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16th century art
14 octobre 2025

Giovanni Antonio Boltraffio (–1516), Le Sauveur adolescent, 1490-1495

Giovanni Antonio Boltraffio (–1516), Le Sauveur adolescent, 1490-1495
Giovanni Antonio Boltraffio (–1516), Le Sauveur adolescent, 1490-1495. Huile sur panneau, 25 xv18 cm, Lázaro Galdiano Museum, 02680. Cette œuvre est l'une des pièces les plus remarquables du musée Lázaro Galdiano. Les multiples activités auxquelles se...
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18 septembre 2025

Hans Holbein the Younger, Terminus, the Device of Erasmus, c. 1532

Hans Holbein the Younger, Terminus, the Device of Erasmus, c. 1532
Hans Holbein the Younger (German, active England and Switzerland, 1497/98–1543), Terminus, the Device of Erasmus, c. 1532. Oil on wood. Framed: 32.4 x 32.4 x 4.5 cm; Unframed: 21.6 x 21.6 cm. The Cleveland Museum of Art, Gift of Dr. and Mrs. Sherman E....
15 septembre 2025

Lucas Cranach l’Ancien, Les Trois Grâces, 1531

Lucas Cranach l’Ancien, Les Trois Grâces, 1531
Lucas Maler, dit Lucas Cranach l’Ancien (Kronach 1472-1553 Weimar), Les Trois Grâces, 1531, 37 × 24 × 5,6 cm. Musée du Louvre, RF2011-1. Photo (C) RMN-Grand Palais (musée du Louvre) / Stéphane Maréchalle Le traitement du thème classique des Trois Grâces...
9 septembre 2025

The Nivaagaard Collection acquires a new masterpiece, becoming the first Danish museum to feature Artemisia Gentileschi

The Nivaagaard Collection acquires a new masterpiece, becoming the first Danish museum to feature Artemisia Gentileschi
Artemisia Gentileschi, Susanna and the Elders (1644–48). Oil on canvas, 200 × 150 cm. Photo Nicolas Hall Gallery. © The Nivaagaard Collection. The painting depicts the apocryphal story of Susanna, who, while bathing, is accosted by two powerful men threatening...
1 septembre 2025

Baroque Masterpieces from Spain and Latin America at the Blanton Museum of Art

Baroque Masterpieces from Spain and Latin America at the Blanton Museum of Art
Diego Velázquez, Portrait of a Little Girl, 1638–42, oil on canvas, 20 ¼ x 16 in. The Hispanic Society of America, New York, NY. AUSTIN, TX — July 15, 2025 — Baroque masterpieces travel to the Blanton Museum of Art at The University of Texas at Austin...
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30 août 2025

Lucas de Heere, Portrait of a Woman (said to be Lady Elizabeth Fitzgerald

Lucas de Heere, Portrait of a Woman (said to be Lady Elizabeth Fitzgerald
Lucas de Heere (c.1534–1584) (attributed to), Portrait of a Woman (said to be Lady Elizabeth Fitzgerald, 1528?–1589, 'Fair Geraldine', wife of Edward Clinton), 1573. Oil on panel, H 46.8 x W 34.7 cm. Herbert Art Gallery & Museum (VA.1950.0003) This painting...
29 août 2025

Silver gilt mounted ewer with double nautilus, Flemish, c. 1590

Silver gilt mounted ewer with double nautilus, Flemish, c. 1590
Silver gilt mounted ewer with double nautilus, mother-of-pearl, rubies and turquoises, Flemish, c. 1590. Tesoro dei Granduchi (Museo degli Argenti), Palazzo Pitti, Florence, Tuscany, Italy. © A. Dagli Orti / © NPL - DeA Picture Library / Bridgeman Im...
9 août 2025

Portrait of a Couple, Northern Italy, c. 1580–88

Portrait of a Couple, Northern Italy, c. 1580–88
Portrait of a Couple, Northern Italy, c. 1580–88. Oil on canvas. Framed: 132 x 173 x 10.5 cm; Unframed: 99.8 x 140.5 cm. The Cleveland Museum of Art, Holden Collection 1916.793. The bejeweled martin (weasel) was a coveted fashion accessory in Renaissance...
26 juillet 2025

Giovanni Battista Moroni, Portrait of a Lady ('La Dama in Rosso'), about 1556-60

Giovanni Battista Moroni, Portrait of a Lady ('La Dama in Rosso'), about 1556-60
Giovanni Battista Moroni, Portrait of a Lady, perhaps Contessa Lucia Albani Avogadro ('La Dama in Rosso'), about 1556-60. Oil on canvas, 155 × 106.8 cm. Bought, 1876, NG1023. © 2016–2025 The National Gallery. The portrait has long been known as ‘La Dama...
26 juillet 2025

Giovanni Battista Moroni, Canon Ludovico di Terzi, about 1559-60

Giovanni Battista Moroni, Canon Ludovico di Terzi, about 1559-60
Giovanni Battista Moroni, Canon Ludovico di Terzi, about 1559-60. Oil on canvas, 101.5 × 82.7 cm. Bought, 1876, NG1024. © 2016–2025 The National Gallery. This portrait is unusual among Moroni’s works in that the sitter doesn‘t look out at us but gazes...
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