Lot 6080. A large Longquan celadon 'dragon' jar and cover, Song-Yuan dynasty; 24 cm, wood stand. Lot Sold 281,600 HKD (Estimate 120,000 - 180,000 HKD) © Sotheby's 2026

Provenance: Property from an old Hong Kong family collection.

Note: Funerary jars of this type are described by Julian Thompson in 'Chinese Celadons', Arts of Asia, November-December, 1993, p. 62, as belonging to the finest Longquan celadon vessels recorded. The glaze of the present jar is a thick lustrous bluish green, often referred to as the kinuta glaze by the Japanese who were especially fond of these wares. Kinuta wares are considered as masterpieces of the Longquan potter, who prepared the perfect glaze executed masterful knowledge and skill over his kiln.

A related jar and cover, from the Avery Brundage collection in the Asian Art Museum of San Francisco, San Francisco, is illustrated in Mary Tregear, Song Ceramics, London, 1982, pl. 286; another, from the Charles Russell and H.M. Knight collections, was sold in our London rooms, 12th July 1960, lot 147, and again, 15th July 1980, lot 75; and a further example, from Eskenazi, London, and illustrated in Julian Thompson, op. cit., p. 61, fig. 1 left, was sold in our London rooms, 8th November 2006, lot 53. Compare also a jar and cover in the Indianapolis Museum of Art included in the exhibition Beauty and Tranquillity: the Eli Lilly Collection of Chinese Art, Indianapolis Museum of Art, Indianapolis, 1983, pl. 78; another of similar size and with a domed cover surmounted by a bird finial, from the collection of Warren E. Cox, included in the exhibition Chinese Ceramics in Chicago Collections, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, 1982, p. 35, cat. no. 19, sold twice in our New York rooms, 24th May 1944, lot 53, and again, 19th March 2007, lot 138; and a third example, from the Carl Kempe collection, sold in our London rooms, 14th May 2008, lot 312.

It is thought that funerary jars of this type were made in pairs, one bearing the 'Green Dragon' of the East and the other the 'White Tiger' of the West. A pair from the Sir Percival David collection and now in the British Museum, London, is published in Margaret Medley, Illustrated Catalogue of Celadon Wares, London, 1977, pl. IV, no. 36, where she notes that these jars may have been filled with aromatic oils.

An Old Hong Kong Family Collection
Passed down through the family from the present owner’s grandfather, this collection has its beginnings in the life and interests of an industrialist from a prominent East Asian family. Raised in an environment steeped in the culture of connoisseurship, he began acquiring works of art in the 1920s. His interests ranged widely, encompassing painting and calligraphy, epigraphic and scholar’s objects, ceramics, and the many refined pursuits of the cultivated studio.

Works from the collection were lent to museums for exhibition, while selected pieces were illustrated in publications produced in collaboration with fellow collectors, opening the collection to a wider circle of connoisseurs. After the Second World War, his business interests extended to Hong Kong, and his life came to be divided between Hong Kong and his home country. The ceramics offered here are principally from the Ming and Qing dynasties. For decades, they were displayed throughout the family residence, built in Hong Kong in the 1940s, among its living rooms and studies, quietly accompanying the daily life of a family shaped by taste, scholarship, and the pleasures of collecting.

Sotheby's. Chinese Art, Hong Kong, 30 October 2026