Paul Cézanne, The House of Dr. Gachet, Auvers-sur-Oise, 1873. Oil on canvas, 22 x 18 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler.

WASHINGTON, DC.- With great enthusiasm and excitement, The Phillips Collection its special exhibition of the Staechelin and Im Obersteg collections, on view now at the museum. Gauguin to Picasso: Masterworks from Switzerland, The Staechelin and Im Obersteg Collections pays tribute to two pioneering supporters of the arts, Rudolf Staechelin (1881–1946) and Karl Im Obersteg (1883–1969), both from Basel, who championed the work of Impressionist, Post-Impressionist, and School of Paris artists. This exhibition will be on view through January 10, 2016.  

The Phillips exhibits more than 60 celebrated paintings—masterpieces created during the mid-19th and 20th centuries by 22 world-famous artists—including Vincent van Gogh’s The Garden of Daubigny (1890), Pablo Picasso’s double-sided canvas Woman at the Theater / The Absinthe Drinker (1901), and Marc Chagall’s three monumental Rabbi portraits from 1914 Jew in Black and White, Jew in Green, and Jew in Red. 

Vincent van Gogh, The Garden of Daubigny, 1890. Oil on canvas, 22 x 40 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler.

Pablo Picasso, The Absinthe Drinker [verso: Woman at the Theater], 1901. Oil on canvas, 31 7/8 x 23 5/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Pablo Picasso, Woman at the Theater [verso: The Absinthe Drinker], 1901. Oil on canvas, 31 7/8 x 23 5/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Marc Chagall, Jew in Black and White, 1914. Oil on cardboard laid down on canvas, 39 3/4 x 31 1/2 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris

Marc Chagall, Jew in Green, 1914. Oil on cardboard laid down on fiberboard, 39 1/2 x 32 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris

Marc Chagall, Jew in Red, 1914. Oil on cardboard laid down on canvas, 39 3/4 x 31 7/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris

The exhibition also includes Paul Gauguin’s NAFEA faaipoipo (When Will You Marry?) (1892), a major painting from the artist’s first Tahitian stay that made headlines earlier this year, as reported by The New York Times, due to its sale by the Rudolf Staechelin Family Trust. The Phillips has the privilege of featuring this impressive masterwork from the Rudolf Staechelin Collection before the painting takes on new ownership at the end of the exhibition. 

Paul Gauguin, NAFEA faaipoipo (When Will You Marry?), 1892. Oil on canvas, 40 x 30 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler

“I am thrilled by the opportunity to bring such important and spectacular works to Washington—pieces that don’t normally travel,” says Dorothy Kosinski, Director of the Phillips and exhibition co-curator. “The exhibition shows the perspicacity of these two very important 20th-century patrons and supporters of modernism, and dovetails nicely with the history of collectors in this country, including our own founder, Duncan Phillips. As a Swiss citizen and longtime resident of Basel who had the privilege to accomplish exhibition projects there, I understand fully the importance of these collections and how they reflect the extraordinary cultural vitality of a city I love so much.” 

Amedeo Modigliani, Portrait of Mrs. Dorival, c. 1916. Oil on canvas, 24 x 15 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © Mark Gisler, Müllheim

The exhibition provides a platform to distinguish collecting philosophies and situate them within the history and reception of modern art. Although they shared a passion for powerful and expressive color found in French painting, Staechelin and Im Obersteg took varied approaches in their collecting, as an examination of their key acquisitions reveals. While Staechelin worked exclusively with dealers to assemble a valuable selection of Impressionist and Post-Impressionist paintings in a very short time, Im Obersteg purchased important examples from the School of Paris throughout his lifetime, guided by his friendship with artists. Like his Swiss contemporaries, Duncan Phillips shared an enthusiasm for the work of many of the same artists represented in the Staechelin and Im Obersteg collections, and he used his instinct, knowledge, and extensive contacts with dealers and artists to acquire modern masterpieces for his museum. All three patrons were inspired by the art of their time, supporting modern art and purchasing works they liked even if it meant going against popular taste. The 61 works brought together in this exhibition facilitate conversations between internationally important collections formed before, during, and after World War I. Examples by Cézanne, Kandinsky, Manet, Modigliani, Monet, Redon, Renoir, and others will find their counterparts in the galleries of The Phillips Collection. Additionally, dialogues will be introduced by artists new to the Phillips, notably the Swiss Modernists Cuno Amiet and Ferdinand Hodler, as well as the unusually rich group of works by Russian Expressionist Alexej von Jawlensky.  

Pablo Picasso, Sleeping Nude, 1934. Oil on canvas, 13 x 21 5/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel ©2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

The presentation of Gauguin to Picasso: Masterworks from Switzerland, The Staechelin and Im Obersteg Collections at the Phillips marks the first occasion for these collections to be exhibited together in the United States. The exhibition is co-organized by the Museo Nacional Centro de Arte Reina Sofía, in Madrid, where loans from the Staechelin and Im Obersteg collections are on view through September 14, 2015.

Pablo Picasso, Harlequin with Black Mask, 1918. Oil on wood, 45 5/8 x 35 in. The Rudolf Staechelin Collection © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Paul Cézanne, Glass and Apples, 1879–1882. Oil on canvas, 12 3/8 x 15 3/4 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler

Claude Monet, Calm Weather, Fécamp, 1881. Oil on canvas, 23 5/8 x 29 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler

Camille Pissarro, Quarry, Pontoise, c. 1874. Oil on canvas, 22 7/8 x 28 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler

Chaïm Soutine, Still Life with Violin, Bread, and Fish, c. 1922. Oil on canvas, 25 5/8 x 21 1/4 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel. Photo © Mark Gisler, Müllheim. Image © 2015 Artists Rights Society (ARS), New York

Pierre-Auguste Renoir, Gabrielle, c. 1910. Oil on canvas, 16 x 12 5/8 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler

Wassily Kandinsky, Study of Murnau‒Landscape with Church, 1909. Oil on cardboard, 13 x 17 3/4 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York.

Ferdinand Hodler, Mont-Blanc with Pink Cloud, 1918. Oil on canvas, 23 2/3 x 33 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler

Ferdinand Hodler, The Patient, painted 1914, dated 1915. Oil on canvas, 13 3/4 x 10 5/8 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler

Suzanne Valadon, The Frog, 1910. Pastel and oil on paper laid down on cardboard, 23 x 19 1/2 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © Mark Gisler, Müllheim

Georges Rouault, Landscape with Red Sail, 1939. Oil on paper laid down on gauze, 19 3/4 x 33 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel. Photo © Mark Gisler, Müllheim. Image © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris

Vincent van Gogh, Head of a Woman, 1887. Oil on canvas, 16 x 12 3/4 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler 

Alexej von Jawlensky, Self-Portrait, 1911. Oil on linen-finish cardboard, 21 1/4 x 20 1/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York

Cuno Amiet, Bouquet of Carnations, 1916. Oil on canvas, 23 5/8 x 21 5/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © Mark Gisler, Müllheim