Canalblog Tous les blogs Top blogs Mode, Art & Design Tous les blogs Mode, Art & Design
Editer l'article Suivre ce blog Administration + Créer mon blog
MENU
Alain.R.Truong
Publicité
Alain.R.Truong
Publicité
Visiteurs
Depuis la création 51 744 090
Publicité
Archives
Newsletter
Alain.R.Truong
Publicité
31 janvier 2020

A large sacrificial-blue glazed bottle vase, tianqiuping, Qianlong six-character seal mark in underglaze blue and of the period

2014_HGK_03371_3275_000(a_large_sacrificial-blue_glazed_bottle_vase_tianqiuping_qianlong_six-c)

2014_HGK_03371_3275_002(a_large_sacrificial-blue_glazed_bottle_vase_tianqiuping_qianlong_six-c)

Lot 3275. A large sacrificial-blue glazed bottle vase, tianqiuping, Qianlong six-character seal mark in underglaze blue and of the period (1736-1795)21 7/8 in. (55.5 cm.) highEstimate HKD 2,200,000 - HKD 3,500,000. Price realised HKD 3,160,000. © Christie’s Image Ltd 2014.  

The vase is of globular form rising to a tall, slightly flared, columnar neck. It is applied overall with a thick, vibrant and deep blue glaze. The interior and base of the vase are applied with a transparent glazeJapanese wood box.

ProvenanceBudo Takashiro (1916-2008) acquired in Japan in the 1970s and thence by descent within the family.

NoteThe present vase was in the collection of Mr. Budo Takashiro (1916-2008), who was a textile entrepreneur and a renowned Japanese collector of Impressionist, Western modern paintings, and Chinese works of art, and was mentioned in Aizo Benari, published by Naniwasha, 1965.

2014_HGK_03371_3275_001(a_large_sacrificial-blue_glazed_bottle_vase_tianqiuping_qianlong_six-c)

Mr. Budo Takashiro (1916-2008).

Compare to a similar example with this cobalt blue glaze included in the exhibition, The Wonders of the Potter's Palette, Hong Kong Museum of Art, 1984, no. 85. Another example with a less globular body is in the Baur Collection, Geneva, illustrated by J. Ayers and M. Sato in Sekai Toji Zenshu, Volume 15, Qing Dynasty, Tokyo, 1983, p. 199, no. 272. A third example is from the Nanjing Museum Collection, included in the exhibition, Qing Imperial Porcelain, Hong Kong, 1995, illustrated in the Catalogue, no. 66. 

The rich cobalt blue seen on the current vase is sometimes referred to as 'sacrificial blue'. This name derives from the use of vessels bearing this coloured glaze during sacrifices at the Imperial Altar of Heaven in the Ming dynasty. However it has been noted that during the Qing dynasty these massive vases were made as part of decorative furnishings for the Palace.

Christie’s. Important Chinese Ceramics and Works of Art, Hong Kong, 26 November 2014

Publicité
Commentaires
Publicité