler Foundation, 1995. Photograph by Ken Collins, image provided by Gallery Vallois America, LLC.

Telephone table (MB152) and Religieuse table lamp, c. 1924, designed by Pierre Chareau (French, 1883-1950). Collection Dominique Suisse.

Corbeille sofa (MP169), 1923, designed by Pierre Chareau (French, 1883-1950) with upholstery designed by Jean Lurçat (French, 1892-1966). Audrey Friedman and Haim Manishevitz, Primavera Gallery.

Pierre Chareau, Sketch for the library and study of a proposed French embassy, created for the 1925 Exposition Internationale des Arts Décoratifs et Industriels Moderns, watercolor and pencil on cardboard. Musée des Arts Décoratifs, Paris. Image provided by Musée des Arts Décoratifs, Paris.

Library and study of a proposed French embassy, created for the 1925 Exposition International des Arts Décoratifs et Industriels Modernes, designed by Pierre Chareau (French, 1883-1950).

Pierre Chareau: Modern Architecture and Design is one of several major design exhibitions at the Jewish Museum this year, following Isaac Mizrahi: An Unruly History and Roberto Burle Marx: Brazilian Modernist. “Design exhibitions are central to the Jewish Museum’s program, reflecting the range of our collection as well as the diversity of art and Jewish culture,” said Claudia Gould, Helen Goldsmith Menschel Director. “We are also incorporating a contemporary perspective by commissioning new work and collaborating with leading architects, designers, and artists to enliven these exhibitions, creating dynamic experiences for our visitors.”

Pierre Chareau: Modern Architecture and Design is organized by the Jewish Museum in collaboration with The Centre Pompidou. The exhibition is organized by Guest Curator Esther da Costa Meyer, Professor of the history of modern architecture, Princeton University, assisted by Claudia Nahson, Morris & Eva Feld Curator, The Jewish Museum. Exhibition design by Diller Scofidio + Renfro.

Installation view of the exhibition Pierre Chareau: Modern Architecture and Design, November 4, 2016 - March 26, 2017. The Jewish Museum, NY. Photo: Will Ragozzino/SocialShutterbug.com